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All Journal Narada : Jurnal Desain dan Seni Journal of Aesthetics, Creativity and Art Management
Nafasia, Sahadat
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”Kasama Weki” in the Architecture of the West Nusa Tenggara Weaving Museum Nafasia, Sahadat; Anggita, Diptya
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3695

Abstract

The aim of this research is to incorporate the wisdom of West Nusa Tenggara, Indonesia, into the design of the museum building, to preserve culture as a symbol of respect and love for the Indonesian homeland. The approach is carried out using a qualitative-correlational analysis approach to local socio-cultural activities and also using a conceptual design approach regarding design themes that highlight a cultural wisdom in Dompu called "Kasama Weki". "Kasama Weki" is the advice of Bima-Dompu West Nusa Tenggara which means togetherness, solidarity, kinship, justice, volunteerism (selfless), responsibility, active role of society as well as unity and oneness. This advice has locality and synergy values contained in the Bima-Dompu culture so that it can be applied in the design of the weaving museum building. "Kasama Weki" as an international tourist attraction is based on a series of cultural thematics as part of the design concept. The application of this theme is a symbol of respect and love for Indonesia's homeland so that it becomes an iconic architectural work as a contextual and communicative platform and as an educational tourist attraction and has the potential on the international stage to advance tourism and the creative economy which spurs improvements in the quality of Indonesian woven products in accordance with the spirit of Sustainable Development Goals (SDGs).
PEMETAAN ‘KEBAYA INDONESIA’ BERDASAR RAGAM BUSANA ATASAN PAKAIAN DAERAH DI INDONESIA Ardhiati, Yuke; Muchlison, Sonny; Pramestuti, Agustina Wilujeng; Nafasia, Sahadat
Narada : Jurnal Desain dan Seni Vol 10, No 1 (2023)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2023.v10.i1.003

Abstract

Kebaya has been recognized as the Indonesian national costume in Jawa, Bali, Lombok and Riau. Kebaya identified by kutuburu as fleas or bef, it roles as a 'bridge' for the pairs of folding collars, and also the kebaya silhouette itself. Even though it sustains since Colonials era and well known in aboard, unfortunately kebaya was not mentioned either in the Presidential Decree in 1972 and 1990, the Law of the Republic of Indonesia No. 9 of 2010 related to the dress code the State Events till the Presidential Regulation in 2018. All presidential regulations focussed on men when they will attend state events. Because it is not specifically stated, the position of the kebaya is interpreted as the equivalent of other regional clothing superiors. This is not realized by the community, so it is necessary to unite aspirations in order to be easier to submit to Kebaya Goes to UNESCO as a single nomination. This is a grounded research-based in qualitative research aims to mapping all various regional tops, into one terminology that can represent one meaning as Indonesian Kebaya. The research results in the form of mapping of the ‘Indonesian Kebaya' are expected to obtain a legality as THE KEBAYA INDONESIA, so that it is meaningful to support the Kebaya Indonesia Goes To UNESCO.
”Kasama Weki” in the Architecture of the West Nusa Tenggara Weaving Museum Nafasia, Sahadat; Anggita, Diptya
Journal of Aesthetics, Creativity and Art Management Vol. 3 No. 1 (2024): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jacam.v3i1.3695

Abstract

The aim of this research is to incorporate the wisdom of West Nusa Tenggara, Indonesia, into the design of the museum building, to preserve culture as a symbol of respect and love for the Indonesian homeland. The approach is carried out using a qualitative-correlational analysis approach to local socio-cultural activities and also using a conceptual design approach regarding design themes that highlight a cultural wisdom in Dompu called "Kasama Weki". "Kasama Weki" is the advice of Bima-Dompu West Nusa Tenggara which means togetherness, solidarity, kinship, justice, volunteerism (selfless), responsibility, active role of society as well as unity and oneness. This advice has locality and synergy values contained in the Bima-Dompu culture so that it can be applied in the design of the weaving museum building. "Kasama Weki" as an international tourist attraction is based on a series of cultural thematics as part of the design concept. The application of this theme is a symbol of respect and love for Indonesia's homeland so that it becomes an iconic architectural work as a contextual and communicative platform and as an educational tourist attraction and has the potential on the international stage to advance tourism and the creative economy which spurs improvements in the quality of Indonesian woven products in accordance with the spirit of Sustainable Development Goals (SDGs).
Co-Authors Diptya Anggita, Diptya Muchlison, Sonny Pramestuti, Agustina Wilujeng Yuke Ardhiati, Yuke