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All Journal Ganaya: Jurnal Ilmu Sosial dan Humaniora Jurnal Penelitian Agama Hindu
Pertu Agung, I Gusti Ngurah
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Religion Arts Humanities Economics, Econometrics & Finance Education Social Sciences Other

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Strategi Komunikasi Perempuan Hindu Dalam Pelestarian Budaya Tenun Cagcag Motif Gegambir Banjar Pesalakan Desa Pejeng Kangin, Gianyar Kusuma Dewi, Made Ika; Pertu Agung, I Gusti Ngurah; Dharma Putra, Anggara Putu; Wahyu Arinatha, I Dewa Agung
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 6 No 4 (2023)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v6i4.2692

Abstract

The re-engagement of Hindu women in weaving Gegambir motif cagcag woven fabric is an important part of efforts to preserve the culture and tradition of weaving in Banjar Pesalakan, Pejeng Kangin Village. The Sari Bhakti Weaving Group is one of the few remaining Cagcag weavers in Pejeng Village Banjar Pesalakan after the Covid-19 pandemic. Socio-cultural changes as a result of tourism development make the scarcity of traditional weavers of Gegambir motif cagcag cloth This can threaten the sustainability of traditional economic activities. Therefore, it is necessary to protect and promote traditional weavers and local handicrafts so that they remain sustainable and become a sustainable tourist attraction. This phenomenon needs to be studied how Hindu women and weaving: communication strategies, especially the Sari Bhakti Weaving group in the preservation of the Cagcag motif Gegambir Weaving culture in Banjar Pesalakan. This study describes this research related to the role of Hindu women, especially the Sari Bhakti Weaving group towards the preservation of the Gegambir motif Cagcag Weaving, communication strategies in the preservation of the Gegambir motif Cagcag Weaving, and the impact of communication strategies in the preservation of the Gegambir motif Cagcag Weaving in Banjar Pesalakan, Pejeng Kangin Village. The use of communication strategies in the preservation of Tenun Cagcag motif Gegambir by the Sari Bhakti Weaving Group of Banjar Pesalakan has important implications and impacts to ensure the sustainability and appreciation of this cultural heritage. An effective communication strategy can help raise public awareness about the uniqueness and importance of the Cagcag motif Gegambir Weaving as part of the local cultural heritage. The information conveyed through this strategy can help the community understand the historical, aesthetic, and skill values embodied in the Gegambir motif Cagcag Weaving.
Barong Bulu Goak Dalam Kajian Teo Estetika Hindu Pertu Agung, I Gusti Ngurah
Jurnal Penelitian Agama Hindu Vol 9 No 1 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v9i1.3182

Abstract

Barong Bulu Goak is a unique manifestation of culture and spirituality in Hindu society in Bali. Known for its rare and sacred presence, the Barong Bulu Goak attracts attention because it uses crow feather decoration, which is rarely used in other types of barong. This research aims to explore the theological and aesthetic depth surrounding Barong Bulu Goak in the context of Balinese culture. This research uses a descriptive qualitative approach to explore the symbolic role, ritual and theological meaning of Barong Bulu Goak in Balinese society. The main focus of this research is to explore the Theo-Aesthetic aspects surrounding Barong Bulu Goak, relate it to Hindu theological concepts, and explore how the use of crow feathers as an aesthetic element influences aesthetic perception and experience. In the context of theo-aesthetics, this research explains how Hindu theological concepts related to Brahman and its manifestations in everyday life are combined with aesthetic experiences through performing arts. The results of the research present that Barong Bulu Goak shows a tendency in its appearance and rituals to exude beauty or Ramya Tattwa and also the Suwung Tattwa phase which reflects aspects of Balinese artistic aesthetics. The concept of ramya refers to the integrated beauty of make-up, movement, and rituals that attract attention and radiate feelings of joy and satisfaction in religious ceremonies. Suwung presents quiet moments that provide opportunities for spiritual reflection and deep appreciation of the presence of Barong Bulu Goak in the ritual until the peak of the experience is known as saktibhava, marking the moment where the ceremony participants feel connected spiritually which indicates the existence of Barong Bulu Goak is a creative expression which shows how spiritual and aesthetic life in the Hindu context can combine in a deep experience, giving rise to the power of spirituality in the perception of beauty.
Co-Authors Anggara Putu Dharma Putra Kusuma Dewi, Made Ika Wahyu Arinatha, I Dewa Agung