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All Journal Pendas : Jurnah Ilmiah Pendidikan Dasar Jurnal Igel: Journal of Dance
I Dewa Ayu Galuh Intan Rakasiwi
Institut Seni Indonesia Denpasar
Arts Humanities Other

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Tari Telek Nyandar Ati Sebuah Inspirasi dari Tapel Ni Swarni I Dewa Ayu Galuh Intan Rakasiwi; Gusti Ayu Ketut Suandewi; Kompyang Gede Widnyana
Jurnal IGEL : Journal Of Dance Vol 2 No 1 (2022): Terbitan Pertama Bulan Juni tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v2i1.1600

Abstract

Telek dance is a dance that uses tapel, has a smooth character, is identical to using a fan property. Telek Nyandar Ati dance is a work that was born from research. This dance is inspired by a tapel in the Intaran Traditional Village, Sanur Kauh region, namely Tapel Ni Swarni. This dance has its own peculiarities starting from the beginning of the creation, form, and function of the Telek Nyandar Ati Dance. This study uses a qualitative method with an aesthetic and socio-historical approach. Data obtained through observation, structured interviews and unstructured interviews, and indirectly through literature study, as well as documentation. On this occasion the researcher took the MBKM policy for the Research or Research program with the object of research being the Telek Nyandar Ati Dance, an inspiration from Ni Swarni's tape. Telek Nyandar Ati dance is a work inspired by Ni Swarni's tapel. Ni Swarni's tape is the result of Ida Pedande Made Sideman's imagination of a very beautiful woman who he loves very much, namely Ni Swarni, who is his wife. The Telek Nyandar Ati dance is a group dance danced by six dancers consisting of three telek dancers and three male dancers as pengabih. The Telek Nyandar Ati dance is a work that started with a research. It has the following performance structure: metaki-taki, pamahbah, pengawak, pengecet, and ngewaliang pragina. This dance was originally functioned as an idealistic performance, then along with its journey functioned as an accompaniment dance when sesuhunan at the Dalem Pacekan Penestanan Penestanan Temple napak pertiwi.   Keywords: Ni Swarni, Nyandar Ati, telek
Tari Telek Nyandar Ati Sebuah Inspirasi dari Tapel Ni Swarni Rakasiwi, I Dewa Ayu Galuh Intan; Suandewi, Gusti Ayu Ketut; Widnyana, Kompyang Gede
Jurnal IGEL : Journal Of Dance Vol 2 No 1 (2022): Terbitan Pertama Bulan Juni tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (173.784 KB) | DOI: 10.59997/journalofdance.v2i1.1600

Abstract

Telek dance is a dance that uses tapel, has a smooth character, is identical to using a fan property. Telek Nyandar Ati dance is a work that was born from research. This dance is inspired by a tapel in the Intaran Traditional Village, Sanur Kauh region, namely Tapel Ni Swarni. This dance has its own peculiarities starting from the beginning of the creation, form, and function of the Telek Nyandar Ati Dance. This study uses a qualitative method with an aesthetic and socio-historical approach. Data obtained through observation, structured interviews and unstructured interviews, and indirectly through literature study, as well as documentation. On this occasion the researcher took the MBKM policy for the Research or Research program with the object of research being the Telek Nyandar Ati Dance, an inspiration from Ni Swarni's tape. Telek Nyandar Ati dance is a work inspired by Ni Swarni's tapel. Ni Swarni's tape is the result of Ida Pedande Made Sideman's imagination of a very beautiful woman who he loves very much, namely Ni Swarni, who is his wife. The Telek Nyandar Ati dance is a group dance danced by six dancers consisting of three telek dancers and three male dancers as pengabih. The Telek Nyandar Ati dance is a work that started with a research. It has the following performance structure: metaki-taki, pamahbah, pengawak, pengecet, and ngewaliang pragina. This dance was originally functioned as an idealistic performance, then along with its journey functioned as an accompaniment dance when sesuhunan at the Dalem Pacekan Penestanan Penestanan Temple napak pertiwi.   Keywords: Ni Swarni, Nyandar Ati, telek
TARI RATU SANGHYANG DEDARI TUNJUNG BIRU DI BANJAR PUJUNG KAJA, TEGALLALANG, GIANYAR Rakasiwi, I Dewa Ayu Galuh Intan; Arshiniwati, Ni Made; Budiarsa, I Wayan
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 9 No. 2 (2024): Volume 09 No. 2 Juni 2024
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v9i2.15205

Abstract

Tari Ratu Sanghyang Dedari Tunjung Biru di Banjar Pujung Kaja, Tegallalang, Gianyar, merupakan warisan budaya yang kaya akan nilai-nilai sakral dan artistik. Penelitian ini bertujuan untuk mengungkapkan aspek-aspek penting dari Tari Ratu Sanghyang Dedari Tunjung Biru di Banjar Pujung Kaja, Tegallalang, Gianyar. Tarian ini merupakan perwujudan magis dari Ratu Sanghyang Dedari yang memberikan anugerah dan kesejahteraan kepada masyarakat Desa Adat Talepud, Banjar Pujung Kaja, Tegallalang. Penelitian ini menggunakan metode kualitatif dengan fokus penelitian terletak pada aspek bentuk, fungsi, dan upaya masyarakat dalam melestarikan tarian tersebut. Hasil penelitian menunjukkan bahwa Tari Ratu Sanghyang Dedari Tunjung Biru adalah tarian sakral yang diwarisi turun-temurun. Prosesi tarian ini memiliki struktur yang terdiri dari nusdus, masolah, dan munggah. Tapakan Tari Ratu Sanghyang Dedari Tunjung Biru, yang merupakan penari utama, menjalani proses pemilihan dan ritual penyucian sebelum pertunjukan. Struktur tarian ini mencerminkan kesatuan harmonis disetiap elemen pertunjukannya. Tata rias dan busana tarian ini juga memiliki nilai simbolik yang mendalam Penelitian ini memberikan pemahaman yang mendalam tentang keberadaan dan pentingnya melestarikan Tari Ratu Sanghyang Dedari Tunjung Biru sebagai bagian dari warisan budaya Bali.. Dengan demikian, dokumentasi hasil penelitian ini diharapkan dapat memberikan kontribusi dan menjadi tambahan literatur yang bermanfaat bagi akademisi dan masyarakat dalam menjaga dan menghargai keberagaman seni dan budaya di Indonesia, khususnya di Banjar Pujung Kaja, Tegallalang, Gianyar.
Co-Authors Gst.Ayu Ketut Suandewi I Wayan Budiarsa Kompyang Gede Widnyana Ni Made Arshiniwati Widnyana, Kompyang Gede