Dhiyaul Haqqi Al-Mumtaza
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Kontruksi Sosial Tradisi Sekaten Surakarta Dalam Perspektif Teori Tafsir Sosial Mochammad Fiki Eko; Dhiyaul Haqqi Al-Mumtaza; Yoga Parulian Panggabean
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 2 No. 3 (2024): Agustus: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora (INPRESS)
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v2i3.1079

Abstract

Sekaten is an annual event held by Surakarta Palace in Solo area to commemorate the birthday of Prophet Muhammad SAW. When the condition of the society was still traditional, Sekaten tradition was used as a medium of proselytization for scholars and sultans to spread and teach Islamic values. Over time, entering the modern era has caused a cultural shift in which the Sekaten tradition is used as a tourism icon. The acceptance of Sekaten culture by the community includes the externalization stage where each individual will try and learn and interpret what is outside himself. Then it continues to the objectivation stage with the existence of social reality created by humans, of course, it will be seen as something that has meaning and it will affect certain communities. And in the end, the community enters the internalization stage where the individuals involved will absorb the values, norms, and roles that exist in it, so that the social structure forms subjective awareness.
Identitas Pemuda Kelompok Seni Paijo Mochammad Fiki Eko Syahputra Yudhoyono; Rizqi Ahmad Muzaki; Alvina Setiyawati; Dhiyaul Haqqi Al-Mumtaza
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1846

Abstract

This article discusses the Paijo art group as a medium for the formation and expression of the identity of today’s youth or Generation Z through the arts, especially in the field of theater. The shift from the New Order to the Reform Era has created an atmosphere that can lead youth to lose direction in their quest for identity. During the New Order era, "Gondrong" became a symbol of youth at that time, representing resistance and freedom of expression. However, the Reform Era, which has brought youth into the rapid development of technology and information, has created a gap between the millennial and Generation Z. Amidst this advancement, Generation Z is faced with global cultures that were previously difficult to access, resulting in many choices that ultimately lead youth into a crisis of identity. While in the New Order, binding policies produced a uniform and clear identity. The Paijo Art Group emerges as a reflective medium for youth in the process of discovering their identity through a creative and collaborative spirit. The symbols and emblems within the Paijo art group carry strong meanings that underlie the formation of this distinctive art group. This research is conducted to explore the importance of future goals for young people and to rise together, accompanied by the passionate fighting spirit they manifest within the Paijo art group, promoting the symbols and ideology of the group.
Studi Kasus Pekerja CV. Batu Alam Terhadap Perspektif Mcclelland Teori Motivasi Dhiyaul Haqqi Al-Mumtaza; Mochammad Fiki
WISSEN : Jurnal Ilmu Sosial dan Humaniora Vol. 2 No. 3 (2024): Agustus : WISSEN : Jurnal Ilmu Sosial dan Humaniora
Publisher : Asosiasi Peneliti Dan Pengajar Ilmu Sosial Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/wissen.v2i3.165

Abstract

Employment opportunities are of course of many types, in this subject matter will take the phenomenon of Sumberwringin Village, in which there are mining activities, this mining activity is certainly a positive impact on the local community, because many think that the emergence or existence of a mine in their area will tend to help their income, this factor is what causes the community to agree to the existence of the mine. The mine, which began its activities in 2015, began to show its prestige by being recognized by other regions, in accordance with the study used, namely the existence of this new work activity can foster and increase a sense of solidarity with others and a sense of caring, not only this factor, there is a common motivation between people, namely many people whose economies are below, which makes people have the same opinion and agree to the existence of mining activities..
Konsep Diri Pengamen Angklung di Jalan Sudirman, Kecamatan Patrang, Kabupaten Jember Yoga Parulian Panggabean; Mochammad Fiki Eko Syahputra Yudhoyono; Dhiyaul Haqqi Al-Mumtaza
Khatulistiwa: Jurnal Pendidikan dan Sosial Humaniora Vol. 3 No. 4 (2023): Desember : Jurnal Pendidikan dan Sosial Humaniora
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/khatulistiwa.v3i4.2442

Abstract

Street buskers on Sudirman Street, Patrang District, Jember Regency are one of the buskers who use angklung musical instruments as their medium to earn income in their daily lives. This study aims to determine the individual lives of angklung buskers on Sudirman Street, Patrang, Jember by using qualitative methods and primary data sources obtained directly. Data collection techniques used through observation, interviews and documentation. The results of this study explain that there are factors driving individuals to choose to work as angklung buskers rather than choosing other jobs. The things that underlie individuals working as angklung buskers are supported by the low economic background of the individual and the individual's hobby of angklung music. The activities of this Jember angklung busker begin in the morning until the evening with an income of around Rp. 50,000 / day. In the phenomenon of angklung buskers in Jember, it can be seen that individuals have certain reasons for living their daily lives as angklung buskers. On the one hand, as the general public we cannot give bad assumptions to individuals who work as angklung buskers or other types of buskers without knowing the background of the individual concerned.