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All Journal Pantun: Jurnal Ilmiah Seni Budaya Jurnal Pendidikan Seni dan Industri Kreatif
Rahayu, Zanuar Eko
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Discourse of the Comedy of Ubrug Sentra Agata in the Rahwana Nganjor Play Rahayu, Zanuar Eko; Nalan, Arthur S; Dimyati, Ipit S
PANTUN: Jurnal Ilmiah Seni Budaya Vol 8, No 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2747

Abstract

This study is entitled Discourse on Comedy Serving Ubrug Sentra Agata in the play Rahwana Nganjor, which was staged during the West Java and Banten Landslide Festival in 2015. The object of the study uses the video media of performance documentation and the focus of the study is discussing discourse in comedy presentations on the play Rahwana Up. The play Rahwana Nganjor carries the theme of wayang in the Ramayana epic, the war between the Kingdom of Alengka and the Kingdom of Ayodhya is used as the setting for the event in this play. Data collection techniques were carried out through interviews, observation, and information contained in the audiovisual. Critical Discourse Analysis Van A, Dijk is used to examine the discourse in the comedy presentation by paying attention to three dimensions, including Text Dimensions, Social Cognition, and Social Context. So the data obtained that social issues in the community is used as the basis for creating comedy in Ubrug Sentra Agata.
Discourse of the Comedy of Ubrug Sentra Agata in the Rahwana Nganjor Play Rahayu, Zanuar Eko; Nalan, Arthur S; Dimyati, Ipit S
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 8 No. 2 (2023): Exploring Cultural Narratives and Artistic Expressions
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v8i2.2747

Abstract

This study is entitled Discourse on Comedy Serving Ubrug Sentra Agata in the play Rahwana Nganjor, which was staged during the West Java and Banten Landslide Festival in 2015. The object of the study uses the video media of performance documentation and the focus of the study is discussing discourse in comedy presentations on the play Rahwana Up. The play Rahwana Nganjor carries the theme of wayang in the Ramayana epic, the war between the Kingdom of Alengka and the Kingdom of Ayodhya is used as the setting for the event in this play. Data collection techniques were carried out through interviews, observation, and information contained in the audiovisual. Critical Discourse Analysis Van A, Dijk is used to examine the discourse in the comedy presentation by paying attention to three dimensions, including Text Dimensions, Social Cognition, and Social Context. So the data obtained that social issues in the community is used as the basis for creating comedy in Ubrug Sentra Agata.
REALITAS SOSIAL DALAM VIDEO PERTUNJUKAN “UBRUG” BERJUDUL “HALIWU” Rahayu, Zanuar Eko
Jurnal Pendidikan Seni dan Industri Kreatif Vol. 4 No. 1 (2023): SENDIKRAF Jurnal Pendidikan Seni dan Industri Kreatif
Publisher : BBPPMPV Seni dan Budaya Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70571/psik.v4i1.68

Abstract

The purpose of the study is to find out and to describe social reality in the video of “ubrug”performance with the story of "Haliwu" performed by Ubrug Sentra Agata in the agenda ofLongser Festival in West Java and Banten in 2019. The content analysis based on Berger andLuckmann’s social construction theory was conducted putting forward 3 (three) forms ofreality, namely objective, symbolic, and subjective. Through the study, objective and symbolicrealities of performance are interpreted into subjective reality. Techniques of collecting datainclude video observation, interviews, and literature reviews. Data collected is subsequentlygrouped according to the discussion to be analysed. The result of the analysis demonstratesthat social reality in the story of “Haliwu” reveals the structure of high, middle, and lowerclass society. These three classes of society are involved in constructing social issues relatedto financier society, hoax, politeness principles in society, and the world of love amongteenagers. Symbolic reality presented is merely replicating objective reality and so it givesinsufficient space for subjective interpretation.
Co-Authors Dimyati, Ipit S Nalan, Arthur S