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Social Construction of Tourist in Choosing The Ullen Sentalu Museum as A Tourism Destination: - Septadinusastra, Vina Alvinia; Kurnia Sari, Rizkita
JURNAL KOMUNIKATIO Vol. 10 No. 1 (2024): Jurnal Komunikatio
Publisher : Universitas Djuanda Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30997/jk.v10i1.11645

Abstract

Yogyakarta as one of the preferred tourism destinations for domestic and foreign tourist. Tourist destination that prioritize on culture and history, creates its own charmed for tourist. One of the tourism destination brands in Yogyakarta is The Ullen Sentalu Museum, which offers a different and unique concept from other museums. Ullen Sentalu museum building had European architecture, all museum collection come from the first hand, there are educators guiding the tourist. The purpose of this study was to determine the social construction of tourist in choosing the Ullen Sentalu Museum as a tourist destination who travel frequently and active users of social media. The research method used was qualitative method with a case study approach. The result of this study were: (1) Tourist chosen the Ullen Sentalu Museum as their destination through word of mouth, (2) Social Media is used to provide testimonials to tourist who did not know or had never visited the Ullen Sentalu Museum, (3) The existence of educators in telling history by storytelling is a supporting factor that attracts tourists to come back again to Ullen Sentalu Museum.
REPRESENTASI GENDER DALAM FILM TELEVISI KISAH NYATA Handayanti, Asih; Septadinusastra, Vina Alvinia; Rahayu, Asri Sri; Haryadi Mujianto; Neni Yulianita
Jurnal Spektrum Komunikasi Vol 12 No 1 (2024): Jurnal Spektrum Komunikasi : March 2024
Publisher : LPPM Stikosa - AWS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37826/spektrum.v12i1.636

Abstract

The research was conducted on two Real Story FTV titles entitled "My Wife Is Like a Loaner Sucking My Money" and "My Feelings Are Being Played by My Husband". The research objective was to find out how gender is represented in Real Story FTV. This study uses a qualitative approach, with the method of critical discourse analysis model of Norman Fairclough. The analysis was divided into three stages, but the ones used in this study only reached the Text analysis stage (Micro level). The results of the study concluded that gender representation in the two FTV titles Real Stories is represented unequally, and causes gender bias. Many women are labeled as materialistic, money-crazed, usurpers, and men are labeled as someone who is unfaithful. The conclusion is that the media, through the FTV TV Show Real Stories, still represents gender unfairly, causing gender bias among the public to be difficult to eliminate.
Pemanfaatan Media Sosial sebagai Sarana Informasi dan Edukasi Posyandu Remaja Kelurahan Binong Kota Bandung Sari, Ratu Arti Wulan; Septadinusastra, Vina Alvinia; Nuroniyah, Hidayah; Maryam, Ima Siti
ABDIMASKU : JURNAL PENGABDIAN MASYARAKAT Vol 7, No 2 (2024): MEI 2024
Publisher : LPPM UNIVERSITAS DIAN NUSWANTORO

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62411/ja.v7i2.2241

Abstract

Usia remaja merupakan usia penting peralihan dari usia anak menuju usia dewasa. Pemerintah melalui Kementerian Kesehatan mencanangkan program Posyandu Remaja, agar para remaja dapat lebih dekat dan mudah mengakses berbagai hal terkait, pola hidup sehat hingga pencegahan kekerasan. Kelurahan Binong, salah satu Kelurahan di Kota Bandung sudah menerapkan Posyandu Remaja, seperti di RW 10 dengan nama Posyandu Remaja (Posrem) Apik. Namun, dalam memberikan informasi Posrem Apik masih menggunakan pesan teks pribadi antara Kader dan pemberian edukasi hanya saat kegiatan berlangsung, padahal usia remaja merupakan usia yang paling banyak menggunakan internet. Tujuan dari pengabdian ini agar para Kader Posrem dapat memanfaatkan media sosial sebagai sarana informasi dan edukasi khususnya edukasi kesehatan yang remaja butuhkan. Metode yang digunakan dalam pengabdian ini terdapat beberapa tahap yaitu, (a) persiapan awal, (b) pelatihan, (c) pendampingan dan pembuatan konten dan (d) monitoring serta evaluasi, kegiatan secara keseluruhan dilakukan selama 2,5 bulan. Hasil yang didapat dari pengabdian ini, Posyandu Remaja Apik sudah memiliki media sosial Instagram khusus untuk penyebaran informasi dan edukasi dengan nama @posrem.apik. Selain itu para Kader sudah mampu mempraktikan hasil dari pelatihan dan pendampingan dalam membuat beragam konten berupa Konten kegiatan & hiburan, Konten edukasi dan Konten informasi.
Eksistensi Drama Korea pada Masa Pandemik Covid-19 di Indonesia (Sebuah Kajian Budaya Populer Korea) Septadinusastra, Vina Alvinia
Media Nusantara Vol. 18 No. 1 (2021): April 2021
Publisher : Media Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30999/medinus.v18i1.1233

Abstract

The existence of Korean popular culture in Indonesia can not be doubted. One of the popular cultures of Korea that still exists in Indonesia is Korean drama. Since Korean drama first aired in 2002, Korean drama has remained the first choice program for some Indonesian viewer. This makes Korean drama more existent and popular as well as being the toughest competitor for the entertainment industry in Indonesia. The Covid-19 pandemic that hit all corners of the world did not detract from the existence of Korean dramas, even in Indonesia, in the Covid-19 pandemic there was a significant increase of new fans of Korean dramas. When the government makes a policy to conduct PSBB throughout Indonesia and all activities are carried out from home until productivity slowly begins to decrease, automatically the time will feel longer than before, so people need a diversion to kill the less of productive time. So, even though only stay at home for 24 hours every day, there are still activities that can be entertaining such as watching Korean dramas. At the time of the Covid-19 pandemic, Korean dramas did not disappear because in Korea, Korean dramas were still produced despite strict health protocols. This pandemic period seemed to be the right momentum to increase the popularity of Korean dramas throughout the world