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All Journal Gondang: Jurnal Seni dan Budaya IRJE (Indonesian Research Journal in Education) IJORER : International Journal of Recent Educational Research Langgam International Journal of Social Science Education, Art and Culture
Daryusti, Daryusti
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Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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The Ritual Tradition of Rejecting Reinforcements Preserves Sacred Art Values in the Kuantan Singingi Community, Riau Province Narulita, Fina; Budiwirman, Budiwirman; Daryusti, Daryusti; Erianjoni, Erianjoni
LANGGAM: International Journal of Social Science Education, Art and Culture Vol 4 No 1 (2025): LANGGAM: International Journal of Social Science Education, Art and Culture (Marc
Publisher : Master Program of Social Science Education of Universitas Negeri Padang, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/langgam.v4i1.142

Abstract

This study aims to analyze the Ritual Tradition of Rejecting Evil, which carries sacred art values within the Kuantan Singingi community in Riau Province. The research employs a descriptive qualitative method with an analytical approach and literature review. The art criticism theory used refers to four key aspects: description, formal analysis, interpretation, and evaluation. Feldman’s art criticism theory is chosen for its ability to provide a deeper and more objective analysis of the subject matter, particularly the krumpyung music. Data collection was carried out through observations, in-depth interviews with traditional leaders and community members regarding the ritual, and written documentation. Data reliability was ensured through source triangulation, and data analysis followed a four-stage process: data collection, data reduction, data presentation, and conclusion. The findings reveal that the Ritual Tradition of Rejecting Evil in the Kuantan Singingi community is rooted in animistic and dynamistic beliefs, practices that predate the arrival of Islam. Living in close connection with nature, and with limited technological resources, the community has long sought to maintain a harmonious relationship with their environment, which they believe is inhabited or controlled by spiritual beings. The sacred art values embedded in the ritual remain alive, with the Petalangan community continuing to perform the ritual annually. Despite exposure to various other cultures, this tradition endures due to several factors: the inheritance of tradition, its role in disaster protection, and its ability to foster social solidarity within the community. In conclusion, the Ritual of Rejecting Evil is not just a cultural tradition but a living expression of spiritual values that continue to shape the community's identity. This study hopes to serve as a reference for further research into similar traditions and sacred art values in other indigenous communities.
The Function of the Basuh Lantai Tradition for the Daik Village Community Kora, Panca Dwi; Daryusti, Daryusti
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.47564

Abstract

Culture is the characteristic identity of any group or community, which is upheld within its boundaries. Culture as a product of human thought records community traditions in various ceremonies such as births, funerals, agricultural rituals and musical performances. One of the ingrained traditions is the Washing the Floor custom in Daik Village, Lingga Regency, Riau Islands Province, which is carried out before giving birth. This qualitative research conducted in Daik Village immersed researchers in the local community, aiming to understand the social significance and evolution of the Basuh Floor tradition. By demonstrating solidarity and actively participating with the locals, the researcher aims to gather accurate information for this study. The results reveal the tradition's connection to animist beliefs and its role in protecting against mystical forces. Despite modernization, the decline of these traditions reflects changing attitudes towards childbirth practices and health care. This study underscores the importance of preserving cultural heritage amidst societal change. Despite its decline, the Basuh Floor tradition remains an integral part of the cultural identity of Daik Lingga Village and the Riau Islands as a whole. It serves as a symbol of cultural continuity and resilience, reminding the community of their heritage and providing a sense of belonging and identity. Additionally, it underscores the importance of understanding and preserving cultural practices, not only for their symbolic value but also for their role in maintaining social cohesion and collective memory.
Pangean Silat: Community Education in Traditional Malay Weddings Nur Aprianti, Suci; Daryusti, Daryusti
IJORER : International Journal of Recent Educational Research Vol. 7 No. 4 (2026): July
Publisher : Faculty of Teacher Training and Education Muhammadiyah University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46245/ijorer.v7i4.1432

Abstract

This research aims to examine the formal aspects of the Silat Pangean dance, specifically its presentation style, function, and historical context, within traditional Malay wedding ceremonies in Mak Teduh Village. A qualitative methodology was employed over two months (June–July 2023) to investigate this complex social phenomenon. Subjects included the bride and groom, Silat Pangean teachers, dancers, musicians, and traditional and village leaders from Mak Teduh. Data were collected through observation, in-depth interviews, and document analysis. The analysis utilised data reduction, presentation, and conclusion-drawing techniques, while data veracity was ensured through source and method triangulation. The formal presentation of the Silat Pangean dance consists of four primary elements: (1) Movement, which includes togak ali, ompat steps, conncang, tikam, popat, and simbuh; (2) Floor design, utilising both straight and curved lines; (3) Musical accompaniment, featuring two drums and one tak-tawak; and (4) Costuming, which relies on standard attire without specialised make-up or clothing. This study provides a detailed, localised documentation of the formal choreographic structures and presentation styles of the Silat Pangean dance, specifically within Mak Teduh Village, preserving and analysing a specific cultural asset that has previously lacked comprehensive formal analysis in the context of informal community education.
Textual study and character education values of Cegak dance in Ulak Patian Village AS, Hikmi Ramadani; Daryusti, Daryusti
Indonesian Research Journal in Education |IRJE| Vol. 10 No. 3 (2026): IRJE |Indonesian Research Journal in Education| in Progress|
Publisher : Universitas Jambi, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/rhhz1z08

Abstract

Cegak Dance is a traditional dance of the Bonai community in Ulak Patian Village, Rokan Hulu Regency, Riau, derived from local folklore and preserved as part of the community’s cultural heritage. This study aims to analyze the textual form of the Cegak Dance and identify the character education values embedded in its performance. Using a qualitative descriptive approach, data were collected through observation, interviews, and documentation and analyzed through data reduction, data presentation, conclusion drawing, and a structural-functional perspective. The findings show that Cegak Dance consists of three main movements—Gerak Silek, Gerak Tikam, and Gerak Guguo—and is performed by five male dancers using dried banana-leaf costumes, banana-stem masks, Bobano accompaniment, and Lontang properties. The dance embodies character education values of patience, hard work, and gratitude. These findings highlight Cegak Dance's potential as a cultural resource for character education and local heritage preservation.
Co-Authors AS, Hikmi Ramadani Budiwirman, Budiwirman Erianjoni Erianjoni Kora, Panca Dwi Narulita, Fina Nur Aprianti, Suci