Article Per Year (5 Year)
p-Index From 2020 - 2025
1.829
P-Index
This Author published in this journals
All Journal LingTera Segara Widya: Jurnal Penelitian Seni specta: Journal of Photography, Arts, and Media Gestalt : Jurnal Desain Komunikasi Visual Ghurnita: Jurnal Seni Karawitan Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Keperawatan Global Art Creativity Conference
Tisna Andayani, Ni Putu
Institut Seni Indonesia Denpasar
Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Medicine & Pharmacology Nursing Public Health Social Sciences

Published : 13 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 5 Documents
Search
Journal : Ghurnita: Jurnal Seni Karawitan

 1 
Tabuh Lelambatan Klakat Sudhamala: A New Creative Musical Composition | Tabuh Lelambatan Klakat Sudhamala: Sebuah Komposisi Karawitan Kreasi Baru I Gede Janu Merta Yasa; Ni Putu Tisna Andayani
GHURNITA: Jurnal Seni Karawitan Vol 1 No 1 (2021): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v1i1.191

Abstract

The process of creating works of art, especially musical art, has begun to develop following the times. The development is in the process of creativity in the creation of musical art, it can be seen from the musical elements in musical art. In musical art it is very important in the process of creating a strong work of art for a renewal of tradition so that it can be said as creative music. The composer is interested to appoint the klakat sudamala which is woven bamboo as a braid of the composition of the drum percussion which is woven bamboo as an interwoven composition of the percussion of tabuh lelambatan collaborated in the gamelan Gong Kebyar as a medium of expression by using the two percussion pattern as the structure of the composition.The composer certainly has intends to achieve his goal, so that his work has a meaning to be used as the accompaniment of instruments (tabuh) when holding a yadnya ceremony in his village. The creative process of creating the composition tabuh dua "Klakat Sudamala" is inseparable from the process of creating works of art by Alma M Hawkins. Hopefully, the creation of the tabuh lelambatan contributes to the village in particular and to the Balinese musical world in general.  
Karawitan composition “Balengku” | Komposisi Karawitan Inovatif “Balengku” I Komang Widiartha; Ni Putu Tisna Andayani
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1194

Abstract

Balengku is an innovative musical composition by developing two different cultures. This material was created and inspired by the acculturation process in Lombok. Balengku's work was incorporated into the gamelan klentang media as the main instrument and added several gamelan instruments found in the gamelan gong kebyar barungan. The two instruments are combined to realize the concept of acculturation as a source of ideas in this work. This composition is realized using the Tri Angga structure and also gives a touch to the gending structure in Lombok. This Balengku material was made using qualitative methods through a process of observation, interviews, and also a literature study, then in the process of pouring ideas it was carried out using the exploration stage, improvisation stage and formation stage.
Tabuh Lelambatan Klakat Sudhamala: A New Creative Musical Composition | Tabuh Lelambatan Klakat Sudhamala: Sebuah Komposisi Karawitan Kreasi Baru I Gede Janu Merta Yasa; Ni Putu Tisna Andayani
GHURNITA: Jurnal Seni Karawitan Vol 1 No 1 (2021): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v1i1.191

Abstract

The process of creating works of art, especially musical art, has begun to develop following the times. The development is in the process of creativity in the creation of musical art, it can be seen from the musical elements in musical art. In musical art it is very important in the process of creating a strong work of art for a renewal of tradition so that it can be said as creative music. The composer is interested to appoint the klakat sudamala which is woven bamboo as a braid of the composition of the drum percussion which is woven bamboo as an interwoven composition of the percussion of tabuh lelambatan collaborated in the gamelan Gong Kebyar as a medium of expression by using the two percussion pattern as the structure of the composition.The composer certainly has intends to achieve his goal, so that his work has a meaning to be used as the accompaniment of instruments (tabuh) when holding a yadnya ceremony in his village. The creative process of creating the composition tabuh dua "Klakat Sudamala" is inseparable from the process of creating works of art by Alma M Hawkins. Hopefully, the creation of the tabuh lelambatan contributes to the village in particular and to the Balinese musical world in general.  
Karawitan composition “Balengku” | Komposisi Karawitan Inovatif “Balengku” I Komang Widiartha; Ni Putu Tisna Andayani
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1194

Abstract

Balengku is an innovative musical composition by developing two different cultures. This material was created and inspired by the acculturation process in Lombok. Balengku's work was incorporated into the gamelan klentang media as the main instrument and added several gamelan instruments found in the gamelan gong kebyar barungan. The two instruments are combined to realize the concept of acculturation as a source of ideas in this work. This composition is realized using the Tri Angga structure and also gives a touch to the gending structure in Lombok. This Balengku material was made using qualitative methods through a process of observation, interviews, and also a literature study, then in the process of pouring ideas it was carried out using the exploration stage, improvisation stage and formation stage.
Music Creation Wajaprani | Tabuh Kreasi Wajaprani Surya Adinatha, Made Surya; Andayani, Ni Putu Tisna
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3409

Abstract

Coral rocks, as an iconic element of Bali's coast, have a central role in the island's art and culture. Music, musical arts and dance in Bali often use the character and unique shapes of coral rocks found along the coast to become inspiration for works of art. In Jembrana district, precisely in Pengeragoan village, there is Yeh Leh Beach, on this beach there are beautiful coral rocks which later became the inspiration for the creation of the creative percussion work entitled Wajaprani. The rock's sturdy character even when hit by waves is an inspiration for creating dynamic rhythms. with the character of the coral rocks on Yeh Leh Beach, the stylist thought it would be very suitable to use the medium of gamelan gong kebyar to implement the characters on the coral rocks.
Co-Authors Candrayana, Ida Bagus Eldiana Tri Narulita I G.A. Rai Rahayuni I Gede Janu Merta Yasa I Komang Widiartha Ida Bagus Candra Yana Made Rismawan Raharjo, Anis Surya Adinatha, Made Surya