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NOMINALISASI DAN PERAN SEMANTIK DALAM PODCAST JOE ROGAN “ISRAEL IS STARTING WW3” Darmawan, Adhitya
KLAUSA (Kajian Linguistik, Pembelajaran Bahasa, dan Sastra) Vol 8 No 1 (2024): KLAUSA Vol 8 No 1 (2024)
Publisher : Ma Chung Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33479/klausa.v8i1.957

Abstract

This research focuses on nominalization, semantic roles or theta roles, and the functions of nominalizations in Joe Rogan’s Youtube Podcast entitled “Israel is Starting WW3”. This research is conducted based on two fundamental matters. The first one is that this research wants to reveal how the participants or speakers in the podcast create messages on this Israel-Palestine conflict since they are both American but one of them is middle-eastern mixed race. The second thing is due to the fact that there are still no research that combine the focus as what this research does which is the analysis of nominalizations, theta roles, and the functions of nominalizations. By combining these as the focus, this research aims to reveal not just on syntactic and semantic level but beyond those two approaches since this research also analyzes the functions of nominalization on the Podcast. This is a qualitative descriptive research for it’s data are multiple and holistically constructed and cannot be taken away from the context. In order to perform. The research findings show the total of 62 Data in both active and passive sentences. The findings also show that the roles are mostly agent-patient in active sentences and the functions are mostly to create framing of certain topic.
BENTUK, MAKNA LOGIS, DAN PERAN KONJUNGSI DALAM VIDEO TANGGAPAN ANIES BASWEDAN TERHADAP HASIL PILPRES INDONESIA 2024 DI YOUTUBE Darmawan, Adhitya; Rohmah, Nada Humaida; Sumarlam
Mahakarya: Jurnal Mahasiswa Ilmu Budaya Vol. 5 No. 1 (2024)
Publisher : IAIN Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/msjcs.v5i1.9082

Abstract

This research focuses on revealing the form, logical meaning, and role of conjunctions from the discourse of presidential candidate Anies Bawedan towards the results of the 2024 Indonesian presidential election. The focus of this research is done  by using a discourse analysis approach through the lens of Systemic Functional Linguistics, especially on conjunctions. The conjunction theory used belongs to Martin and Rose in Wiratno. The paradigm of this research is qualitative research because the nature of reality of this research is plural and constructed holistically based on its context. The data in this study were collected using purposive sampling technique. The method used in this research is the listening method (accessing and watching a video on YouTube entitled “Pesan Anies Baswedan Usai Kalah Quick Count, Minta Pendukung Relawan Lawan Kecurangan" uploaded on the MerdekaDotCom YouTube channel), with a follow-up technique, namely the note-taking technique by transcribing Anies Baswedan's oral speech in the video. The data analysis procedure of this research uses the discourse analysis model through description, interpretation, and ends with explanation. The results of this study show that 1) the external conjunction of addition is more often used by Anies Baswedan to expand events (ideology), 2) the internal conjunction that Anies often uses is the internal conjunction of inferential consequence to conclude the logic built previously. Keywords: conjunction, politician, Systemic Functional Linguistics, Discourse
The Types and Motives of Maxim Infringement in Agatha Christie’s Murder on The Orient Express Novel (Pragmatic Approach) darmawan, Adhitya; Nada Humaida Rohmah
SPHOTA: Jurnal Linguistik dan Sastra Vol. 16 No. 2 (2024): SPHOTA: Jurnal Linguistik dan Sastra
Publisher : Fakultas Bahasa Asing (FBA) Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/sphota.v16i2.8402

Abstract

This study performs a pragmatic analysis of Agatha Christie’s "Murder on the Orient Express," focusing on the intentional types and motives behind Grice’s conversational maxims infringement strategies. This research is descriptive qualitative that uses document analysis from the dialogues where the characters strategically infringe the maxims and find the motive(s) behind every infringement. The motives are namely withholding information, providing misleading details, using ambiguity, and creating communicative effects. This research uses domain, taxonomy, componential analysis, and cultural theme as well as inductive technique for the data analysis technique. The results show that there are 118 infringements of the maxims that fulfill the types of all the maxim of quality, quantity, manner, and relevance as well as the motives This research finds out that the story is dominated by the infringement of the maxim of relevance to control information flow which aligns with the novel’s purpose as a crime-solving detective novel. 
ENGLISH NOUNS AND VERBS MORPHOLOGICAL INFLECTION MISTAKES AMONG UNIBA’S TOEFL PREPARATION STUDENTS’ ASSIGNMENTS Darmawan, Adhitya
Wiralodra English Journal (WEJ) Vol. 8 No. 2 (2024): Wiralodra English Journal (WEJ)
Publisher : Universitas Wiralodra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31943/wej.v8i2.316

Abstract

This research attempts to find and describe the types and factors of English nouns and verbs morphological inflection from the student's assignments. This research can also be seen as one form of language development research since it also discusses the factors of the mistakes that the students commit in the making of the assignment. The assignment was to write a paragraph about anything in English then the outcome was analyzed to find the morphological inflection mistakes and classify the data based on the criteria. This research applies descriptive qualitative design and uses observation for the data collecting technique and later uses document analysis. The techniques in this research are Spradley's domain, taxonomy, and componential analysis. This research finds 16 data of inflectional mistakes that fulfill the three categories of the factors while the discussion shows that the factor following each type is dominated by unfamiliarity with inflectional rules whereas the dominant type of inflectional mistake is omission. The conclusion shows that the most common mistakes happen in nouns by the supports from Tomasello's Usage-based theory (2009). Finally, the students mostly fail on noun inflection because they are unfamiliar with the inflectional rules of nouns.
TYPES OF PROCESS IN THE CLAUSES OF EMINEM'S 'HOUDINI' SONG LYRICS: A TRANSITIVITY ANALYSIS Darmawan, Adhitya; Rohmah, Nada Humaida
Leksema: Jurnal Bahasa dan Sastra Vol. 10 No. 1 (2025)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v10i1.10829

Abstract

This article discusses a transitivity analysis under the scope of systemic functional linguistics and it focuses on the types of processes in the clauses of Eminem’s Houdini song lyrics. Apart from just the processes, this paper also aimed to know how each stage of the song lyrics has different numbers of processes, so that the social construction from the staging can be seen further. This research is qualitative-descriptive since the data are multiple and holistically constructed. The data were collected from the transcription of the song lyrics which were then analyzed by using Spradley’s (1980) model of analysis. The stages of the analysis comprise domain, taxonomy, componential, and cultural theme analysis. The results show that the song mostly uses relational identifying process with as many as 46 data. Next, the stage that has the most processes is the third verse with total 46 data. Additionally, the verses carry the main narrative and thematic contents so that they have more processes, often repetitive, than the other song sections. The conclusion is that relational identifying processes are mostly used to identify or show the presence of Eminem, Slim Shady, and the controversy Eminem brings in the new album as well as what he already brought in the old albums.