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The Ritual Tradition of Rejecting Reinforcements Preserves Sacred Art Values in the Kuantan Singingi Community, Riau Province Narulita, Fina; Budiwirman, Budiwirman; Daryusti, Daryusti; Erianjoni, Erianjoni
LANGGAM: International Journal of Social Science Education, Art and Culture Vol 4 No 1 (2025): LANGGAM: International Journal of Social Science Education, Art and Culture (Marc
Publisher : Master Program of Social Science Education of Universitas Negeri Padang, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/langgam.v4i1.142

Abstract

This study aims to analyze the Ritual Tradition of Rejecting Evil, which carries sacred art values within the Kuantan Singingi community in Riau Province. The research employs a descriptive qualitative method with an analytical approach and literature review. The art criticism theory used refers to four key aspects: description, formal analysis, interpretation, and evaluation. Feldman’s art criticism theory is chosen for its ability to provide a deeper and more objective analysis of the subject matter, particularly the krumpyung music. Data collection was carried out through observations, in-depth interviews with traditional leaders and community members regarding the ritual, and written documentation. Data reliability was ensured through source triangulation, and data analysis followed a four-stage process: data collection, data reduction, data presentation, and conclusion. The findings reveal that the Ritual Tradition of Rejecting Evil in the Kuantan Singingi community is rooted in animistic and dynamistic beliefs, practices that predate the arrival of Islam. Living in close connection with nature, and with limited technological resources, the community has long sought to maintain a harmonious relationship with their environment, which they believe is inhabited or controlled by spiritual beings. The sacred art values embedded in the ritual remain alive, with the Petalangan community continuing to perform the ritual annually. Despite exposure to various other cultures, this tradition endures due to several factors: the inheritance of tradition, its role in disaster protection, and its ability to foster social solidarity within the community. In conclusion, the Ritual of Rejecting Evil is not just a cultural tradition but a living expression of spiritual values that continue to shape the community's identity. This study hopes to serve as a reference for further research into similar traditions and sacred art values in other indigenous communities.
The Function of the Basuh Lantai Tradition for the Daik Village Community Kora, Panca Dwi; Daryusti, Daryusti
Gondang: Jurnal Seni dan Budaya Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.47564

Abstract

Culture is the characteristic identity of any group or community, which is upheld within its boundaries. Culture as a product of human thought records community traditions in various ceremonies such as births, funerals, agricultural rituals and musical performances. One of the ingrained traditions is the Washing the Floor custom in Daik Village, Lingga Regency, Riau Islands Province, which is carried out before giving birth. This qualitative research conducted in Daik Village immersed researchers in the local community, aiming to understand the social significance and evolution of the Basuh Floor tradition. By demonstrating solidarity and actively participating with the locals, the researcher aims to gather accurate information for this study. The results reveal the tradition's connection to animist beliefs and its role in protecting against mystical forces. Despite modernization, the decline of these traditions reflects changing attitudes towards childbirth practices and health care. This study underscores the importance of preserving cultural heritage amidst societal change. Despite its decline, the Basuh Floor tradition remains an integral part of the cultural identity of Daik Lingga Village and the Riau Islands as a whole. It serves as a symbol of cultural continuity and resilience, reminding the community of their heritage and providing a sense of belonging and identity. Additionally, it underscores the importance of understanding and preserving cultural practices, not only for their symbolic value but also for their role in maintaining social cohesion and collective memory.