Margaretta, Witness Eunike
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Korean- English Code Mixing and Code Switching Of New Jeans’s Song Margaretta, Witness Eunike; Rangkuti, Rahmadsyah
Bahtera: Jurnal Pendidikan Bahasa dan Sastra Vol 23 No 1 (2024): BAHTERA: Jurnal Pendidikan Bahasa dan Sastra, Volume 23 Nomor 1 Januari 2024
Publisher : Program Studi Pendidikan Bahasa Program Pascasarjana Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/bahtera.231.10

Abstract

This paper reviewed code-mixing and code-switching along with the worldwide recognition of K-Pop songs by analyzing the English usage of "Hype Boy" and "OMG" by New Jeans, a fourth-generation K-Pop group. All songs were examined using Muysken's (2000) code-mixing theory, Stockwell's (2007) code-switching theory, and Fernandez-Martinez et al.'s (2014) and Kwon's (2019) comment analysis. The results revealed that the majority of code-mixing in "Hype Boy" was insertion and the majority of code-mixing in "OMG" was alternation, but there was no congruent lexicalization found in the two songs. However, the majority of code switches in "Hype Boy" were inter-sentential, whereas "OMG" was intra-sentential, and two tag-switching data were found. Aside from that, based on audience responses in the comment section, the audience responses showed up that they were impacted by the singers' word pronunciation errors, however, a lot were also impressed with their easy-to-listen-to songs. The study finds that the accurate pronunciation and the new English language switching function seem to have played a significant role in the success of "Hype Boy" and "OMG" among bilingual audiences.
A PHONO-STYLISTIC ANALYSIS OF ROSE MILLIGAN’S POEM DUST IF YOU MUST Margaretta, Witness Eunike; Madi, Salwa Saleh; Rangkuti, Rahmadsyah
Journal of Language and Literature Vol 11, No 2 (2023)
Publisher : Universitas Gunadarma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35760/jll.2023.v11i2.9798

Abstract

This research presented the stylistic analysis at the phonological level of Rose Milligan’s poem “Dust If You Must.” Through this poem, Rose Milligan beautifully emphasizes the importance of seizing our moment in life. Employing a qualitative data analysis approach, the study identified the five most prominent consonants and vowels, including /t/, /n/, /d/, /s/, /m/, and / ə/, /ʌ/, /ɪ/, /u/, /æ/, respectively. The data is displayed in four tables that show where these sounds appear in every line of the poem. The combination of these phonetic elements yielded words like ‘dust,’ ‘must,’ and ‘man,’ which strongly resonate with the poem’s theme. This focus on how the sounds in the poem connect to its meaning helps us understand the poem better. It shows that the poet chose these sounds on purpose to make the poem more meaningful. In addition, this emphasis on specific sounds can reinforce the themes and messages the poet intends to convey, deepening our comprehension of the connection between phonetics and interpreted meaning. This study has the potential to raise appreciation for literary works and support the development of new theories in stylistic analysis by providing a better understanding of how sounds in poems relate to the theme.