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All Journal Al-Qalam Jurnal Ilmiah Mahasiswa Raushan Fikr
Rahmah, Farida Novita
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Religion Arts Social Sciences

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A Multidimensional Analysis of Pilgrimage: Social, Economic, and Religious Authority in the Mbah Priok Grave Pilgrimage Khotijah, Siti; Rahmah, Farida Novita
Jurnal Ilmiah Mahasiswa Raushan Fikr Vol 13 No 2 (2024): Jurnal Ilmiah Mahasiswa Raushan Fikr
Publisher : Lembaga Kajian dan Pemberdayaan Mahasiswa UIN Prof. KH. Saifuddin Zuhri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/jimrf.v13i2.11868

Abstract

This article aims to examine the pilgrimage to Mbah Priok’s grave from social, economic, and religious perspectives. This qualitative research employs a combination of literature review, historical analysis, and anthropological methods. The study reveals that the Tomb of Mbah Priok, also known as Habib Hasan Al Hadad, serves as a significant pilgrimage site despite historical controversies. The Al Hadad family has maintained religious authority and withstood temporal challenges. Notably, in April 2010, the Al Hadad family engaged in a physical and administrative conflict with a company expanding the area. During Governor Ahok’s tenure, the tomb was designated a religious tourism site and cultural heritage, fostering economic growth for local businesses and the surrounding community. This research contributes to understanding the socio-economic and religious dynamics of pilgrimage sites, highlighting the complex interplay between tradition and modernity
REPRESENTATION OF POPULAR ISLAM IN DIGITAL SPACE: RELIGIOUS TOLERANCE IN SUFI EXPRESSIONS ON THE INSTAGRAM ACCOUNT “_zukkk” Rahmah, Farida Novita; Nisok, Siti Roisadul; Ma’rief, Muammar Iqbal; Hisyam Taurus, Zainun Nur
Al-Qalam Vol. 31 No. 1 (2025): Jurnal Al-Qalam
Publisher : Balai Penelitian dan Pengembangan Agama Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31969/alq.v31i1.1625

Abstract

The development of digital technology and social media has transformed the landscape of religious practices, particularly in the context of Popular Islam in Indonesia. This article examines the representation of Popular Islam through Sufi expressions on the Instagram account _zukkk, focusing on how visually Sufi-inspired representations convey messages of tolerance and religious inclusivity in the digital space. Charles Sanders Peirce’s semiotic approach is used to analyze the visual meanings in these digital artworks, while Stuart Hall’s theory of representation is applied to understand how these meanings are constructed and negotiated within social and media contexts. The analysis shows that the Sufi expressions on _zukkk are not merely artistic works, but a social construction that emphasizes the values of moderation and openness in Popular Islam. Sufism, as the spiritual foundation of this expression, also helps shape an inclusive and tolerant view of religion, engaging in interfaith dialogue amidst the dominant narratives of conservative and digital religiosity. This study also highlights the important role of social media as a space for negotiating meaning, where visual representation becomes an effective medium for spreading spiritual and social messages. This research contributes to the study of Popular Islam and digital media by presenting Sufism as an inclusive discourse that is visually represented and socially produced within the digital realm. These findings encourage a new understanding of the relationship between art, spirituality, and religious tolerance in the complex and diverse virtual world.
Co-Authors Hisyam Taurus, Zainun Nur Ma’rief, Muammar Iqbal Nisok, Siti Roisadul RR. Ella Evrita Hestiandari