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All Journal Jurnal KATA : Penelitian tentang Ilmu Bahasa dan Sastra Menara Ilmu Journal of Language Development and Linguistics
Zulfardi Darussalam
Universitas Pamulang
Agriculture, Biological Sciences & Forestry Computer Science & IT Education Languange, Linguistic, Communication & Media

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SOSOK WANITA DALAM NOVEL DENTANG-DENTING KRISTAL KARYA ANNA R . NAWANING Suatu Kajian Sosiologis D, Zulfardi
Menara Ilmu Vol 13, No 2 (2019): Vol. XIII No. 2 Januari 2019
Publisher : LPPM Universitas Muhammadiyah Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33559/mi.v13i2.1201

Abstract

This study aimed to describe the woman in the novel-Clink Clank by Anna R.Kristal Nawaming with the help of the discripline of sociology. Research using descriptivemethods. This method serves to see and describe the data contained in the novel. Theobject of the research is novel-Clink Clank by Anna R. Kristal Nawaning published ZikrulYouth, Jakarta, in 2004.Keywords: descriptive methods, sociology
EKRANISASI NOVEL SURGAYANGTAKDIRINDUKAN KARYA ASMA NADIA KE FILM SURGAYANGTAKDIRINDUKAN KARYA SUTRADARA KUNTZ AGUS Zulfardi D, Dina Yati Putri Buana
Menara Ilmu Vol 12, No 7 (2018): vol. XII No. 7 Juli 2018
Publisher : LPPM Universitas Muhammadiyah Sumatera Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33559/mi.v12i7.859

Abstract

The transfer of the novel into a movie will lead to changes. That's because the process of makingthe novel and the film are very different. Different processes will produce somewhat different resultsjuga.Dalam movie without explaining to the audience what was happening, the audience itself hasbeen understood through movement and images shown, while in the novel the reader to imagineexempted in accordance with what they think. To bridge the misunderstanding of society (lovers ofliterature) to the film adaptation of the literary work (novel), this research needs to be done. This is sothat people can see the film as a film without overshadowed by his literary work (novel).This study aimed to: describe the novel ekranisasi Surga yang Tak Dirindukan Asma Nadia worksinto films by director Kuntz Agus Surga yang Tak Dirindukan.This study is a qualitative study usingdescriptive methods. Data of this study is novel Heaven episode story that Asma Nadia Tak missedwork and the film Heaven Not missed by director Kuntz Agus. Data was collected through three stages,namely; The first step is to read the novel Heaven is not missed work Asma Nadia, followed bywatching the movie Heaven Not missed by director Kuntz Agus. Phase Two is the inventory, to identifyelements of the novel and the film Heaven is not missed.The third phase is the classification of data into the data format. The data validation techniquesdetailed description of the technique. Analyzing technique is done with the theory ekranisasi. Based onthe results of the study, concluded the following. First, a reduction in part ceritan novel Heaven AsmaNadia Tak missed work in the film Heaven is not missed by director Kuntz Agus. Secondly, there wasan additional episode in the story in the film Heaven is not missed by director Kuntz Agus. Third, thereis a change of variety of events, characters and background story episode in the film Heaven is notmissed by director Kuntz Agus. Subtraction, addition and alteration variation on the novel and the filmHeaven There may be missed characters, plot and setting. Such changes may result in changes ofmeaning and story standpoint.
KAJIAN MIMESIS REFLEKSI DAN REFRAKSI REALITAS IMAJINATIF DAN REALITAS OBJEKTIF NOVEL WARISAN CHAIRUL HARUN darussalam, zulfardi
Jurnal KATA Vol 1, No 1 (2017): Jurnal Kata : Penelitian tentang Ilmu Bahasa dan Sastra
Publisher : Lembaga Layanan Pendidikan Tinggi (LLDIKTI) Wilayah X

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (142.972 KB) | DOI: 10.22216/jk.v1i1.1214

Abstract

This research used to use nimesis approach with descriptive qualitative method wich described the social phenomena in a novel. These phenomena are (1) the illegal sex intercourse, (2) the divorcement (3) the system of patrimony sharing, and (4) the family relationship. The data are consist of the imaginative reality data which came from Warisan, a novel by Charul Harun, (2) the objective reality which are obtained from 30 teachers of secondaries schools (SLTA dan SLTP)  in Bukttinggi. Both of these data were analysed and compared. The finding show that the imaginative reality is the reflection and refraction of the objective reality. As the conclusion, Warisan was a reflection of social problems which found in the society. 
Ritual Body Dramaturgy in Turuk Laggai in the Pabetei Ritual of the Mentawai Community Dian Permata Sari,; Zulfardi Darussalam; Afifuddin; Rasyidin; Haria Nanda Pratama
Journal of Language Development and Linguistics Vol. 5 No. 1 (2026): February 2026
Publisher : PT FORMOSA CENDEKIA GLOBAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55927/jldl.v5i1.16610

Abstract

Turuk Laggai is a ritual practice of the Mentawai people that is closely related to the Arat Sabulungan belief system, the ritual body, and the ecological relationship of the community with nature. The development of cultural tourism and social change has caused Turuk Laggai to shift in function from a sacred practice to a cultural performance, thus raising questions about the position of Turuk Laggai as a spiritual ritual or performative spectacle. This study aims to analyze the dramaturgy of the ritual body in Turuk Laggai in the Pabetei ritual of the Mentawai people through a performance studies approach. The focus of the research is directed at the Sikerei body, animal movement mimesis, Gajeuma music, and the performative atmosphere of the ritual. The study uses a qualitative method with a descriptive-interpretive approach. Data were obtained through literature studies, audiovisual documentation, and a review of previous research on Turuk Laggai and Mentawai community rituals. The analysis was conducted using a performance studies perspective to examine the relationship between the body, sound, ritual space, and spiritual experience in ritual performances. The results show that the Sikerei body works as a symbolic medium that connects humans with ancestral spirits and nature through body rhythm, movement repetition, trance, and animal mimesis. Ritual movements serve not only aesthetic functions but also represent the ecological and cosmological experiences of the Mentawai people. Gajeuma music plays a role in building a performative ritual atmosphere through repetitive rhythmic patterns that strengthen the emotional and spiritual experiences of the community. This research shows that Turuk Laggai is a form of total performance that presents an integration of body, music, space, and spirituality in a unified ritual aesthetic of the Mentawai people. This research is expected to contribute to the development of studies of ritual performing arts, particularly those related to the body, performativity, and cultural knowledge of indigenous communities in Indonesia.
Co-Authors Afifuddin Afifuddin Dian Permata Sari, Rasyidin