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All Journal Linguistics and Elt Journal TEKNOSASTIK
Hidayat, Chatrine Aulia
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Education Languange, Linguistic, Communication & Media

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Morphological Stylistic Analysis found in Langston Hughes’s Poem “Harlem” Zahara, Ayuna; Hidayat, Chatrine Aulia; Rangkuti, Rahmadsyah
Linguistics and ELT Journal Vol 11, No 2 (2023): December
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v11i2.20240

Abstract

This study conducts a morphological stylistic analysis of Langston Hughes's renowned poem "Harlem" with the overarching objective of identifying and categorizing the types of morphemes employed within the poem.  Moreover, this research seeks to determine the most dominant type of morpheme in the poem. The researchers used descriptive qualitative method in analyzing the data. Employing qualitative methods, the analysis focuses on identifying various morpheme types of free morpheme and bound morpheme, such as lexical, functional, derivational, inflectional morphemes. Through a line-by-line examination, the study scrutinizes the presence and role of morphemes in constructing the vivid and evocative imagery characteristic of "Harlem." In the result, the researchers found 16 lexical morphemes (nouns, verbs, adjectives, adverbs) 25 functional morphemes (pronouns, prepositions, articles, conjunctions), 7 inflectional and 3 derivational suffixes. Furthermore, the results of the analysis shows that the most dominant types of morphemes are functional morpheme.
Figure of Speech Stylistic Analysis on Selected Song Lyric in GUTS Album by Olivia Rodrigo Zahara, Ayuna; Hidayat, Chatrine Aulia; Rangkuti, Rahmadsyah
TEKNOSASTIK Vol 22, No 1 (2024): TEKNOSASTIK
Publisher : Universitas Teknokrat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33365/ts.v22i1.3861

Abstract

This study conducts a figure of speech stylistic analysis on selected song lyrics from Olivia Rodrigo's "GUTS" album, "The Grudge," "Lacy," and "Making the Bed." Grounded in the theoretical framework of K.L Knickerbocker and H Willard Reninger (1963), the analysis explores various figures of speech such as metaphor, simile, hyperbole, synecdoche, personification, metonymy, irony, paradox, and allusion. The research aims to unravel Olivia Rodrigo's stylistic choices and determine the most dominant figure of speech used in the selected songs. Data collection techniques in this study are: listen to the songs, read the songs lyric intensively, marking words, clauses, or sentences containing figure of speech proposed by K.L Knickerbocker and H. Willard Reninger (1963) and put it on a table. This study also determines the most dominant figures of speech are found in selected song’s lyrics in "GUTS" album by Olivia Rodrigo. Through a systematic analysis, the findings of this study found 142 figures of speech contained in the selected song lyrics, with hyperbole emerging as the most dominant. The findings highlight Rodrigo's adeptness in using linguistic devices to convey powerful messages and evoke emotions, contributing to a deeper understanding of the artistic and expressive qualities embedded in contemporary music lyrics.
Co-Authors Rangkuti, Rahmadsyah Zahara, Ayuna