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Rempah-Rempah dalam Prasasti Warunggahan sebagai Rujukan Obat Tradisional Alkari, Alkari; Afandi, Zainal; Setya Wiratama, Nara
PINUS: Jurnal Penelitian Inovasi Pembelajaran Vol 9 No 2 (2024): Volume 9 Nomor 2 Tahun 2024
Publisher : Universitas Nusantara PGRI Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29407/pn.v9i2.20961

Abstract

The background to this research is based on the results of researchers' observations which show that people now tend to choose traditional medicine in the treatment process. This phenomenon is reflected in the increasing number of consumers who buy traditional medicines, both those that are registered and those that have obtained a business license. The aim of this research is to find out what spices are contained in the Warunggahan inscription, the reasons why spices are written in the Warunggahan inscription, and the characteristics of the plants/spices in the Waunggahan inscription. In this research, researchers used a qualitative descriptive approach method. Qualitative research is research in which the discussion brings up data obtained in the field. The research was carried out in several research stages, the first was the pre-research stage in the first week of December, research implementation in January-April, data analysis in May and June, and reporting of research results in July. At the research stage, researchers conducted direct interviews, including with Novi B.M.W, Wahyu Alam and A.B Aji Setiaji. The conclusions of this research are (1) The spices contained in the Warunggahan inscription include bsar, kasumba, wunkudu, jodhi, keteke, wuyah, kamal, lena, lurunan, kletik and gula. (2) The reason for writing spices in the Warunggahan inscription is to limit the sale of goods by carrying them. (3) The plants or spices contained in the Warunggahan Inscription have the following characteristics. The leaves are serrated, thorny and non-serrated, the stems are sturdy and break easily, have fruit and a distinctive taste, can grow up to 30m, the leaves are shiny green to dark green, the fruit is hard and soft when ripe.
Historisitas Cerita Panji Kadiri dalam Relief Sudamala di Candi Tegowangi: Kajian Historis dan Ikonografis Setya Wiratama, Nara; Afandi , Zainal; Budiono, Heru; Budianto, Agus; Faradila, Virda Alya
Journal of Innovative and Creativity Vol. 5 No. 3 (2025)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v5i3.6288

Abstract

Penelitian ini mengkaji historisitas Cerita Panji Kadiri sebagaimana termanifestasi dalam Relief Sudamala di Candi Tegowangi, Kediri, melalui pendekatan kualitatif dengan metode historis dan ikonografis. Latar belakang kajian ini berangkat dari pentingnya Cerita Panji sebagai warisan sastra klasik Nusantara yang tidak hanya hidup dalam bentuk teks, tetapi juga dalam artefak visual yang mencerminkan nilai-nilai spiritual dan budaya masyarakat Jawa Timur pada masa Majapahit. Penelitian ini bertujuan untuk menelusuri keterkaitan antara narasi Panji dan representasi visual relief penyucian di Tegowangi serta menafsirkan makna simbolik yang terkandung di dalamnya. Data diperoleh melalui studi pustaka sistematis terhadap literatur ilmiah dan observasi visual terhadap relief, kemudian dianalisis secara deskriptif-interpretatif dengan pendekatan ikonografis-historis. Hasil penelitian menunjukkan bahwa relief tersebut menggambarkan proses penyucian jiwa dan transformasi spiritual yang paralel dengan perjalanan tokoh Panji dalam mencari kesempurnaan diri, sekaligus merefleksikan sinkretisme Śhiva–Buddha dan nilai moral masyarakat Majapahit. Secara konseptual, penelitian ini memperluas penerapan teori ikonografi Panofsky dalam konteks budaya Jawa serta memberikan kontribusi terhadap pelestarian dan revitalisasi nilai-nilai Panji sebagai warisan budaya takbenda yang sarat makna spiritual dan historis. Temuan ini juga menegaskan pentingnya interpretasi visual sebagai sarana rekonstruksi narasi budaya dan identitas peradaban lokal di Nusantara.