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A PHONEMIC ANALYSIS BETWEEN ENGLISH AND INDONESIAN IN “HEAVEN” SONG Anggraini, Leli; Sinaga, Kelly; Sirait, Febrianto; Barus, Reulina Arita; Siahaan, Veronika Febryanti; Sitanggang, Anita
TRANSFORMATIONAL LANGUAGE, LITERATURE, AND TECHNOLOGY OVERVIEW IN LEARNING Vol. 1 No. 2 (2022): FEBRUARY
Publisher : Transpublika Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (288.554 KB) | DOI: 10.55047/transtool.v1i2.264

Abstract

This study compares and contrasts the phonetic systems of English and Indonesian in the lyrics to the song "Heaven." In order to teach students how to pronounce English with Indonesian phonemes, the research aims to compare and contrast the phonemes in song lyrics. Ten English consonant phonemes and ten Indonesian consonant phonemes are the focus of this study. A qualitative technique is used in the descriptive-contextual research methodology. Based on the types of phonemes, the technique design compares the phonemes in song lyrics written in English and Indonesian. The "Heaven" song lyrics, which are made up of 10 consonant phonemes, were discovered to share commonalities between the English and Indonesian phonemic systems. Ten consonants in the lyrics to the song "Heaven" represent the distinctions between the English and Indonesian phonetic systems.
Analysis of Figurative Language in Lyrics of Song “Glimpse of Us” By Joji Sitepu, Kristina; Sidabutar, Ribka Oktaviani; Sirait, Febrianto; Rajagukguk, Fretty Riana; Siregar, Christina Anita Elizabeth
International Journal Corner of Educational Research Vol. 2 No. 2 (2023): November 2023
Publisher : CV. Tripe Konsultan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54012/ijcer.v2i2.215

Abstract

This research examines the figurative language in Joji’s captivating English song, “Glimpse of Us”. The research drew its source from the international song website, www.azlyrics.com. The researchers meticulously analyzed the findings using a qualitative approach with a descriptive design. Remarkably, the song revealed a rich tapestry of figurative language encompassing seven distinct types. Allegory, the dominant form, emerged seven times, while metaphor emerged three times. Hyperbole and symbol each made two appearances, lending further depth and nuance to the composition. Additionally, the song employed apostrophe, repetition, and synecdoche once each, contributing to its overall lyrical magnificence. In terms of percentage, allegory comprised an impressive 41%, metaphor accounted for 18%, hyperbole, and symbol contributed 12%, and apostrophe, repetition, and synecdoche each held 6%.