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All Journal PRABANGKARA Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Jurnal Cahaya Mandalika Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Global Art Creativity Conference Jurnal Studi Seni Visual dan Desain: Les-Guet's
I Gede Jaya Putra
Institut Seni Indonesia Bali
Arts Humanities Languange, Linguistic, Communication & Media

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Eksperimen Buah Pohon Palem Putri (Veitchia Merillii) Sebagai Bahan Alternatif Membuat Zat Warna Alami Putra Jaya, I Made Gede
Prabangkara : Jurnal Seni Rupa dan Desain Vol 21 No 1 (2017): Prabangkara
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (9429.45 KB)

Abstract

Meningkatnya kesadaran masyarakat kembali menggunakan zat warna alam (back to nature) dan meninggalkan zat warna sintetis (ZWS) mulai diberdayakan pemerintah Indonesia.Karena limbah hasil penggunaan warna sintetis dapat mencemari lingkungan, yang disebabkan oleh zat-zat pembantu pewarnaan yang bersifat B3 (Bahan Beracun Berbahaya). Berdasarkan masalah yang muncul inilah, Penulis tergerak melakukan dan membuat eksperimen, guna mendapatkansampel warna alam sebagai bahan pewarna kain batik dari tanaman Palem Putri (Veitchia Merillii). Sehingga menjadi alternatif menggurangi penggunaan bahan sintetis yaitu salah satunya zat warna napthol, sekaligus menjadi bagian dari  program pemerintah yang relevan yaitu “Clean  and Green”.Penulis menggunakan metode kualitatif agar mudah menarasikan menjadi bahasa ilmiah yang dapat dipertanggunjawabkan.Increasing public awareness to using natural dyes (back to nature) and leaving a synthetic dye (ZWS) began empowered Indonesian government. Due to the use of synthetic colors that can pollute the environment, which is caused by substances that are dyeing auxiliaries B3 (Hazardous Toxic Substances). Based on the problems, the author want to make experiments, in order to obtain natural color samples as batik fabric dyes from Palem Putri (Veitchia Merillii). So it becomes to stop using synthetic materials that one of them is napthol, as well as a part of a government program namely "Clean and Green". The author uses a qualitative method to wrote this scientific project.
Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Tattoo Art Works Mahananda, I Putu Gede Rindra; Pemayun, Tjokorda Udiana Nindhia; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3636

Abstract

This thesis contains a description of the creation of works of tattoo art with the theme "Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Works of Tattoo Art" which was inspired when looking at foreign tattoo styles, namely American traditional tattoos, known as American Traditional (Old School Tattoo). where this tattoo has a very strong characteristic or character, so that the traditional American tattoo style is easily recognized. In Bali itself, there are several adherents of the Neo Traditional tattoo style, one of which is Kink Tattoo Bali, where Kink Tattoo Bali has a similar phenomenon where its tattoo work is recognized by tattoo lovers because Kink Tattoo Bali's work has a strong characteristic or character. so that his work can be easily recognized. The aim to be achieved in this MBKM Internship/Work Practicum activity is to find out the situation in the real world of work and gain experience in the world of work as well as various new work experience skills that can broaden your insight into the scope of tattoo work in the world of work and can deepen your knowledge and techniques. in working on professional tattoo projects in the real world of work. MBKM Internship/Practice activities at Studio Kink Tattoo Bali also aim to hone skills in creating original tattoo works by combining Balinese culture with Neo Traditional tattoo styles. In realizing this tattoo design work, the author used interview, observation, documentation and literature methods. From the title above, there are five tattoo design works in MBKM Internship/Practice activities at Kink Tattoo Bali studio.
EKSPLORASI FOAM SEBAGAI MEDIUM PENCIPTAAN KARYA SENI RUPA KONTEMPORER Putra, I Gede Jaya; Sucipta, I Wayan Adi; Suryadinata T.Y, A.A Gde Trisna
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Artikel ini membahas tentang eksplorasi dan eksperimentasi medium PU foam dengan menghadirkan segala kemungkinan visual yang mampu diwacanakan. Kesadaran akan medium juga berimbas pada lahirnya wacana terkait sikap integritas sebagai tindak keberlanjutan proses kehidupan masyarakat, ditengah gempuran arus modernisasi yang mengacu pada wacana globalisasi, serta maraknya pola hidup individualism dengan menanggalkan ketulus-ikhlasan yang divisualkan ke dalam bentuk seni rupa kontemporer. Kekaryaan berfokus pada proses imajinasi dengan mencari makna-makna baru yang dapat dipakai sebagai proses penyadaran terhadap nilai kemanusian serta budaya saat ini. Sumber data diperoleh melalui pendekatan kualitatif menggunakan metode deskriptis analisis. Penciptaan menggunakan pendekatan yatna yaitu Rasa Tulus Ikhlas, Rasa bakti dan memuja, Pelaksanaannya disesuaikan dengan kemampuan masing-masing menurut desa kalapatra dan Sumber ilmu pengetahuan suci dan kebenaran, beserta teori Simulacra oleh Baudrillard. Penelitian yang merujuk pada penciptaan karya seni memberi keleluasaan eksplorasi medium yang bermuara pada persoalan kebebasan, kreativitas, spirit yang mengacu pada struktur penciptaan seni media baru. Hasil karya menunjukan hasil dari realitas dengan memunculkan kode-kode yang menyiratkan makna baru, merujuk pada pola hidup masyarakat kini yang ambigu, tumpang tindih, absurd serta complicated. Dengan demikian pemanfaatan PU foam sebagai medium baru yang dikaitkan pada wacana integritas, diharapkan mampu merepresentasikan persoalan serta memberi penyadaran akan fenomena yang terjadi pada masyarakat kini, serta kekaryaan mampu menjadi bagian kebaruan dalam struktur penciptaan seni rupa kontemporer Indonesia.
TOYA CAMPUHAN: AIR DAN PERADABAN MANUSIA DALAM PENCIPTAAN SENI LUKIS Setem, I Wayan; Kondra, I Wayan; Gede Putra Jaya, I Made
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 1 (2022): Brikolase Juli 2022
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i1.4232

Abstract

TThe purpose of this research and art creation is to create and present artworks with “Toya Campuhan: Water and Human Civilization” as the source of inspiration. World civilization, especially in ancient Bali, has emerged and developed around water as its source of life. Water sources, such as river confluences, act as a pulse, supporting the joints that contribute significantly to various parts of physical and spiritual life. Due to this, water must be conserved, so that they always provide benefits for the journey of human life far into the future. However, the current condition of rivers in Bali is really worrying, as various pollutants pollute them. Slowly but surely, the water condition will worsen if we continue to let it be. This evokes my empathy, emotion, and hope about a healthy river confluence as a mission that I wanted to convey through the creation of this painting. This creation model becomes a cultural expression as a medium for increasing public appreciation to raise the spirit of ecological resilience over the problem of water pollution. This creation is based on research, where the method consists of two parts, namely the research method and the creation method. The research method uses an anthropological approach, especially related to ethnography. Meanwhile, the creation method passes through three stages: exploration, improvisation, and the embodiment of the work, which is preceded by a study of similar works of art and literature review.
Karakteristik Potret dalam Seni Tato Realis Prayoga, I Kadek Dena Ari; Tjokropramono, I Gede Yosef; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4488

Abstract

This study aims to analyses the characteristics of portraiture in realistic tattoo art, one of the most popular tattoo styles today. The main focus of this research is to identify the key elements that make portrait tattoos look realistic and lifelike, as well as the techniques used by tattoo artists to achieve these results. This research is part of the MBKM internship report and employs a descriptive qualitative research method. Data were collected through interviews with tattoo artists experienced in the realistic style, direct observation during the tattoo-making process, and photographic documentation of their works. Content analysis was used to identify common features that define realistic portrait tattoos, such as accuracy in capturing facial proportions, placement of light and shadow, and the use of smooth shading gradients to create depth effects, along with attention to small details that enhance the realistic impression.The main findings of this study show that accuracy in depicting facial expressions and skin texture significantly impacts the quality of realistic portrait tattoos. Additionally, a deep understanding of facial anatomy and proficiency in ink application and colour gradients are crucial factors. The implications of this research suggest that mastering these techniques not only improves the quality of tattoos but also promotes the development of the realism style within the tattoo art industry.
Echoes of Waste: Eco-Conscious Fashion Expression in the Spirit of Pramoedya Ananta Toer Wulansari, Vita; Jaya Putra, I Gede; Patricia Putra, Evelyn
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.625

Abstract

This work serves as a visual expression rooted in deep concern over environmental exploitation and the ongoing degradation of marine ecosystems. Through a sustainable fashion approach, this couture garment is crafted using post-consumer materials such as discarded denim, damaged compact discs, and plastic bottles, serving as a critical response to the consumerist culture that negatively impacts nature. The research adopts a descriptive qualitative method, utilizing the stages of exploration, experimentation, and formation as outlined by Alma M. Hawkins. It also incorporates the humanistic philosophy of Pramoedya Ananta Toer as a cultural lens to frame the narrative. The creative process reveals that fashion design can be a powerful medium for ecological critique, offering an alternative narrative that fosters collective environmental awareness. This work affirms that fashion is not merely about visual aesthetics, but also a space of resistance—one that advocates for humanity and sustainability.
Senandung Tak Bertahta Exhibition in the Frame of Socialist Realism Pramoedya Ananta Toer Jaya Putra, I Gede; Wulansari, Vita; Devi Krishnanandayani, Jyothi
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.631

Abstract

This article discusses about Senandung tak Bertahta exhibition which departs from the situation and conditions of Balinese society in the frame of socialist realism Pramoedya Ananta Toer. Balinese society is still struggling to meet their living needs behind the glittering tourism sector. Take for example the Kerobokan area of Bali which is always under pressure with the rate of growth, between struggling, surviving, actually giving up, especially on the issue of land which is squeezed and lured by investors' enticements. The data source was obtained through a qualitative approach using a descriptive analysis method by utilizing library media. The Senandung tak Bertahta exhibition is a representative to voice the phenomenon, through three works that represent the voices of the buried community, the context of body ownership and the issue of fake identity. The Senandung tak bertahta exhibition will be studied using the theory of Socialist Realism which is in line with Pramoedya's thoughts and the works will be studied using theories by Adorno, Foucault and Julia Kristeva which describe the problem of the helplessness of society which is in line with the context of socialist realism. By studying symbolic elements, visual composition, and social context, this exhibition shows how contemporary art is still relevant as a medium for the struggle of lower-class discourse, as proposed in Pramoedya's literature.
DESIGNING TATTO ARTWORK WITH THE CONCEPT OF BALI CULTURE USING THE DARK ART STREAM AT KINK TATTO BALI Dharma, I Made Agus Wira; Budiarta, I Dewa Putu Gede; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4501

Abstract

This study explores Balinese culture through Dark Art to depict the grandeur and complexity of the community's spirituality. Dark Art, with its dark tones and profound symbolism, reflects the mystical power and sacredness of nature represented by mythological figures like Dewi Durga. In Balinese culture, Dewi Durga symbolizes the formidable forces of nature, revered through various rituals and arts. Her portrayal in a horror-themed style emphasizes not only the terrifying aspects but also the majesty and sacred mystery of nature. Dark Art elements such as horror nuances and Rangda masks enhance the symbolism of the niskala (spiritual) world, a vital aspect of Balinese life. The Rangda mask, often associated with negative forces, represents diseases or spiritual disturbances that are addressed through traditional rituals. The use of these elements illustrates how Balinese people maintain balance between physical and spiritual aspects. The study's artistic outcomes combine Dark Art aesthetics with Balinese traditions, creating a profound visual interpretation of the community's views on nature and spirituality. This approach highlights the significance of the niskala realm in Balinese culture, particularly in preserving harmony in life. The research contributes to understanding how Balinese art and culture utilize Dark Art symbolism to express their beliefs and spiritual practices.
Karakter Api Sebagai Simbol Emosi Dalam Penciptaan Karya Seni Lukis Rahditya, Ida Bagus Mas Putra; Mustika, I Ketut; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4528

Abstract

This report contains a description of the creation of works of painting with the theme "Fire character as a symbol of an emotion in the creation of works of painting." This theme is inspired by the use of fire symbols to represent various emotions in art. In general, this report discusses how the symbol of fire can be used to depict emotions and characters in works of art. The problem faced is how to visualize emotions and characters through the symbol of fire to represent ideas, phenomena, meanings and techniques presented in creating works of painting. The creation method is a process of creating work systematically. In realizing this creation, the methods used include: basic research, exploration stages, experimentation, improvisation, and formation. The aim to be achieved in creatingthis work is to reveal how fire as a symbol of emotion can be a medium for creativity and imagination in the form of paintings, by applying the principles of fine art to create six works during this sixth semester.
PAPER CLAY DARI LIMBAH KERTAS BEKAS SEBAGAI UPAYA MENGATASI KETERBATASAN BAHAN PRATIKUM TANAH PATUNG Putra Jaya, Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.6051

Abstract

The issue of environmental pollution due to household waste, office waste, agricultural waste, and livestock waste, which has become a global issue, requires a solution. One type of waste that is quite commonly found in several environmental units of the Faculty of Fine Arts and Design, ISI Bali, is used paper waste. Practical materials for the realistic sculpture course in the Fine Arts Laboratory of the Faculty of Fine Arts and Design initially used Jogja clay and plasticine as the forming materials, but over time these materials became difficult to obtain because they had to be transported from Jogja, which required a large cost to get to Denpasar. For this reason, the creation and testing of substitute materials that have almost the same characteristics or perhaps have advantages over the previous material, namely in the form of paper clay. The purpose of this research is to solve the problem of scarcity of clay practical materials and be able to overcome environmental problems, especially used paper waste in laboratories and several units within the Faculty of Fine Arts and Design ISI Bali. The creation process includes the exploration stage, the improvisation stage, and the composition stage (forming). The results of the research obtained are that clay from used paper as a practical material is very easy to obtain and produce and is much more economical when compared to sculpture soil. The characteristics of paper clay are better than sculpture soil, such as having a higher level of strength, smaller shrinkage, easier to shape and stick, and faster drying time.
Co-Authors Budiarta, I Dewa Putu Gede Devi Krishnanandayani, Jyothi Dharma, I Made Agus Wira Gede Budayana , I Wayan Gede Yosef Tjokropramono I Wayan Setem, I Wayan Kondra, I Wayan Mahananda, I Putu Gede Rindra Mustika, I Ketut Patricia Putra, Evelyn Pemayun, Tjokorda Udiana Nindhia Prayoga, I Kadek Dena Ari Rahditya, Ida Bagus Mas Putra Sucipta, I Wayan Adi Suryadinata T. Y., Anak Agung Gde Trisna Vita Wulansari Wulansari, Vita