Arum Rindu Sekar Kasih
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Adaptation of Popular Names of Ornamental Plants in Indonesia Harum Munazharoh; Arum Rindu Sekar Kasih; Gulita Evapraja
MOZAIK HUMANIORA Vol. 23 No. 1 (2023): MOZAIK HUMANIORA VOL. 23 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v23i1.36309

Abstract

This article explores the phenomenon of popular names for ornamental plants in Indonesia, emphasizing their role as both identifiers and representations of economic value. The popularity of these names is categorized based on their alignment (or lack thereof) with different parts of the ornamental plants. Employing a descriptive linguistic approach, the reference attributes of popular names are systematically grouped, followed by an image search and identification of their biological counterparts. The study also traces the elements contributing to the formation of names and their lexical meanings, incorporating both internal and external equivalents. Interviews with traders and collectors further support the meaning search, employing directional techniques and documenting substantive ethnographic patterns. A total of 85 names were collected from ornamental plant traders and collectors, supplemented by data from specialized YouTube channels. These popular names are further classified into nine categories based on plant attributes, such as structure (stalks, leaves, stems, and flowers), time, character, place, sound, and direction. The diversity in plant naming correlates with a complexity that extends beyond language, namely social class, selling price, and aesthetic considerations. Additionally, the naming process revolves around human preferences for convenience, practicality, and cultural phenomena. Changes in the naming of ornamental plants in Indonesia have substantial implications for shifting trends in people's preferences, as evidenced by the dimming landscape of post-pandemic YouTube channels and the ornamental plant market.
The Linguistic Practice in the Construction of the Image of a Muslim Mother on Instagram Arum Rindu Sekar Kasih; Suhandano; Aprilia Firmonasari; Nurdiyana Binti Abd. Ghani
Tabasa: Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya Vol. 6 No. 02 (2025)
Publisher : UIN Raden Mas Said Surakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/tabasa.v6i02.12789

Abstract

In the era of social media, public figures do not merely share their personal lives but also construct self-image through linguistic practices that reflect social and religious identities. One such practice is sharenting, the act of sharing content about children or family life accompanied by specific narratives. Linguistic practices on social media, particularly sharenting by public figures, serve as a means of constructing and expressing intertwined social and religious identities. This study explores how language choices in the image captions of sharenting content posted by Oki Setiana Dewi, a Muslim celebrity known as both a preacher and a mother, reflect the construction of a Muslim mother identity in digital spaces. The research employs a qualitative sociolinguistic approach to analyze the language choices in the captions. The analysis reveals that the use of religious diction, prayerful expressions, and spiritual narratives serves as a linguistic strategy to affirm the mother's role as a moral educator and guardian of Islamic values within the family. Language functions not only as a means of conveying information but also as a tool for establishing social relations, constructing a religious self-image, and expressing the speaker's ideological position. Linguistic practices on social media can be understood as a means of representing Islamic identity while simultaneously reinforcing social credibility as a Muslim female public figure.   Di era media sosial, figur publik tidak hanya membagikan kehidupan pribadi, tetapi juga membangun citra diri melalui praktik kebahasaan yang mencerminkan identitas sosial dan religius. Salah satu bentuknya adalah konten sharenting, yakni aktivitas membagikan kehidupan anak atau keluarga yang disertai narasi tertentu. Kajian ini berfokus pada takarir gambar (caption) dalam konten sharenting yang diunggah oleh Oki Setiana Dewi, seorang selebritas Muslimah yang dikenal sebagai pendakwah dan ibu. Dengan menggunakan pendekatan sosiolinguistik secara kualitatif, penelitian ini menelaah bagaimana pilihan bahasa dalam caption mencerminkan konstruksi identitas sebagai ibu Muslimah di ruang digital. Analisis menunjukkan bahwa penggunaan diksi religius, ungkapan doa, serta narasi spiritual menjadi strategi kebahasaan yang menegaskan peran ibu sebagai pendidik moral dan penjaga nilai-nilai Islam dalam keluarga. Bahasa tidak hanya berfungsi untuk menyampaikan informasi, tetapi juga membentuk relasi sosial, membangun citra diri religius, dan menunjukkan posisi ideologis pembicara. Dengan demikian, praktik kebahasaan dalam media sosial dapat dipahami sebagai sarana representasi identitas keislaman sekaligus upaya membangun kredibilitas sosial sebagai figur publik Muslimah.
Variasi Pola Unsur Fungsional Judul Cerpen dalam Surat Kabar Kompas: Kajian Sintaksis: Linguistik Arum Rindu Sekar Kasih
ALFABETA: Jurnal Bahasa, Sastra, dan Pembelajarannya Vol. 5 No. 1 (2022): ALFABETA: Jurnal Bahasa, Sastra, dan Pembelajarannya
Publisher : Universitas Insan Budi Utomo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33503/alfabeta.v5i1.1198

Abstract

The title of the short story is a representation from the contents of the short story. The patterns in the short story titles can beviewed from a syntax. This study takes several short stories in the Kompas daily newspaper and then describes the functionalelements. The functional element is the position of a unified sentence, each of which occupies a function. From the research that has been done, the patterns found in this study, among others, are in the form of a pattern of S-P (subject-predicate), P-O (object-predicate), S-P-K (subject-predicate-description), S-P-O (subject-predicate-description). ), P-S-O (predicate-subject- object), and the actual order sentence pattern. Each of the existing patterns can actually show that in giving the title to the short story, the author has his own style which he uses as a characteristic.
Variasi Makian Bahasa Jawa dalam Film Sambung Hidup sebagai Representasi Keunikan Masyarakat Jawa Arum Rindu Sekar Kasih
ALFABETA: Jurnal Bahasa, Sastra, dan Pembelajarannya Vol. 4 No. 1 (2021): ALFABETA: Jurnal Bahasa, Sastra, dan Pembelajarannya
Publisher : Universitas Insan Budi Utomo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33503/alfabeta.v4i1.1292

Abstract

Makian adalah suatu ekspresi kebahasaan yang bersifat natural dalam interaksi manusia. Makian digunakan sebagai wujud pelampiasan emosi dalam bentuk bahasa. Dalam bahasa Jawa, terdapat begitu banyak variasi makian yang digunakan oleh masyarakat. Dalam film berjudul Sambung Hidup penggunaan makian cukup mendominasi dalam dialog film sehingga dapat diketahui terdapat berbagai variasi makian di dalam bahasa Jawa. Dengan menggunakan pendekatan sosiolinguistik, makian yang terdapat di dalam dialog film tersebut dapat dideskripsikan. Dari penelitian ini, terdapat tiga unsur penggunaan makian, antara lain makian berdasarkan bentuk, referensi,dan komponen tutur. Berdasarkan bentuk, makian  dapat berupa injeksi, kata, frase, dan kalimat. Kemudian, berdasarkan referensi, makian dapat berupa, misalnya, kelakuan dan sifat negatif, anggota tubuh, dan binatang. Sementara, berdasarkan komponen tutur, munculnya makian dapat merujuk pada tempat dan situasi tutur serta peserta tutur.