Amatullah, Nur Afra Afifah Amani
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Intertextuality and Late Antiquity in Michael E. Pregill's Interpretation of the Worship of the Golden Calf in Surah Thāhā: 83-97 Amatullah, Nur Afra Afifah Amani; Najiyah, Nur Laili Nabilah Nazahah; Rohmaniyah, Inayah
Jurnal Studi Ilmu-ilmu Al-Qur'an dan Hadis Vol. 24 No. 1 (2023): Januari
Publisher : UIN Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/qh.v24i1.4093

Abstract

Michael E. Pregill argues that the story in Surah Thāhā: 83-97 reflects an interpretation trend of a story in the Bible, thriving among Jews and Christians in Late Antiquity, about Israelites who worshipped the golden calf. Pergill also argues about the intertextuality between the Qur’an and Bible. This study aims to comprehensively examine Pregill’s interpretation of Surah Thāhā: 83-97 as it responds to the differences in detailed stories of golden calf worship in the Qur’an and Bible and various interpretations of Al-Sāmīrī. Primary data of this qualitative study included a book entitled The Golden Calf between Bible and Qur’an: Scripture, Polemic, and Exegesis from Late Antiquity to Islam. Relevant data were collected and analyzed through data condensation, data display, and conclusion drawing/verification. According to Pregill, Al-Sāmīrī was a literary work of the Qur’an using biblical materials; then, Qur’an applied it to Harun’s name and emphasized his role as the Israelites’ guardian. The intertextuality between Qur’an and Bible was perceived from the possibility of using Ethiopic Bible materials to retell the event. In response to interpretation trends focusing on covenant, priesthood, and idolatry themes, Pregill argues that the Qur’an has affirmed Harun’s position as the Priest under Moses the Prophet.
Stilistika dan Tafsir: Memahami Variasi Stile dalam Tafsir Rahmat Oemar Bakry Amatullah, Nur Afra Afifah Amani
Contemporary Quran Vol. 3 No. 2 (2023)
Publisher : Sunan Kalijaga Islamic State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/cq.v3i2.5669

Abstract

The works of tafsir in Indonesia, from before to after independence, reflect the socioeconomic and cultural situations of the writers and readers, as seen by the employment of numerous scripts such as Arabic, Cacarakan, Jawi, Latin, Lontara, and Pegon. This study analyzes style changes in Oemar Bakry’s Tafsir Rahmat, specifically interpreting Q.S. An-Nisā’ [4]: 15-18. This study used a stylistic technique to detect four types of stile variation in Tafsir Rahmat: word choice, sentence type variation, rhetorical writing style, and cross-referencing. The study discovered that, in addition to script, style variety influences the character of tafsir compositions. Although prior research has focused on language, script, and specific themes in tafsir works, the study of stylistic differences in Tafsir Rahmat remains limited. The analysis results reveal that stile changes not only simplify message delivery, but also enhance the beauty of language in interpretation. This study contributes significantly to the study of tafsir by emphasizing the role of stylistic variation in the efficiency of tafsir communication.