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Aspect of Movement in Art Performance of Tupai Janjang as A Cultural Heritage of The People of Palembayan Gusnia; Indrayuda
Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Vol. 2 No. 1 (2024): February
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ag.v2i1.92

Abstract

The purpose of this study was to explain and describe the Existence of Motion in the Squirrel Janjang Art Performance as a Cultural Heritage of the Palebayan Community This research uses a qualitative research type with a descriptive method. This summary provides a brief overview of the research methods, research objects, instruments, data types, data collection techniques, and data analysis techniques used in research on Janjang Tupai Art as a Cultural Heritage of the Palebayan Market Community which needs to be revitalized. From the story of Tupai Janjang, Tuak Ampek worked on it to become an art called Janjang Squirrel Art. Tupai Janjang art is a form of storytelling tradition in which a storyteller plays all the characters in the story while moving and singing. This performance is unique from Minangkabau traditional art, because there is no other form of performance where only one storyteller plays all the characters. Tuak Ampek took this story as a script, then turned it into an art called the Janjang Squirrel Art. In the Tupai Janjang art, one person plays all the characters in the story while moving and singing, whereas in randai, each character is played by a different actor. d. However, in its current form, two or three actors can take turns bringing this feeling to life with movement and singing that fits the story. The movement in the Tupai Janjang Art performance is based on the traditional movement of silat flowers called balabek. The revitalization efforts carried out by Osra Hayadi include data collection and the involvement of new generations in this art. The Existence of Motion in Tupai Janjang Art In performing the Tupai Janjang Art, there are many uses of traditional movements. In Seni Tupai Janjang, the actor will move according to the content of the story he is singing. In the Tupai Janjang Art performance, only accompanied by saluang, then the actors will sing while moving.
Pemberdayaan Ekonomi Masyarakat Melalui Pengelolaan Wisata Syariah : (Studi Kasus Wisata Syariah Telaga Biru Desa Lempong Kecamatan Bola Kabupaten Wajo) Gusnia; Nurlaelah Abbas; Asni Djamereng
Jurnal Berita Sosial Vol 8 No 2 (2023)
Publisher : Universitas Islam Negeri Alauddin Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/beritasosial.v8i2.44976

Abstract

This study aims to determine community empowerment efforts through the management of Telaga Biru Sharia Tourism and to find out the form of community economic business in the management of Telaga Biru Sharia Tourism in Lempong Village, Bola District, Wajo Regency. In explaining this journal, the type of research is descriptive qualitative using a sociological approach method. Primary data sources obtained based on the results of informant interviews and secondary data sources collected through relevant books and documents. Observation, interviews, and documentation as data collection methods used. Data management and analysis techniques are carried out through three stages, namely: data reduction, data presentation (display data), and conclusion drawing. The results of this study are that there are two community empowerment efforts through the management of Telaga Biru Sharia Tourism, namely: 1) Recruiting local residents as labor 2) Provision of facilities to support community economic activities. The form of community economic business in the management of Telaga Biru Sharia Tourism is 1) Culinary Business 2) Souvenir business 3) Buoy rental service business around Telaga Biru Sharia Tourism