Sidabutar, Regina Halmin
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Cintaku Jauh di Pulau Karya F.X Soetopo Ditinjau dari Teknik Bernyanyi Seriosa Sidabutar, Regina Halmin; Batubara, Junita
Melayu Arts and Performance Journal Vol 6, No 2 (2023): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v6i2.3820

Abstract

Tulisan ini membicarakan teknik bernyanyi seriosa pada lagu Cintaku Jauh di Pulau karya F. X. Soetopo. Lagu tersebut dari puisi karya Chairil Anwar yang ditulis tahun 1946. Pada tahun 1985, F. X. Soetopo mengaransemen puisi tersebut dalam sebuah lagu seriosa. Lagu ini menceritakan tentang kisah cinta seorang pria kepada seorang gadis dengan menjalin hubungan jarak jauh. Seorang penyanyi tenor bernama Christopher Abimanyu pertama kali membawakan lagu tersebut di Bentara Budaya Jakarta. Gaya atau teknik bernyanyi yang dibawakan oleh Christopher adalah gaya nyanyian yang lebih menekankan pada penggunaan dinamika (messa di voce) sebagai sumber utama ekspresi keindahan dan penjiwaan saat bernyanyi serta teknik artikulasi, intonasi, dan teknik vokal. Penulis melakukan pengembangan teknik bernyanyi pada lagu Cintaku Jauh di Pulau yaitu penggunaan improvisasi ostinato (riff) terdapat di birama 5 dengan nada berulang-ulang pada ketukan ke-2 dan pentatonik pelog terdapat di birama 12-13 yang dimulai ketukan ke-2 dimulai dengan nada 1-2-4-5-6 (do-re-fa-sol-la) dengan interval melangkah naik, dan juga di birama 22-23 dimulai ketukan ke-3 dimulai dari nada 6-5-4-2-1 (la-sol-fa-re-do) dengan interval melangkah turun. Lagu Cintaku Jauh di Pulau merupakan lagu yang tergolong ke dalam bentuk lagu 5 bagian A-B-B’-C-D-A’ dengan urutan kalimat A (a,b), B (x,y), B’ (x’,y’), C (c,d), D (xx,yy), A’ (a, b’). Penelitian ini menggunakan pendekatan kualitatif deskriptif. Data yang diperoleh berupa observasi melalui YouTube (https://youtu.be/QRVL9vcaQBo), studi pustaka, dan dokumentasi. Hasil dari penelitian ini adalah: 1) Mempertunjukkan lagu tersebut dalam bentuk penampilan secara langsung di Taman Yenny Hendra Bundaran Nommensen, 2) Menggunakan teknik improvisasi ostinato dan pentatonik pelog, 3) Analisis bentuk lagu Cintaku Jauh di Pulau.Kata Kunci: Cintaku Jauh di Pulau; F.X Soetopo; Analisis;EkspresiAbstractThis paper discusses seriosa singing techniques in the song Cintaku Jauh di Pulau Pulau by F. X. Soetopo. The song is taken from Chairil Anwar's poem which was written in 1946. In 1985, F. X. Soetopo arranged the poem to become a seriosa song. This song tells about the love story of a man and a girl who are in a long-distance relationship. The tenor named Christopher Abimanyu performed the song for the first time at Bentara Budaya Jakarta. Christopher's singing style or technique is a singing style that places more emphasis on the use of dynamics (messa di voce) as the main source of expression of beauty and soul when singing as well as articulation techniques, intonation and vocal techniques. The author develops a technique for singing the song Cintaku Jauh di Pulau, namely the use of ostinato (riff) improvisation and pelog pentatonic according to the ability of a presenter. This study uses a descriptive qualitative approach. The data obtained are in the form of observations via YouTube (https://youtu.be/QRVL9vcaQBo), literature studies, and documentation. The results of this study were: 1) Performing songs in the form of live performances at the Yenny Hendra Park Nommensen Roundabout, 2) Using ostinato and pelog pentatonic improvisational techniques, 3) Analysis of the form of the song Cintaku Jauh di Pulau.Keywords: Cintaku Jauh di Pulau; F.X Soetopo; Analysis; Expression  
The Interpretation and Performance Techniques of the Aria Der Hölle Rache Kocht in Mainem Herzen by Wolfgang Amadeus Mozart Sidabutar, Regina Halmin; Manalu, Kartini; Nainggolan, David
Melayu Arts and Performance Journal Vol 7, No 2 (2024): Melayu Arts and Performance Journal
Publisher : Pascasarjana Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/mapj.v7i2.4833

Abstract

This study aims to identify the interpretation techniques and elements of the aria Der Hölle Rache Kocht in Mainem Herzen by Wolfgang Amadeus Mozart and to apply the performance techniques appropriately. Using a descriptive qualitative approach, this research utilizes video observations on YouTube, literature studies, and documentation to explore various interpretation techniques. The analysis focuses on musical elements, including dynamics, timbre, tempo, and melismatic style. Vocal techniques examined include sound production (covering breathing, vocal cords, resonance, and articulation), intonation, vibrato, head voice, and coloratura technique. The results indicate that this aria demands a high level of technical skill from the singer, particularly in mastering fast tempo, precise intonation, and high register usage. In addition to advanced vocal techniques, presenting this aria requires physical and environmental preparation, such as room temperature regulation and hydration, to maintain sound quality. It was found that the ability to combine emotional expression with vocal technique is key to successfully performing this aria, renowned as one of the most challenging pieces in the opera repertoire.