Daniah, Izza Annafisatud
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Handbook of Islamic Sects and Movements Daniah, Izza Annafisatud
Islamic Studies Review Vol. 1 No. 2 (2022)
Publisher : Universitas Islam Internasional Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56529/isr.v1i2.87

Abstract

Edited by. Muhammad Afzal Upal and Carole M. CusackBrill, 2021With more than 1,8 billion followers, Islam is the second largest religion in the world. As a faith, Islam is often referred to as al-deen, which is derived from the diversity of its thought. Islam will always face dynamic changes from within and at the same time will have to deal with various advances in civilization, such as modernization, states as well as social, cultural and political developments at different points in time. As a result, Islam and Islamic thought are differentiated from one another. Islam is a revelation from God and immutable, while Islamic thought is a subjective truth according to one's understanding of the objective of revelation. The spread of various sects and movements in Islam has shown that Islamic thought is in a constant state of development and does not remain static. Moreover, because Islam has spread throughout the world, it is embedded and developing in a variety of peoples and cultures, from Africa to Asia and beyond.
Digital Feminism in Indonesia: The Counter-Narratives to Gender Inequality on Instagram Daniah, Izza Annafisatud; Pribadi, Yanwar
JURNAL PENELITIAN Vol. 20 No. 1 (2023)
Publisher : Universitas Islam Negeri K.H. Abdurrahman Wahid Pekalongan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28918/jupe.v20i1.1097

Abstract

The rise of digital media has significantly transformed the landscape of religious authority and feminist activism in Indonesia. This research examines how Mubadalah.id, an Instagram-based digital Islamic platform, serves as a counter-narrative to patriarchal interpretations of Islamic texts by promoting inclusive and reciprocal perspectives rooted in Islamic teachings. The research aims to explore how feminist reinterpretations of religious authority are articulated, mediated, and contested in online spaces, particularly through visual and narrative strategies. Addressing a critical gap in the literature on Islamic digital feminism, this research situates the intersection of religion, gender, and media within the Indonesian context, where women ulama are both emerging and negotiating their presence. Using a qualitative virtual ethnographic approach, data were collected through in-depth interviews with the editorial team of Mubadalah.id and content analysis of selected high-engagement Instagram posts. The findings reveal that Mubadalah.id employs visual aesthetics, storytelling, and moderate Islamic jurisprudence to challenge misogynistic narratives, empower women's roles in public discourse, and foster a more gender-equitable understanding of Islam. This research concludes that Islamic digital feminism on Instagram not only challenges dominant narratives but also signifies a broader reconfiguration of Islamic authority and gender dynamics in contemporary Indonesian society.