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KAJIAN POSTKOLONIALISME DALAM TEKS DRAMA “JANGAN MENANGIS INDONESIA” KARYA PUTU WIJAYA Ine Septianesi; Errika Anandita; Ulpa Sadiyah
JURNAL RISET RUMPUN ILMU PENDIDIKAN Vol. 1 No. 1 (2022): April : Jurnal Riset Rumpun Ilmu Pendidikan
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurripen.v1i1.141

Abstract

Drama Jangan Menangis Indonesia ini banyak membicarakan tentang penjajahan atau Kolonialisme, dimana-mana tidak ada ketidakadilan, penguasa sudah merajalela yang membuat rakyat ditindas semena-mena, negara bekas jajahan, apakah Indonesia telah benar-benar merdeka? Dengan masih banyaknya kesewenang-wenangan dan penindasan?. Maka peneliti mengambil teori kajian postkolonialisme untuk dijadikan titik tumpu dalam penelitian ini. Dari kata postkolonialisme ini kita bisa menebak bahwa teori ini membahas tentang bagaimana keadaan Indonesia sesudah masa penjajahan.Tujuan dari penelitian ini adalah menganalisis lebih jelas lagi keadaan masyarakat Indonesia pada teks drama Jangan Menangis Indonesia dengan menggunakan pendekatan postkolonialism, metode yang digunakan adalah penelitian deskriptif kualitatif dan hasil penelitian dalam drama yang berjudul Jangan Menangis Indonesia yaitu, Pertama bagaimana hegemoni penjajahan yang dilakukan oleh para aparat pemerintahan, Kedua Hegemoni gender merupakan bentuk perlakuan kekuasaan para kaum laki-laki terhadap perempuan, Ketiga bentuk ketidakadilan yang dirasakn oleh masyarakat Indonesial dan yang Terakhir merupakan perlawan masyarakat Indonesia untuk memerdekakan Indonesia dan membela keadilan.
Analisis Struktur Naratif Pada Film Avatar The Legend Of Aang: The Last Airbender Ulpa Sadiyah
Bhinneka: Jurnal Bintang Pendidikan dan Bahasa Vol. 1 No. 1 (2023): Bhinneka
Publisher : Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59024/bhinneka.v1i1.165

Abstract

Analysis of narrative structure as an intermediary in understanding stories as well as conveying messages and meanings through moral values, religious teachings and educative culture. The problem being studied is whether the script writer is able to reflect the elements of nature in the film series Avatar The Legend of Aang: The Last Airbender in the characters. Natural elements which include water, earth, fire, air in the Avatar series The Legend of Aang: The Last Airbender, are the basis for the formation of the character's characters, these elements have a close relationship with natural elements that exist in Javanese human life and the embodiment of energy in human life. Java. The purpose of this study is to make it easy for readers to understand the symbolic character and understand the narrative structure, by using qualitative methods and as a theoretical basis that is considered appropriate to discuss it, understanding the narrative and natural elements reflected in the character of the characters is used a narrative structure approach, this approach its orientation is to study the systematic stages of script writing to get the essence of a story. In the narrative structure there are substances that relate to each other to form a series of stories including: 1. The structure of the first three acts contains set-up or introduction, the second act contains turning points and the third act describes the resolution or resolution. The interesting thing about this series is the discovery of story problems and conflicts that usually occur in the adult category but are translated into teenage figures and then packaged in a narrative structure that is easy for the audience to understand.