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An insight On The Contemporary Islamic Art Of Brunei From 1984 To 2019 Pg Aliudin, Pg Mohd Rahiman; Rui Oliveira Lopes; Maslin bin Jukim/Jukin
Journal Ilmiah Rinjani : Media Informasi Ilmiah Universitas Gunung Rinjani Vol. 12 No. 1 (2024): Journal Ilmiah Rinjani: Media Informasi Ilmiah Universitas Gunung Rinjani
Publisher : LPPM Universitas Gunung Rinjani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53952/jir.v12i1.553

Abstract

As one of the Muslim-majority countries in Southeast Asia, Brunei Darussalam is not new when it comes to the production of contemporary Islamic artworks, with its local artists regularly showcasing their work in both local and international art exhibitions. However, it is notable that comprehensive academic investigations focusing on the field of Islamic art in Brunei remain noticeably absent. As a result, this study aims to address this gap by examining contemporary Islamic art in Brunei from 1984 to 2019, produced by its local Muslim artists. Employing a formal analysis approach, this study focuses on three primary aspects of the artworks to obtain an insight into the trends of the production: (1) date of production, (2) art media, and (3) artistic styles. A total of 384 visual artworks including drawings, paintings, sculptures, mixed media and installations were analysed. The year 1984 is selected as this study’s starting point due to its historical significance in Brunei’s trajectory, coinciding with its Independence Day. Since then, the country has experienced notable developments in its governance, economic stability, administrative reforms, religious institutions, educational enhancements, and, consequently, its art practices.
The Integration of Ethnoscience and Technology: A Review Yusof, Norazmie; Yaqin, Lalu Nurul; Pg Aliudin, Pg Mohd Rahiman; Mahali, Saidatul Nornis
International Journal of Ethnoscience and Technology in Education Vol 1, No 2 (2024): September
Publisher : Faculty of Engineering and Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/ijete.v1i2.11334

Abstract

This literature review critically examines the integration of ethnoscience and technology, highlighting the transformative impact of this amalgamation on the field of social sciences. Ethnoscience, with its focus on understanding the diverse ways in which human communities perceive and interact with their world, and ethnography, a methodology for the immersive study of cultures and social interactions, together provide a robust framework for exploring human cognition, behavior, and societal constructs. The review delves into the key principles of ethnoscience, emphasizing the development and significance of ethnography in anthropological research and the methodological flexibility required to address contemporary challenges. This study further explores the integration of technological innovations such as wearables, digital traces, and information and communication technology (ICT) into ethnographic studies, underscoring the opportunities and challenges presented by the digital era. The paper argues that the incorporation of technology not only expands the methodological toolkit available to researchers but also enhances the depth and breadth of ethnographic insights into socio-economic, policy, and environmental factors influencing technology adoption across various sectors. Despite the methodological, socio-economic, and infrastructural hurdles, the integration offers unprecedented opportunities for understanding complex social phenomena, contributing significantly to policy-making, community development, and technological innovation. This review underscores the necessity of evolving ethnographic practices to keep pace with technological advancements, fostering a deeper and more nuanced understanding of the intricacies of human life in the digital age.
An insight On The Contemporary Islamic Art Of Brunei From 1984 To 2019 Pg Aliudin, Pg Mohd Rahiman; Rui Oliveira Lopes; Maslin bin Jukim/Jukin
Journal Ilmiah Rinjani : Media Informasi Ilmiah Universitas Gunung Rinjani Vol. 12 No. 1 (2024): Journal Ilmiah Rinjani: Media Informasi Ilmiah Universitas Gunung Rinjani
Publisher : LPPM Universitas Gunung Rinjani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53952/jir.v12i1.553

Abstract

As one of the Muslim-majority countries in Southeast Asia, Brunei Darussalam is not new when it comes to the production of contemporary Islamic artworks, with its local artists regularly showcasing their work in both local and international art exhibitions. However, it is notable that comprehensive academic investigations focusing on the field of Islamic art in Brunei remain noticeably absent. As a result, this study aims to address this gap by examining contemporary Islamic art in Brunei from 1984 to 2019, produced by its local Muslim artists. Employing a formal analysis approach, this study focuses on three primary aspects of the artworks to obtain an insight into the trends of the production: (1) date of production, (2) art media, and (3) artistic styles. A total of 384 visual artworks including drawings, paintings, sculptures, mixed media and installations were analysed. The year 1984 is selected as this study’s starting point due to its historical significance in Brunei’s trajectory, coinciding with its Independence Day. Since then, the country has experienced notable developments in its governance, economic stability, administrative reforms, religious institutions, educational enhancements, and, consequently, its art practices.
The Integration of Ethnoscience and Technology: A Review Yusof, Norazmie; Yaqin, Lalu Nurul; Pg Aliudin, Pg Mohd Rahiman; Mahali, Saidatul Nornis
International Journal of Ethnoscience and Technology in Education Vol. 1 No. 2 (2024): September
Publisher : Faculty of Engineering and Applied Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33394/ijete.v1i2.11334

Abstract

This literature review critically examines the integration of ethnoscience and technology, highlighting the transformative impact of this amalgamation on the field of social sciences. Ethnoscience, with its focus on understanding the diverse ways in which human communities perceive and interact with their world, and ethnography, a methodology for the immersive study of cultures and social interactions, together provide a robust framework for exploring human cognition, behavior, and societal constructs. The review delves into the key principles of ethnoscience, emphasizing the development and significance of ethnography in anthropological research and the methodological flexibility required to address contemporary challenges. This study further explores the integration of technological innovations such as wearables, digital traces, and information and communication technology (ICT) into ethnographic studies, underscoring the opportunities and challenges presented by the digital era. The paper argues that the incorporation of technology not only expands the methodological toolkit available to researchers but also enhances the depth and breadth of ethnographic insights into socio-economic, policy, and environmental factors influencing technology adoption across various sectors. Despite the methodological, socio-economic, and infrastructural hurdles, the integration offers unprecedented opportunities for understanding complex social phenomena, contributing significantly to policy-making, community development, and technological innovation. This review underscores the necessity of evolving ethnographic practices to keep pace with technological advancements, fostering a deeper and more nuanced understanding of the intricacies of human life in the digital age.