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All Journal DeKaVe ANDHARUPA REKA ELKOMIKA: Jurnal Pengabdian kepada Masyarakat Indonesian Journal of Visual Culture, Design, and Cinema (IJVCDC) Jeskovsia (Jurnal Desain Komunikasi Visual Asia)
Renzina, Yudha Delonix
Unknown Affiliation
Arts Humanities Computer Science & IT Control & Systems Engineering Education Electrical & Electronics Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences

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The Use of New Media in a Virtual Website Exhibition A Mild "A Space" Renzina, Yudha Delonix
Indonesian Journal of Visual Culture, Design, and Cinema Vol. 2 No. 1 (2023): Indonesian Journal of Visual Culture, Design, and Cinema
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/ijvcdc.v2i1.9909

Abstract

The Covid-19 pandemic that hit various countries has limited the public's space movement in the community. The emergence of new rules in the new normal era makes difficult for artists to perform any art performances. A MILD as one of the biggest drivers of the economy in Indonesia held a virtual exhibition called "A space" through the power of the internet network. The appearance of this new media will facilitate the artists to be able to work again and help the public to continue enjoy the art in the pandemic era. The research method that used is descriptive exploratory analysis to examine the phenomena that are happening descriptively. The purpose of this research is to provide a discourse or view to the public as a new perspective in viewing an exhibition or work of art.
PERANCANGAN VIDEO EDUKASI ANIMASI PEMANFAATAN SAMPAH RUMAH TANGGA DENGAN MAGGOT DI SURABAYA: DESIGN OF AN ANIMATED EDUCATIONAL VIDEO ON UTILIZATION OF HOUSEHOLD WASTE WITH MAGGOT IN SURABAYA Nanang, Nanang Setiyoko; Afandi, Haekal Ridho; Renzina, Yudha Delonix
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 11 No. 1 (2025): Maret 2025
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Maggot berasal dari telur lalat black soldier dan menggunakan bahan organik sebagai sumber nutrisi utama untuk tumbuh dan berkembang. Dengan memanfaatkan siklus alami ini, maggot dapat mengubah sampah organik menjadi sumber daya yang bernilai, mengurangi dampak negatif terhadap lingkungan, dan mendukung pendekatan berkelanjutan dalam pengelolaan limbah. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif. Data dikumpulkan, dianalisis, dan diinterpretasikan, tidak hanya meneliti tentang pengolahan sampah organic penelitian juga mengembangkan video edukasi animasi mengenai pemanfaatan sampah rumah tangga dengan maggot. Pembuatan melalui tiga tahap utama: pra-produksi: persiapan, produksi: mewujudkan ide, dan pasca-produksi: penyempurnaan dan evaluasi. Penelitian ini tidak hanya melakukan riset, tetapi juga mengumpulkan data secara menyeluruh melalui berbagai metode, yaitu: observasi langsung, wawancara mendalam, studi pustaka yang komprehensif, dan survey yang terukur. Hasil dari penelitian menunjukkan bahwa video edukasi animasi ini mampu meningkatkan pemahaman masyarakat mengenai pengolahan sampah organik dengan maggot dan dampaknya terhadap pelestarian lingkungan. Melalui pendekatan kreatif dan informatif, video ini berhasil memberikan kontribusi nyata dalam meningkatkan kesadaran serta partisipasi aktif masyarakat untuk menciptakan lingkungan yang lebih bersih, sehat, dan berkelanjutan.
Perancangan Poster Siwarga GPA (Griya Pesona Asri) Sebagai Media Informasi Inovasi Teknologi Lomba INOVBOYO 2023 Afandi, Haekal Ridho; Renzina, Yudha Delonix
Jurnal Desain Komunikasi Visual Asia Vol 8 No 01 (2024): Jeskovsia 8.1
Publisher : Lembaga Penelitian Pengembangan dan Pengabdian Kepada Masyarakat STMIK Asia Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32815/jeskovsia.v8i01.970

Abstract

Penelitian ini fokus membahas tentang poster website Siwarga GPA (Griya Pesona Asri) sebagai media penyalur informasi terkait fungsi website untuk kebutuhan pemberkasan dalam proses pendataan kependudukan warga dalam suatu wilayah. Poster tersebut juga berfungsi memberikan informasi terhadap vitur website Siwarga GPA yang ikut serta dalam Lomba Inovasi Teknologi INOVBOYO 2023 sebagai media promosi dan informasi untuk memahami website tanpa harus mencobanya. Poster website Siwarga GPA adalah himbauan penggunaan dan cara kerja program dengan tujuan tersebut penulis mencari data dengan memakai metode kualitatif dan juga teknik analisis data yang digunakan ialah SWOT untuk landasan pembuatan poster dari komposisi, gambar, tipografi dan warna yang sesuai dengan website tersebut serta mempertimbangkan keinginan visualisasi dari beberapa pihak terkait. Dari latar belakang dan tujuan mengikuti Lomba Inovasi Teknologi INOVBOYO 2023 tersebut perancangan media informasi poster website Siwarga GPA dibuat.
Analisis Tipografi pada Poster Film Horor Indonesia Tahun 2022 El Chidtian, Aileena Solicitor Costa Rica; Renzina, Yudha Delonix
Jurnal Desain Komunikasi Visual Asia Vol 8 No 01 (2024): Jeskovsia 8.1
Publisher : Lembaga Penelitian Pengembangan dan Pengabdian Kepada Masyarakat STMIK Asia Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32815/jeskovsia.v8i01.975

Abstract

Poster film horor seringkali menjadi media penting dalam menarik perhatian penonton potensial dan menggambarkan esensi film. Tipografi dalam poster tersebut memainkan peran krusial dalam menyampaikan pesan dan suasana film. Beberapa hal yang menonjol dalam analisis tipografi pada poster film horor Indonesia tahun 2022 adalah pemilihan jenis huruf, ukuran, warna, dan tata letak. Dalam banyak poster film horor, jenis huruf seringkali memiliki karakter seram untuk menciptakan atmosfer yang menegangkan. Ukuran dan tata letak teks juga menjadi faktor penting. Beberapa poster memilih untuk mengekspos judul film dengan huruf besar dan mencolok untuk menangkap perhatian, sementara yang lain memilih tampilan yang lebih subtan dengan teks yang lebih kecil untuk menciptakan misteri. Warna juga memiliki peran penting dalam tipografi poster film horor. Dominasi warna gelap, seperti hitam, merah gelap, atau ungu, umumnya digunakan untuk menciptakan suasana yang menakutkan. Penelitian ini menggunakan metode kualitatif deskriptif dengan pendekatan prinsip-prinsip tipografi yaitu legibility, readibility, visibility dan clarity. Hasil penelitian dan analisis, dapat ditarik kesimpulan bahwa, rata-rata tipografi film horor Indonesia di tahun 2022 menggunakan jenis font dekoratif untuk menciptakan kesan misteri dan kemudian dimodifikasi dengan efek visual untuk menambah kesan horor secara visual. Berdasarkan teori prinsip-prinsip tipografi rata-rata poster film horor Indonesia di tahun 2022 masih memperhatikan teori tersebut dan memenuhi kaidah tipografi.
Comparative Study: Understanding the Visual Identity of Batik Brands in Indonesia El Chidtian, Aileena Solicitor Costa Rica; Arifianto, Pungky Febi; Renzina, Yudha Delonix
DeKaVe Vol 17, No 2 (2024): DeKaVe Vol. 17 No. 2 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/dkv.v17i2.13888

Abstract

This research is a comparative study of the visual identity of batik brands in Indonesia, which aims to identify the differences and similarities in the visual elements of various leading batik brands. Brand visual identity is an important aspect of marketing efforts, because it reflects the image and values that a company wants to convey to consumers. In the context of batik, which is Indonesia's cultural heritage, visual identity is becoming increasingly important as a way to maintain traditional values while remaining relevant in the modern market. The aim of this research is to understand the meaning and dynamics behind the visual identity of a batik brand. This research analyzes the visual symbols of 4 leading batik brands in Indonesia which are analyzed and compared with each other using a qualitative comparative analysis method. The research results show that although many batik brands emphasize traditional elements in their visual identity, there is significant variation in how these brands adapt modern elements to appeal to different market segments. Some brands emphasize traditional motifs with natural colors, while others combine contemporary elements to create a more modern and minimalist impression. Additionally, it was found that brands that focus more on international markets tend to adopt a more universal and simple visual style, compared to brands that focus more on the domestic market which often maintain local uniqueness in their designs
PRODUCT PHOTO SUPERVISION AND INTProduct Photo Supervision and Integration in Digital Based Catalog Content for Bandeng Radit UMKMEGRATION IN DIGITAL BASED CATALOG CONTENT FOR BANDENG RADIT UMKM Suminto, Miftahul Adi; Renzina, Yudha Delonix; Fitrani, Laqma Dica; Yuniar, Alfian Bekti; Rafi, Altha Muhammad
REKA ELKOMIKA: Jurnal Pengabdian kepada Masyarakat Vol 6, No 3 (2025): Reka Elkomika
Publisher : Institut Teknologi Nasional, Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26760/rekaelkomika.v6i3.256-268

Abstract

This activity was carried out as an effort to improve the ability of Bandeng Radit MSMEs to produce high-quality product photos and integrate them into digital catalog content, which is used as a promotional strategy on social media and digital catalog-based product information content. The main problems faced by partners are limited skills in lighting techniques, visual composition, and the use of digital platforms to market processed products such as presto milkfish, milkfish otak-otak, and grilled milkfish. Training participants were introduced to product photography techniques using smartphones through the Strobist Technique approach, namely the use of artificial light sources such as external flashes and portable softboxes to produce professional lighting in product photos. This activity was carried out using a participatory workshop method that included counseling on basic product photography theory, demonstrations of lighting techniques, shooting practice, editing techniques using applications, and integration of photo results into digital catalogs through the Figma application. Lightroom Mobile the training results showed significant improvements in technical skills, understanding of visual aesthetics, and basic understanding of digital promotion. Product photos produced by partners became more visually consistent, had balanced lighting, and were able to strengthen the brand image of Bandeng Radit MSMEs. This activity also contributes to empowering the local economy based on digitalization and serves as an applied training model for developing the capacity of MSMEs in the creative culinary sector.
Co-Authors Afandi, Haekal Ridho Aileena Solicitor Costa Rica El Chidtian Fitrani, Laqma Dica Miftahul Adi Suminto Pungky Febi Arifianto Rafi, Altha Muhammad Setiyoko, Nanang Yuniar, Alfian Bekti