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All Journal Gondang: Jurnal Seni dan Budaya Publikasi Berkala Pendidikan Ilmu Sosial Langgam International Journal of Social Science Education, Art and Culture Electronic Journal of Education, Social Economics and Technology
Daryusti, Daryusti
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Community Participation in Conserving The Existence of The Rejang Tribe Kejei Dance Through The Arts Community in Selupu Rejang Bengkulu Naselia, Bunga; Daryusti, Daryusti
Publikasi Berkala Pendidikan Ilmu Sosial Vol 4, No 2 (2024): PAKIS, September 2024
Publisher : Jurusan Pendidikan IPS FKIP ULM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/pakis.v4i2.12213

Abstract

This study analyzes (1) community participation in preserving the existence of the Kejei dance culture of the Rejang tribe through the arts community in Selupu Rejang District, Rejang Lebong Regency, Bengkulu Province. (2) factors that support and hinder community participation in preserving the Kejei dance culture of the Rejang tribe through the arts community in Selupu Rejang, Rejang Lebong, Bengkulu. This qualitative research involves collecting data using research observations, interview methods, and documentation. The interview technique was carried out in an unstructured manner using interview guidelines. Research data analysis is descriptive. The results of data processing in this study show that (1) efforts to preserve the Kejei dance of the Rejang tribe through the art community in Selupu Rejang district use three methods, namely: First, protection efforts are an effort to maintain the existence of the Kejei dance so that it does not become extinct by conducting dance training Kejei every week regularly. Second, development efforts are carried out through the quantity aspect of the dance, namely the development of the number of actors (dancers), the number of users, and the number of regions that receive the Kejei dance. Third, efforts to utilize the Kejei dance to introduce the Kejei dance to the broader community that the Kejei dance must be maintained. (2) factors supporting community participation in preserving the existence of the Kejei dance through the sanggar Tiang Bumei Selupu, namely social media that functions as a means of promotion, support from the government of Suban Ayam village and the government of Selupu Rejang district, a well-run studio management system, a strategic studio location, the enthusiasm of members of the sanggar Tiang Bumei Selupu and the support of all levels of society in Selupu Rejang district. The inhibiting factors for community participation in preserving the existence of the Kejei dance through the sanggar Tiang Bumei Selupu are limited infrastructure, funding problems, and the busyness of each member of the sanggar Tiang Bumei Selupu.
The Ritual Tradition of Rejecting Reinforcements Preserves Sacred Art Values in the Kuantan Singingi Community, Riau Province Narulita, Fina; Budiwirman, Budiwirman; Daryusti, Daryusti; Erianjoni, Erianjoni
LANGGAM: International Journal of Social Science Education, Art and Culture Vol 4 No 1 (2025): LANGGAM: International Journal of Social Science Education, Art and Culture (Marc
Publisher : Master Program of Social Science Education of Universitas Negeri Padang, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/langgam.v4i1.142

Abstract

This study aims to analyze the Ritual Tradition of Rejecting Evil, which carries sacred art values within the Kuantan Singingi community in Riau Province. The research employs a descriptive qualitative method with an analytical approach and literature review. The art criticism theory used refers to four key aspects: description, formal analysis, interpretation, and evaluation. Feldman’s art criticism theory is chosen for its ability to provide a deeper and more objective analysis of the subject matter, particularly the krumpyung music. Data collection was carried out through observations, in-depth interviews with traditional leaders and community members regarding the ritual, and written documentation. Data reliability was ensured through source triangulation, and data analysis followed a four-stage process: data collection, data reduction, data presentation, and conclusion. The findings reveal that the Ritual Tradition of Rejecting Evil in the Kuantan Singingi community is rooted in animistic and dynamistic beliefs, practices that predate the arrival of Islam. Living in close connection with nature, and with limited technological resources, the community has long sought to maintain a harmonious relationship with their environment, which they believe is inhabited or controlled by spiritual beings. The sacred art values embedded in the ritual remain alive, with the Petalangan community continuing to perform the ritual annually. Despite exposure to various other cultures, this tradition endures due to several factors: the inheritance of tradition, its role in disaster protection, and its ability to foster social solidarity within the community. In conclusion, the Ritual of Rejecting Evil is not just a cultural tradition but a living expression of spiritual values that continue to shape the community's identity. This study hopes to serve as a reference for further research into similar traditions and sacred art values in other indigenous communities.
The Meaning and Function of Ornaments in Bridal Make-Up in Terms of the Boh Gaca Tradition in Beutong Sub-District, Nagan Raya District, Aceh Province Arlinawati, Arlinawati; Daryusti, Daryusti
Electronic Journal of Education, Social Economics and Technology Vol 6, No 1 (2025)
Publisher : SAINTIS Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33122/ejeset.v6i1.821

Abstract

This study aims to analyze the philosophical meanings and functions of ornaments in bridal makeup based on the Boh Gaca tradition in Beutong District, Nagan Raya Regency, Aceh Province. Boh Gaca is a ritual of applying henna with distinctive motifs passed down through generations. The study employs ethnographic methods with a qualitative descriptive approach to explore the symbolic meanings and cultural values embedded in these ornaments. Levi Strauss's structuralism theory serves as the main framework, supported by Clifford Geertz's symbolism theory, Bronislaw Malinowski's functionalism, and Edward Shils's theory of cultural preservation.The findings reveal that Boh Gaca motifs, such as geometric patterns and floral designs, carry deep philosophical meanings, symbolizing harmony, fertility, and hopes for a happy household. This tradition also serves as a symbol of social status and cultural identity for the Acehnese community. The younger generation plays a crucial role in sustaining this tradition, despite facing challenges such as lack of interest, modernization influences, and limited educational media. Innovation and intergenerational collaboration, along with the use of social media, are key strategies in maintaining the existence of Boh Gaca. The conclusion of this study affirms that Boh Gaca is not merely an aesthetic ornament, but a cultural heritage rich in symbolic and social values that must continue to be preserved.
The Function of the Basuh Lantai Tradition for the Daik Village Community Kora, Panca Dwi; Daryusti, Daryusti
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.47564

Abstract

Culture is the characteristic identity of any group or community, which is upheld within its boundaries. Culture as a product of human thought records community traditions in various ceremonies such as births, funerals, agricultural rituals and musical performances. One of the ingrained traditions is the Washing the Floor custom in Daik Village, Lingga Regency, Riau Islands Province, which is carried out before giving birth. This qualitative research conducted in Daik Village immersed researchers in the local community, aiming to understand the social significance and evolution of the Basuh Floor tradition. By demonstrating solidarity and actively participating with the locals, the researcher aims to gather accurate information for this study. The results reveal the tradition's connection to animist beliefs and its role in protecting against mystical forces. Despite modernization, the decline of these traditions reflects changing attitudes towards childbirth practices and health care. This study underscores the importance of preserving cultural heritage amidst societal change. Despite its decline, the Basuh Floor tradition remains an integral part of the cultural identity of Daik Lingga Village and the Riau Islands as a whole. It serves as a symbol of cultural continuity and resilience, reminding the community of their heritage and providing a sense of belonging and identity. Additionally, it underscores the importance of understanding and preserving cultural practices, not only for their symbolic value but also for their role in maintaining social cohesion and collective memory.
Inai Dance and Cultural Identity in Malay Wedding Ceremonies of Teluk Majelis Syafwan, Nurul Annisa; Daryusti, Daryusti
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.68517

Abstract

The Inai Dance is a traditional dance that is only performed in traditional wedding ceremonies in Teluk Majlis Village for the Malays. This Inai dance is performed during the evening Henai Dance procession, which is held on the night before the wedding day. The Inai dance has been performed by people from the past to the present, so it has become a characteristic in the village of Teluk Majlis. This research uses a qualitative approach, which was carried out in Teluk Majlis village. The informants in this study are traditional leaders, studio leaders, dancers, and community users who hold the Inai dance night ceremony in Teluk Majlis village. Data collection used observation, interview and documentation techniques. The source triangulation technique is a technique used to ensure the validity of this data. To analyze data requires steps such as data collection, data presentation, and drawing conclusions. The result of this study is that the Inai Dance plays an important role as a marker of the existence of the Malay community in the midst of the dynamics of modernization and intercultural interaction. Despite the mixture of ethnicities and social changes, the people of Teluk Majelis Village still strive to maintain this cultural practice as a form of fortitude in their identity and a symbol of cultural unity.
Co-Authors Arlinawati, Arlinawati Budiwirman, Budiwirman Erianjoni Erianjoni Kora, Panca Dwi Narulita, Fina Naselia, Bunga Syafwan, Nurul Annisa