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Ajaran Kepemimpinan Dalam Kakawin Gajah Mada Perspektif Model Kepemimpinan Hindu Dalam Masyarakat Bali Dharma Putra, Anggara Putu
VYAVAHARA DUTA Vol 6, No 2 (2012): VYAVAHARA DUTA
Publisher : VYAVAHARA DUTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (33.87 KB)

Abstrak Image Kakawin Gajah Mada, sebuah kakawin pada abad ke 20, selesai ditulis di Bali pada tanggal 10 November 1958, bertepatan dengan Hari Pahlawan. Kakawin ini menguraikan kejayaan Mahapatih Gajah Mada yang terkenal bijaksana. Penyair menggunakan berbagai sumber sebagai bahan penyusunan kakawin ini, antara lain Babad Gajah Mada, Nagarakritagama, Pararaton, Cerita Rakyat Tentang Gajah Mada, Slokantara, Silakrama, dan lain-lain. Di dalam kakawin tersebut terdapat ajaran kepemimpinan di antaranya tentang profil pemimpin, kerja keras, visioner, cerdik, cermat, tipu daya, melenyapkan gangguan terhadap negara, pemimpin dan pandita melaksanakan fungsinya sebagai Brahma, Wisnu, dan Siva, mewujudkan kesejahtraan, melindungi seluruh wilayah negara, menumbuhkan kesadaran warga negara terhadap tegaknya hukum, mewujudkan kesucian pribadi melalui pertapaan, dan samadhi. Gajah Mada seorang negarawan besar dan ajaran kepemimpinan yang diajarkan dan diimplementasikan masih sangat relevan dewasa ini.

IMPLEMENTASI TOLERANSI PEMUJAAN ANTARA MASYARAKAT HINDU DAN KHONGHUCU DI PURASADA KAPAL, KECAMATAN MENGWI KABUPATEN BADUNG (PERSPEKTIF SOSIO RELIGIUS) Dharma Putra, Anggara Putu
WIDYA DUTA No 1 (2012): Vidya Duta
Publisher : WIDYA DUTA

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ABSTRAK Di kelurahan kapal maupun Bendesa Adat Kapal terdapat Pura Sad Kahyangan bernama Purasada. Menurut ceritanya dalam Kutara Kanda Dewa Purana Bangsul PuraSada Kapal di buat oleh prajurit Cina di bawah pimpinan Patih Demang Copong bersama masyarakat Kapal.Penelitian ini mendiskripsikan implementasi toleransi pemujaan antara masyarakat Hindu dan Khonghucu di Purasada Kapal, sekaligus mengangkat dan menyebarluaskan bahwa keberadaan Purasada Kapal adalah tempat bersembahyang untuk umat Hindu pada umumnya maupun umat Khonghucu pada khususnya (Surya Kirana). Dalam menggali data di lapangan dipergunakan metode penelitian kwalitatif dengan mengambil lokasi di kelurahan Kapal, desa adat Kapal. Pengumpulan data menggunakan teknik wawancara dan pengamatan, informan kunci yang dipilih yakni Pemangku Lingsir, keluarganya, sesepuh maupun orang lain yang dianggap dan tahu serta mengerti tentang implementasi toleransi pemujaan antara masyarakat Hindu dan Khonghucu. Pendekatanteori yang dipergunakan dalam menganalisis masalah yang diangkat dalam penelitian ini yaitu teori fungsional structural dan teoriintegrasi. Hasil penelitian ini sebagai berikut : Pertama : kesediaan melakukan pemujaan bersama-sama; kedua : menerima dengan senang hati tradisi pemujaan bersama-sama yang sudah berlangsung lama dari nenek moyang; ketiga : seorang ketua adat, kelian banjar adat mempunyai pola pikir tentang kepemimpinan yang memahamibudaya orang lain; keempat : adanyapemahamanatau dialog vertikaldan horizontal; kelima : membinakerukunandanhubunganharmonisantara agama Hindu danKhonghucu; keenam : menjaga kesucian dan keamanan pura dan lingkungan di sekitar tempat pura itu berada (Banjar Pemebetan); ketujuh : tetap menjaga hubungan harmonis dengan saling menghargai keyakinan dan kepercayaan masing-masing dalam hal tata cara mengimplementasikan toleransi pemujaan terhadap Tuhan Yang Maha Esa.Di dalam implementasi toleransi pemujaan antara masyarakat Hindu dan Khonghucu di Purasada Kapal, dapat diimplementasikan melalui berbagai pola yakni berupa dana punia, aturan yang bersifat tulus serta kerja bakti dan gotong royong baik laki-laki maupun perempuannya untuk membuat sarana dan prasarana upacara Dewa Yadnya di Purasada Kapal di bawah koordinator Ketua Banjar Adat Pemebetan maupun di bawah coordinator Ketua Desa Adat Desa Pekraman Adat Kapal secara keseluruhan. Kata Kunci :Toleransi, Pemujaan, Masyarakat Hindu dan Konghucu

Strategi Komunikasi Perempuan Hindu Dalam Pelestarian Budaya Tenun Cagcag Motif Gegambir Banjar Pesalakan Desa Pejeng Kangin, Gianyar Kusuma Dewi, Made Ika; Pertu Agung, I Gusti Ngurah; Dharma Putra, Anggara Putu; Wahyu Arinatha, I Dewa Agung
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 6 No 4 (2023)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v6i4.2692

The re-engagement of Hindu women in weaving Gegambir motif cagcag woven fabric is an important part of efforts to preserve the culture and tradition of weaving in Banjar Pesalakan, Pejeng Kangin Village. The Sari Bhakti Weaving Group is one of the few remaining Cagcag weavers in Pejeng Village Banjar Pesalakan after the Covid-19 pandemic. Socio-cultural changes as a result of tourism development make the scarcity of traditional weavers of Gegambir motif cagcag cloth This can threaten the sustainability of traditional economic activities. Therefore, it is necessary to protect and promote traditional weavers and local handicrafts so that they remain sustainable and become a sustainable tourist attraction. This phenomenon needs to be studied how Hindu women and weaving: communication strategies, especially the Sari Bhakti Weaving group in the preservation of the Cagcag motif Gegambir Weaving culture in Banjar Pesalakan. This study describes this research related to the role of Hindu women, especially the Sari Bhakti Weaving group towards the preservation of the Gegambir motif Cagcag Weaving, communication strategies in the preservation of the Gegambir motif Cagcag Weaving, and the impact of communication strategies in the preservation of the Gegambir motif Cagcag Weaving in Banjar Pesalakan, Pejeng Kangin Village. The use of communication strategies in the preservation of Tenun Cagcag motif Gegambir by the Sari Bhakti Weaving Group of Banjar Pesalakan has important implications and impacts to ensure the sustainability and appreciation of this cultural heritage. An effective communication strategy can help raise public awareness about the uniqueness and importance of the Cagcag motif Gegambir Weaving as part of the local cultural heritage. The information conveyed through this strategy can help the community understand the historical, aesthetic, and skill values embodied in the Gegambir motif Cagcag Weaving.

MARKETING COMMUNICATIONS FOR WEAVING AS A COMMUNITY-BASED CULTURAL TOURISM DESTINATION (CASE STUDY OF THE SARI BHAKTI WEAVING GROUP BANJAR PESALAKAN, PEJENG KANGIN VILLAGE) Made Ika Kusuma Dewi; Anggara Putu Dharma Putra
Ride: Journal of Cultural Tourism and Religious Studies Vol. 3 No. 1 (2025): Vol 3 No 1
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ride.v3i1.4666

Marketing communications for Cagcag weaving, Banjar Pesalakan, can develop into a community-based cultural tourism village. To keep cagcag weaving relevant in the global tourism market, an effective marketing communication strategy is needed. A local community-based approach is the key to creating an authentic and sustainable strategy. This article will discuss how marketing communications for cagcag weaving based on the local community of Pesalakan Banjar Pejeng Kangin Village can strengthen product identity and improve the economic welfare of local communities based on cultural tourism villages. Local community-based cagcag weaving marketing communication is an approach that utilizes the knowledge, skills and uniqueness of local communities to market cagcag weaving products. This approach aims to highlight the authenticity and cultural richness contained in cagcag woven products, especially the gegambir motif, while providing direct economic and tourism benefits to craftsmen and tourists. Cagcag weaving in Banjar Pesalakan, Pejeng Kangin village is a Bhakti sari weaving group. Cagcag weaving in Banjar Pesalakan has characteristics that are different from weaving in general, namely gegambir weaving. Gegambir weaving is a traditional weaving typical of the people of Banjar Pesalakan and can only be found and produced by the Sari Bhakti weaving group originating from Banjar Pesalakan. Gegambir weaving has a cloth width of approximately 20 to 45 cm (maximum 60 cm) and a cloth length of 2 meters. Generally, gegambir weaving is only used as a means of complementing ceremonial clothing, such as being used as a shawl, udeng, and gegambir woven cloth is also used for religious activities, teeth cutting ceremonies or often called mepandes, along with the development of fashion, the development of globalization of tourism and market demand for gegambir weaving which has now changed its function to interior designs such as tablecloths, wall hangings and room decorations as desired. This research is a qualitative perspective. In this qualitative approach, the emphasis is on the depth (quality) of data, not the amount (quantity) of data. The method used is the observation method, case study method and literature method, where in this observation method the researcher directly observes the object under study, namely the cagcag weaving of the Bhakti sari weaving group found in Banjar Pesalakan, Pejeng Kangin village.

DIGITALIZATION OF RELIGIOUS RITUALS IN BALI'S CULTURAL TOURISM: A STUDY ON LIVE STREAMING OF TRADITIONAL CEREMONIES AND ITS IMPACT ON RELIGIOUS AUTHORITY Sanjaya, I Gede Wahyu; Agung, I Gusti Ngurah Pertu; Anggara Putu Dharma Putra
Ride: Journal of Cultural Tourism and Religious Studies Vol. 3 No. 1 (2025): Vol 3 No 1
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ride.v3i1.4693

Digitalization has transformed various aspects of life, including religious practices in the context of cultural tourism in Bali. This research explores the phenomenon of using online media in carrying out traditional Balinese Hindu ceremonial processions, as part of cultural tourism and its impact on religious authorities. Using a qualitative approach, this research analyzes how digitalization enables global access to sacred rituals and how these changes influence the perceptions of local communities, tourists and religious leaders. The findings reveal that the use of technology, especially online media, can increase the visibility of Balinese culture internationally, but also raises challenges related to the commodification of rituals and shifts in religious authority. Apart from that, there is starting to be a debate about the legality of online processions, this needs to be of special concern to policy-making authorities, especially in Hinduism. Several policy proposals were presented in this research. It is hoped that this study will be able to contribute to the discourse on the role of technology in the transformation of religious practices and cultural tourism, which has implications for cultural preservation policies and spirituality-based tourism management.

PHOTOGRAPHY IN TOURISM Anggara Putu Dharma Putra; Cokorda Istri Puspawati Nindhia
Ride: Journal of Cultural Tourism and Religious Studies Vol. 2 No. 1 (2024): Vol 2 No 1
Publisher : UHN IGB Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ride.v2i1.3566

Basically, humans are social creatures that cannot be separated from the people around them. This affects a person's lifestyle, be it a lifestyle that is closely related to the development of society, which contains values such as social strata, imagery, and self-actualization which are all for the search for a new identity. Where in this case we know that in the world of tourism has developed rapidly in which there are several components related to the world of tourism, one of which is media photography that plays a role in the world of tourism which is used to capture moments in us doing tourist trips, which in this case aims as a promotional media because of the results of good pictures will make people interested in visiting tourist attractions especially Bali, where we all know that Bali is one of the destinations visited by many local and foreign tourists, now this is how important media photography is in the world of tourism.

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