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All Journal Jurnal Ilmiah Wahana Pendidikan Jurnal Igel: Journal of Dance
Putriandini, Putu Gita Rahayu
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Tari Aswamanu Putriandini, Putu Gita Rahayu; Suteja, I Kt.; Sudarta, I Gusti Putu
Jurnal Ilmiah Wahana Pendidikan Vol 9 No 22 (2023): Jurnal Ilmiah Wahana Pendidikan
Publisher : Peneliti.net

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.10136260

Abstract

The history of the sacred life of the people of Endut Hamlet, West Lombok Regency regarding This phenomenon became the trigger for the creation of a contemporary work entitled Aswamanu Dance. This creation uses the Manujar (human-horse) creation method, namely combining the Manujar (human-horse) creation method, which combines human movement and character with horse (horse) concept, creates the concept of dreams and reality. To analyze image theory and imagination, namely certain images according to the power possessed are implemented into motion motives. The stages are through the method of Creating Through Dance by Y. Sumadiyo Hadi namely; the stages of assessment, experimentation, and formation, as well as the theory of creativity by Nur Iswantara, namely the ability to produce something new. To realize the idea, the surrealist approach is used, which is a visual language that moves away from realism, by making it up or using imagination to reveal one's own visual style. Aswamanu's dance work is to tell the mystery of a human character resembling a horse, supported by nine female dancers, the musical accompaniment of MIDI (Musical Instrument Digital Interface) is performed on the proscenium stage.
Tari Jaran Endut, dari Cerita Rakyat ke Tari Kontemporer Putriandini, Putu Gita Rahayu; Sudibya, I Gusti Ngurah; Satyani, Ida Ayu Wayan Arya
Jurnal IGEL : Journal Of Dance Vol 1 No 1 (2021): Terbitan Pertama Bulan Juni
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (294.715 KB) | DOI: 10.59997/journalofdance.v1i1.823

Abstract

Jaran Endut Dance is a contemporary dance originating from the folklore of West Nusa Tenggara. Raising the history of the formation of Dusun Endut from the privilege of a horse. The idea of working on this work is the spirit of Jaran Endut in his long journey of helping the people of Pejarakan. The theme used is toughness. Toughness is manifested in the agility, dexterity, sharpness, and speed of the horse in moving. The creator felt challenged to bring an animal character; horse, into the human body. Visualizing the character of a horse requires agile body movements, expression and character deepening, so that the characteristics of the Jaran Endut dance can be conveyed. In addition, "silence" in Jaran Endut's work requires strong energy and physical strength so that the message can be conveyed properly. Humans do have to work hard, but silence is also important in order to choose the next step. The stages of manufacture use the Alma, M. Hawkins creation method, namely the exploration, improvisation, and forming. The structure of the dance work consists of sections 1, 2, and 3, with the form of a large group consisting of eight dancers who have close to compact body postures, thus showing the impression of moving. Accompanied by dance music in the form of MIDI by combining traditional and digital music so that the uniqueness of Jaran Endut I dance music appears. After this process has been running for 1 year, finally this work can be realized with the title of Jaran Endut (Motionless Horse)Keywords: Jaran Endut, Horse Character, Toughness
Co-Authors Satyani, Ida Ayu Wayan Arya Sudarta, I Gusti Putu Sudibya, I Gusti Ngurah Suteja, I Kt.