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Kajian Karya Busana Wanita Postmodern “Masterpiece On The Runway” Wulansari, Vita
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 6, No 3 (2024): Visual Heritage: Jurnal Kreasi Seni Dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v6i3.8316

Kesenian adalah salah satu unsur kebudayaan yang tumbuh dan berkembang sejajar dengan perkembangan manusia selaku pengubah dan penikmat seni.Dalam mendiskripsikan suatu karya seni, muncul sebuah tulisan kritis, yang mampu mengantarkan para penikmat seni untuk merasuk lebih dalam lagi terhadap sebuah karya seni.Karya seni terlahir dari cabang-cabang seni yaitu seni pertunjukan dan seni rupa murni.Dalam seni rupa murni dihasilkan sebuah ide-ide baru melalui desain, salah satunya adalah fesyen. Pengaruh fesyen di zaman ini tidak hanya sebatas gaya hidup semata, namun bagaimana pandangan orang kreatif yang mampu berinovasi untuk memajukan dunia fesyen itu sendiri. Ketika karya fesyen, disatupadukan dengan karya seni lainnya, akan melahirkan sebuah ide-ide baru. Seperti karya “masterpiece”dari duo desainer terampil yang berasal dari Negeri Kincir Angin yaitu Viktor & Rolf.Karya Viktor & Rolf yang berjudul “Masterpiece On The Runway- Viktor & Rolf Create Dresses That Are Made Out Of Framed Paintings” mampu mencuri perhatian penikmat seni, kolaborasi indah antara seni rupa dan fesyen yaitu lukisan yang dipadukan dengan busana yang menjadikannya sebuah “wereable art” menjadi koleksi busana pagelaran Haute Couture Autumn/Winter 2015 milik Viktor & Rolf. Dari segala ide, medium dan konsep yang digunakam oleh Viktor & Rolf, karya mereka memang sangat menarik untuk dikaji. Dalam mengkaji karya tersebut akan diulas nilai dan teori semiotika yang digunakan dalam karya tersebut.

MODIFIKASI BAHAN SERAT ALAM DAUN NANAS DAN KAIN TENUN TENGANAN SEBAGAI BAHAN UTAMA PEMBUATAN TAS: Studi Kasus Membangkitkan Edukasi Pertanian di Denpasar Wulansari, Vita; Darmiati, I Gusti Ayu Agung Mia
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Artikel ilmiah ini menyajikan sebuah penelitian tentang modifikasi bahan berfokus pada serat daun nanas dan kain Tenun Tenganan sebagai bahan utama dalam pembuatan tas. Studi ini tidak hanya bertujuan meningkatkan kualitas dan kekuatan bahan, tetapi juga mengeksplorasi dampak positif terhadap edukasi pertanian di Denpasar. Melibatkan pendekatan inovatif terhadap bahan lokal, penelitian ini mengungkap potensi pengembangan industri kreatif yang berkaitan dengan pertanian. Hasil modifikasi bahan memberikan kontribusi terhadap pemberdayaan masyarakat lokal, menciptakan produk tas yang unik, dan memperkaya nilai ekonomi serta budaya di wilayah tersebut. Artikel ini mengajukan saran untuk pengembangan lebih lanjut, pemberdayaan masyarakat, dan kerjasama antara industri dan pendidikan sebagai langkah-langkah strategis untuk mendukung pertumbuhan industri kreatif lokal dan membangkitkan edukasi pertanian di Denpasar.

Innovation in the Use of Cocoa Peel Waste as a Natural Textile Dye Wulansari, Vita; Utami, Sri
ARTCHIVE: Indonesian Journal of Visual Arts and Design Vol 5, No 2 (2024): ARTCHIVE: Indonesia Journal of Visual Art and Design
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53666/artchive.v5i2.4807

In the current era, the fashion industry is very developed, high market demand has resulted in mass production of clothing. To prevent the occurrence of fast fashion, world fashion players have now implemented a sustainability system which is done by producing clothes from fabrics made from natural fabric, minimal patterns, and using natural textile dyes. In Indonesia, people now know more about sustainable fashion, one of which is the application of natural textile dyes to fashion products. With abundant natural resources, especially plant species, it can be utilized and has the potential to be developed. One of them is cocoa, cocoa plantations in Indonesia are very developed, especially in Jembrana Regency, Bali, which is the largest cocoa producer in Bali. Cocoa shells are waste that has not been utilized much, in this paper we will present a new innovation in the form of textile dyes from cocoa shell waste, which is expected to help reduce chemical dye pollution in the environment and develop local regional potential in terms of the welfare of local farmers.

INOVASI PEMANFAATAN LIMBAH KULIT BUAH KAKAO SEBAGAI PEWARNA TEKSTIL ALAMI (STUDI KASUS: KAKAO DI KABUPATEN JEMBRANA) Wulansari, Vita; Utami, Sri; Pramesti, Ni Putu Anggita Okta
Narada : Jurnal Desain dan Seni Vol 12, No 1 (2025)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar

In the current era, the fashion industry is very developed, high market demand has resulted in mass production of clothing. To prevent the occurrence of fast fashion, world fashion players have now implemented a sustainability system which is done by producing clothes from fabrics made from natural fabric, minimal patterns, and using natural textile dyes. In Indonesia, people now know more about sustainable fashion, one of which is the application of natural textile dyes to fashion products. With abundant natural resources, especially plant species, it can be utilized and has the potential to be developed. One of them is cocoa, cocoa plantations in Indonesia are very developed, especially in Jembrana Regency, Bali, which is the largest cocoa producer in Bali. Cocoa shells are waste that has not been utilized much, in this paper we will present a new innovation in the form of textile dyes from cocoa shell waste, which is expected to help reduce chemical dye pollution in the environment and develop local regional potential in terms of the welfare of local farmers.

Echoes of Waste: Eco-Conscious Fashion Expression in the Spirit of Pramoedya Ananta Toer Wulansari, Vita; Jaya Putra, I Gede; Patricia Putra, Evelyn
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.625

This work serves as a visual expression rooted in deep concern over environmental exploitation and the ongoing degradation of marine ecosystems. Through a sustainable fashion approach, this couture garment is crafted using post-consumer materials such as discarded denim, damaged compact discs, and plastic bottles, serving as a critical response to the consumerist culture that negatively impacts nature. The research adopts a descriptive qualitative method, utilizing the stages of exploration, experimentation, and formation as outlined by Alma M. Hawkins. It also incorporates the humanistic philosophy of Pramoedya Ananta Toer as a cultural lens to frame the narrative. The creative process reveals that fashion design can be a powerful medium for ecological critique, offering an alternative narrative that fosters collective environmental awareness. This work affirms that fashion is not merely about visual aesthetics, but also a space of resistance—one that advocates for humanity and sustainability.

Senandung Tak Bertahta Exhibition in the Frame of Socialist Realism Pramoedya Ananta Toer Jaya Putra, I Gede; Wulansari, Vita; Devi Krishnanandayani, Jyothi
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.631

This article discusses about Senandung tak Bertahta exhibition which departs from the situation and conditions of Balinese society in the frame of socialist realism Pramoedya Ananta Toer. Balinese society is still struggling to meet their living needs behind the glittering tourism sector. Take for example the Kerobokan area of Bali which is always under pressure with the rate of growth, between struggling, surviving, actually giving up, especially on the issue of land which is squeezed and lured by investors' enticements. The data source was obtained through a qualitative approach using a descriptive analysis method by utilizing library media. The Senandung tak Bertahta exhibition is a representative to voice the phenomenon, through three works that represent the voices of the buried community, the context of body ownership and the issue of fake identity. The Senandung tak bertahta exhibition will be studied using the theory of Socialist Realism which is in line with Pramoedya's thoughts and the works will be studied using theories by Adorno, Foucault and Julia Kristeva which describe the problem of the helplessness of society which is in line with the context of socialist realism. By studying symbolic elements, visual composition, and social context, this exhibition shows how contemporary art is still relevant as a medium for the struggle of lower-class discourse, as proposed in Pramoedya's literature.

KAJIAN PERGESERAN BENTUK DAN MAKNA BUSANA ADAT MADYA PRIA BALI Dewanti, Pande Putu Wiweka Ari; Wulansari, Vita
Narada : Jurnal Desain dan Seni Vol 10, No 1 (2023)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2023.v10.i1.001

As a diverse country, Indonesia has various kinds of traditional clothing in each region. Each of this distinct traditional clothing represents the culture, tradition and craft within the area. Like the Balinese traditional clothing that is composed with shapes and meaning in accordance of their culture, tradition, and craft. Which the usage of this traditional fabric becomes one of a fundamental characteristic of Balinese traditional clothing. Balinese traditional clothing consists of three separate groups, that is Nista, Madya and Utama which each serves different purposes. The Madya traditional clothing often aimed at the man to go to the temple is currently being misused and shift their meaning and form which become a main issue of traditional clothing usage to the temple. This inappropriate usage of traditional clothing to the temple is based on several factors, one of them is the lack of appropriate knowledge about form and meaning of Madya traditional clothing, especially when it used to pray at the temple. By making direct observation, which based on several literatures, the usage of traditional clothing is divided into three important parts called the Tri Angga concept. Each of these parts has a deep meaning related to human responsibility to carry out the teaching of truths. The upper, middle and lower parts of the human body are related to each other to interpret the meaning of the traditional clothing that being worn.

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