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All Journal Panggung Journal of Music Science, Technology, and Industry (JOMSTI) PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan Edukasia: Jurnal Pendidikan dan Pembelajaran Awilaras
Reffali, Soni
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Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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EKSISTENSI SENI KETUK TILU KELOMPOK LINGKUNG SENI DAYA SUNDA DI KEBUN BINATANG BANDUNG Reffali, Soni; Jaenudin, Nanang
PANGGUNG Vol 33, No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.1998

Abstract

Since the year 1970, Ketuk Tilu of Lingkung Seni Daya Sunda has been able to maintain and expand his presence in Bandung Zoo. The goal of this research is to identify the factors that contribute to Ketuk Tilu Lingkung Seni Daya Sundas ability to thrive in society, particularly in the Bandung Zoo area. The theory used in this book is Alan P. Merriams functional theory. In contrast, the method used is a qualitative method with data collection techniques that focus on observation, interpretation, and documentation. The findings of this study show that Ketuk Tilu Lingkung Seni Daya Sunda in Bandung Zoo can sustain its existence by providing the following services to the community: 1) The Function of Emotional; 2) The Function of Entertainment; 3) The Function of Communication; dan 4) The Function of The Integration of Society. Keyword: Ketuk Tilu, Existence, Bandung Zoo
Pengembangan Keterampilan Bernyanyi Mahasiswa Difabel Nonfisik melalui Pelatihan Musik di Art Therapy Center Widyatama Reffali, Soni; Yully Hidayah; Siti Khumairo
Awilaras Vol 11 No 2 (2024): Seni : Sinergi Tradisi dan Teknologi
Publisher : LPPM ISBI Bandung

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Abstract This study aims to describe the process and outcomes of singing skill training for non-physical disabled students at the Art Therapy Center Widyatama. The research used a descriptive qualitative method, with observation and interviews as the main data collection techniques. The study found that the singing skill training was conducted through several stages, including basic technique introduction, singing practice, and performance evaluation. Despite some challenges during the training process, such as difficulties in adapting to the learning methods, the results show that students were able to significantly develop their vocal skills. These findings support the importance of adapting teaching methods to meet the specific needs of disabled students to maximize their potential in the field of music arts. Keywords: singing training, non-physical disabilities, music, arts education, adaptive teaching
Estetika Kolaborasi Musik Tradisi–Modern: Studi Kasus Komposisi Peucang oleh SORA Reffali, Soni; Yully Hidayah; Etti Suharti
Paraguna Vol 12 No 1 (2025): MUSIC AS PERFORMING ART
Publisher : LP2M ISBI Bandung

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Abstract

This article explores the aesthetic dynamics of collaboration between traditional and modern musical elements through a case study of Peucang, a composition by the music collective SORA (Sound of Heritage). The study focuses on how the integration of traditional Sundanese musical idioms with contemporary composition techniques produces a new musical expression rooted in local identity while being open to global sensibilities. The research employs an analytical-descriptive method by examining structural, thematic, and textural aspects of the composition. The findings reveal that Peucang embodies a dialogic approach, where traditional and modern elements are not juxtaposed superficially but interwoven into a cohesive musical language. This collaborative model demonstrates a pathway for sustainable cultural innovation, where tradition is not merely preserved but transformed and revitalized through creative reinterpretation. The article contributes to ongoing discourses on musical hybridity, cultural continuity, and the role of aesthetic agency in contemporary composition practices.
EKSISTENSI SENI KETUK TILU KELOMPOK LINGKUNG SENI DAYA SUNDA DI KEBUN BINATANG BANDUNG Reffali, Soni; Jaenudin, Nanang
PANGGUNG Vol 33 No 4 (2023): Eksistensi Tradisi dalam Narasi Seni Modern
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v33i4.1998

Abstract

Since the year 1970, Ketuk Tilu of Lingkung Seni Daya Sunda has been able to maintain and expand his presence in Bandung Zoo. The goal of this research is to identify the factors that contribute to Ketuk Tilu Lingkung Seni Daya Sunda’s ability to thrive in society, particularly in the Bandung Zoo area. The theory used in this book is Alan P. Merriam’s functional theory. In contrast, the method used is a qualitative method with data collection techniques that focus on observation, interpretation, and documentation. The findings of this study show that Ketuk Tilu Lingkung Seni Daya Sunda in Bandung Zoo can sustain its existence by providing the following services to the community: 1) The Function of Emotional; 2) The Function of Entertainment; 3) The Function of Communication; dan 4) The Function of The Integration of Society. Keyword: Ketuk Tilu, Existence, Bandung Zoo
Aksesibilitas dan Literasi Digital Musisi Independen dalam pemanfaatan Platform Distribusi Musik Believe Backstage Ramayuda, Rengga; Reffali, Soni; Daryana, Hinhin Agung
Journal of Music Science, Technology, and Industry Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

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Abstract

Purpose: This study analyzes the experiences of the independent band AidoAudio in utilizing the digital music distribution platform Believe Backstage. The purpose is to examine how digital accessibility and digital literacy affect the band's ability to manage releases, interpret analytics, and implement promotional strategies. This focus aims to uncover the challenges and opportunities faced by Indonesian independent musicians in the digital music ecosystem. Method: This study employs a qualitative method with an instrumental case study strategy. Data were collected through semi-structured interviews with band members, supported by documentation including dashboard screenshots, official tutorials, and pitching forms. Data analysis used thematic coding to identify patterns related to accessibility and digital literacy. Triangulation and member checking ensured data credibility. Result and Discussion: The analysis shows that AidoAudio has strong operational-technical literacy, allowing smooth release uploads and compliance with metadata standards. However, interpretative and strategic literacy, including analytics use and editorial pitching, remains limited. Administrative barriers at the early access stage require attention but do not directly block platform use. The interplay between accessibility and literacy indicates that effective digital distribution depends not only on platform availability but also on the band’s internal capacity to build legitimacy, manage informal channels, and leverage social networks. Implication: This study highlights the importance of multidimensional digital literacy for independent musicians, emphasizing that access without literacy results in partial utilization, whereas literacy without formal access does not ensure effective distribution. The findings provide a model for optimizing digital music distribution strategies in Indonesia.
Artificial Intelligence-Based Music as a Cultural Practice: A Socio-Anthropological Analysis of Creativity, Agency, and Algorithmic Mediation Guna, Buky Wibawa Karya; Sjoraida, Diah Fatma; Reffali, Soni; Dipura, Agus Sukarna; Hidayah, Yuly
EDUKASIA Jurnal Pendidikan dan Pembelajaran Vol. 5 No. 2 (2024): Edukasia: Jurnal Pendidikan dan Pembelajaran
Publisher : LP. Ma'arif Janggan Magetan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62775/edukasia.v5i2.2012

Abstract

The integration of artificial intelligence (AI) in music production is growing rapidly and has given rise to debates about creativity, authorship, and the role of human agents in cultural practices. While a number of previous studies have tended to highlight the technical, economic, or legal aspects of AI-based music, studies of its socio-anthropological implications are still limited. This research aims to analyze AI-generated music as a cultural practice that is at the intersection of human and machine agents. Using a qualitative socio-anthropological approach, this study applies digital ethnography and document analysis to AI music platforms, musical artifacts, and online public discussions that developed between 2022–2024. The findings show that AI-based music practices are characterized by the normalization of algorithmic sounds, increasing human-AI collaboration, unclear boundaries of authorship, the influence of algorithmic mediation on cultural visibility, as well as ambivalent listener responses. The results show that AI does not replace human creativity, but reconfigures music agencies through relational and curatorial practices shaped by the platform's infrastructure. The study concludes that AI-based music is a new socio-technical configuration in which creativity, meaning, and cultural authority are negotiated on an ongoing basis. The contribution of this research enriches the study of music anthropology, posthumanist theory, and critical discourse on cultural production in algorithmic societies.
Co-Authors AA Sudharmawan, AA Diah Fatma Sjoraida Dipura, Agus Sukarna Etti Suharti Guna, Buky Wibawa Karya Hidayah, Yuly Nanang Jaenudin ramayuda, rengga Siti Khumairo Yully Hidayah