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All Journal Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Putra, I Gede Jaya
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Arts Humanities

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Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Tattoo Art Works Mahananda, I Putu Gede Rindra; Pemayun, Tjokorda Udiana Nindhia; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3636

Abstract

This thesis contains a description of the creation of works of tattoo art with the theme "Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Works of Tattoo Art" which was inspired when looking at foreign tattoo styles, namely American traditional tattoos, known as American Traditional (Old School Tattoo). where this tattoo has a very strong characteristic or character, so that the traditional American tattoo style is easily recognized. In Bali itself, there are several adherents of the Neo Traditional tattoo style, one of which is Kink Tattoo Bali, where Kink Tattoo Bali has a similar phenomenon where its tattoo work is recognized by tattoo lovers because Kink Tattoo Bali's work has a strong characteristic or character. so that his work can be easily recognized. The aim to be achieved in this MBKM Internship/Work Practicum activity is to find out the situation in the real world of work and gain experience in the world of work as well as various new work experience skills that can broaden your insight into the scope of tattoo work in the world of work and can deepen your knowledge and techniques. in working on professional tattoo projects in the real world of work. MBKM Internship/Practice activities at Studio Kink Tattoo Bali also aim to hone skills in creating original tattoo works by combining Balinese culture with Neo Traditional tattoo styles. In realizing this tattoo design work, the author used interview, observation, documentation and literature methods. From the title above, there are five tattoo design works in MBKM Internship/Practice activities at Kink Tattoo Bali studio.
EKSPLORASI FOAM SEBAGAI MEDIUM PENCIPTAAN KARYA SENI RUPA KONTEMPORER Putra, I Gede Jaya; Sucipta, I Wayan Adi; Suryadinata T.Y, A.A Gde Trisna
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Artikel ini membahas tentang eksplorasi dan eksperimentasi medium PU foam dengan menghadirkan segala kemungkinan visual yang mampu diwacanakan. Kesadaran akan medium juga berimbas pada lahirnya wacana terkait sikap integritas sebagai tindak keberlanjutan proses kehidupan masyarakat, ditengah gempuran arus modernisasi yang mengacu pada wacana globalisasi, serta maraknya pola hidup individualism dengan menanggalkan ketulus-ikhlasan yang divisualkan ke dalam bentuk seni rupa kontemporer. Kekaryaan berfokus pada proses imajinasi dengan mencari makna-makna baru yang dapat dipakai sebagai proses penyadaran terhadap nilai kemanusian serta budaya saat ini. Sumber data diperoleh melalui pendekatan kualitatif menggunakan metode deskriptis analisis. Penciptaan menggunakan pendekatan yatna yaitu Rasa Tulus Ikhlas, Rasa bakti dan memuja, Pelaksanaannya disesuaikan dengan kemampuan masing-masing menurut desa kalapatra dan Sumber ilmu pengetahuan suci dan kebenaran, beserta teori Simulacra oleh Baudrillard. Penelitian yang merujuk pada penciptaan karya seni memberi keleluasaan eksplorasi medium yang bermuara pada persoalan kebebasan, kreativitas, spirit yang mengacu pada struktur penciptaan seni media baru. Hasil karya menunjukan hasil dari realitas dengan memunculkan kode-kode yang menyiratkan makna baru, merujuk pada pola hidup masyarakat kini yang ambigu, tumpang tindih, absurd serta complicated. Dengan demikian pemanfaatan PU foam sebagai medium baru yang dikaitkan pada wacana integritas, diharapkan mampu merepresentasikan persoalan serta memberi penyadaran akan fenomena yang terjadi pada masyarakat kini, serta kekaryaan mampu menjadi bagian kebaruan dalam struktur penciptaan seni rupa kontemporer Indonesia.
Karakteristik Potret dalam Seni Tato Realis Prayoga, I Kadek Dena Ari; Tjokropramono, I Gede Yosef; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4488

Abstract

This study aims to analyses the characteristics of portraiture in realistic tattoo art, one of the most popular tattoo styles today. The main focus of this research is to identify the key elements that make portrait tattoos look realistic and lifelike, as well as the techniques used by tattoo artists to achieve these results. This research is part of the MBKM internship report and employs a descriptive qualitative research method. Data were collected through interviews with tattoo artists experienced in the realistic style, direct observation during the tattoo-making process, and photographic documentation of their works. Content analysis was used to identify common features that define realistic portrait tattoos, such as accuracy in capturing facial proportions, placement of light and shadow, and the use of smooth shading gradients to create depth effects, along with attention to small details that enhance the realistic impression.The main findings of this study show that accuracy in depicting facial expressions and skin texture significantly impacts the quality of realistic portrait tattoos. Additionally, a deep understanding of facial anatomy and proficiency in ink application and colour gradients are crucial factors. The implications of this research suggest that mastering these techniques not only improves the quality of tattoos but also promotes the development of the realism style within the tattoo art industry.
DESIGNING TATTO ARTWORK WITH THE CONCEPT OF BALI CULTURE USING THE DARK ART STREAM AT KINK TATTO BALI Dharma, I Made Agus Wira; Budiarta, I Dewa Putu Gede; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4501

Abstract

This study explores Balinese culture through Dark Art to depict the grandeur and complexity of the community's spirituality. Dark Art, with its dark tones and profound symbolism, reflects the mystical power and sacredness of nature represented by mythological figures like Dewi Durga. In Balinese culture, Dewi Durga symbolizes the formidable forces of nature, revered through various rituals and arts. Her portrayal in a horror-themed style emphasizes not only the terrifying aspects but also the majesty and sacred mystery of nature. Dark Art elements such as horror nuances and Rangda masks enhance the symbolism of the niskala (spiritual) world, a vital aspect of Balinese life. The Rangda mask, often associated with negative forces, represents diseases or spiritual disturbances that are addressed through traditional rituals. The use of these elements illustrates how Balinese people maintain balance between physical and spiritual aspects. The study's artistic outcomes combine Dark Art aesthetics with Balinese traditions, creating a profound visual interpretation of the community's views on nature and spirituality. This approach highlights the significance of the niskala realm in Balinese culture, particularly in preserving harmony in life. The research contributes to understanding how Balinese art and culture utilize Dark Art symbolism to express their beliefs and spiritual practices.
Karakter Api Sebagai Simbol Emosi Dalam Penciptaan Karya Seni Lukis Rahditya, Ida Bagus Mas Putra; Mustika, I Ketut; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4528

Abstract

This report contains a description of the creation of works of painting with the theme "Fire character as a symbol of an emotion in the creation of works of painting." This theme is inspired by the use of fire symbols to represent various emotions in art. In general, this report discusses how the symbol of fire can be used to depict emotions and characters in works of art. The problem faced is how to visualize emotions and characters through the symbol of fire to represent ideas, phenomena, meanings and techniques presented in creating works of painting. The creation method is a process of creating work systematically. In realizing this creation, the methods used include: basic research, exploration stages, experimentation, improvisation, and formation. The aim to be achieved in creatingthis work is to reveal how fire as a symbol of emotion can be a medium for creativity and imagination in the form of paintings, by applying the principles of fine art to create six works during this sixth semester.
Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Tattoo Art Works Mahananda, I Putu Gede Rindra; Pemayun, Tjokorda Udiana Nindhia; Putra, I Gede Jaya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3636

Abstract

This thesis contains a description of the creation of works of tattoo art with the theme "Application of Balinese Cultural Concepts in the Creation of Neo-Traditional Works of Tattoo Art" which was inspired when looking at foreign tattoo styles, namely American traditional tattoos, known as American Traditional (Old School Tattoo). where this tattoo has a very strong characteristic or character, so that the traditional American tattoo style is easily recognized. In Bali itself, there are several adherents of the Neo Traditional tattoo style, one of which is Kink Tattoo Bali, where Kink Tattoo Bali has a similar phenomenon where its tattoo work is recognized by tattoo lovers because Kink Tattoo Bali's work has a strong characteristic or character. so that his work can be easily recognized. The aim to be achieved in this MBKM Internship/Work Practicum activity is to find out the situation in the real world of work and gain experience in the world of work as well as various new work experience skills that can broaden your insight into the scope of tattoo work in the world of work and can deepen your knowledge and techniques. in working on professional tattoo projects in the real world of work. MBKM Internship/Practice activities at Studio Kink Tattoo Bali also aim to hone skills in creating original tattoo works by combining Balinese culture with Neo Traditional tattoo styles. In realizing this tattoo design work, the author used interview, observation, documentation and literature methods. From the title above, there are five tattoo design works in MBKM Internship/Practice activities at Kink Tattoo Bali studio.
Co-Authors Budiarta, I Dewa Putu Gede Dharma, I Made Agus Wira Mahananda, I Putu Gede Rindra Mustika, I Ketut Pemayun, Tjokorda Udiana Nindhia Prayoga, I Kadek Dena Ari Rahditya, Ida Bagus Mas Putra Sucipta, I Wayan Adi Suryadinata T. Y., Anak Agung Gde Trisna Tjokropramono, I Gede Yosef