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All Journal Abjad : Journal of Humanities & Education Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Budiarta, I Dewa Putu Gede
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Religion Arts Humanities Languange, Linguistic, Communication & Media

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JAJA BEBANGKIT SEBAGAI PERWUJUDAN PERSEMBAHAN YANG MENGANDUNG NILAI ESTETIK Budiarta, I Dewa Putu Gede; Buana, Anak Agung Ngurah Gede Surya
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.134

Abstract

Hinduism in Bali is a religion that is very full of offerings as gratitude to God in all His manifestations, as well as offerings to the ancestors, also to the Rsi which is translated as a debt, so that all people feel obliged to do the offering. In carrying out the obligation to make offerings with a series of ceremonies, it is always packed with a series that is very symbolic and has a high aesthetic value. Beauty or aesthetics is a very important consideration in carrying out a series of offerings, starting from objects as manifestations of ceremonies, mantra words pronounced in beautiful rhythms, to the attitudes of the performers of offerings with beautiful attitudes and movements in the form of dances. Bebangkit is a series of ceremonies with symbolic meaning which means the manifestation of the great world, contained with symbols of all contents in this universe.
Bunga Mawar Sebagai Simbol Perilaku Manusia Menjadi Sumber Ide Dalam Seni Lukis Udghitasari, Ni Made; Budiarta, I Dewa Putu Gede; Putra, I Gusti Ngurah
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1528

Abstract

The purpose of the Final Project of Fine Arts Creation is a requirement for S1 graduation. This makes me want to metaphor the various types, shapes, and colors of roses as ideas for creating paintings in a naive style. Then perform various compositional processing, phenomena in life can be used as ideas in creating a work of painting, ideas or ideas cannot be separated from observations and interactions with surrounding conditions, as well as personal experiences. With the problem of how to express the technique, and the meaning of the various types and colors of roses into a painting. There are supporters in expressing techniques, and meanings, namely the theoretical basis as a reference for realizing paintings. So, my theoretical basis is to use aesthetic theory, semiotic theory to express the meaning of the rose metaphor, and naiveism to enrich the visuals of painting. The results of this creation are in the form of six works of art with the title: Breastfeeding Mother, Fighting Corona Virus, Self-Esteem, Rejecting Love, Relaxing, and Inhaling Taste. Through the writing that has been done, I can express the roses expressed in a naive style. Through this, a work can be created that will have a symbol or meaning.
Motif Ornamen Bali Sebagai Sumber Inspirasi Dalam Penciptaan Seni Lukis Wayang Kamasan Adiguna, Made Hendra; Budiarta, I Dewa Putu Gede; Yugus, A.A Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1837

Abstract

Wayang Kamasan painting is the main topic of thought in the creation of painting works of art, which were inspired by Balinese ornamental motifs. As for the research problems, namely: What are the Balinese ornamental motifs that are applied to the Wayang Kamasan form?, How to apply Balinese ornaments to the Wayang Kamasan form?, What techniques are used in creating paintings inspired by Balinese ornamental motifs?.The author conducted research on Balinese ornamental motifs as a source of inspiration in the creation of Wayang Kamasan painting through field research methods, with a source data source named Ni Wayan Sri Wedari, S.Sn who is the owner and leader of the Wasundari studio, with data collection techniques by observation, interviews and literature review. Art creation is carried out in stages (exploration, experimentation, and execution). Produce works of art with a tendency to contemporary style. The six works produced include: Arjuna Tapa, Sutasoma, Hanoman, Gugurnya Bisma, Lata Mahosadhi, and Kumbakarna.
Handmade Painting Pada Kaos Oversize Dengan Motif Ornamen Bali Di Agung Bali Collection Putra, Fachri Permana; Budiarta, I Dewa Putu Gede; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2338

Abstract

The thesis with the title Handmade painting on an oversized t-shirt with Balinese motif ornaments at the Agung Bali Collection is motivated by the start-up world which is increasingly rampant in society. The author has hopes in the future to become an artist and also have a business. By conducting research at the Agung Bali Collection, the authors gain entrepreneurial knowledge such as management science, marketing science, capital and so on. By having this entrepreneurial knowledge, the author has an idea to market his work. Because it's not enough just to make a work, you also have to know how to market and manage it. The stages in conducting this research are exploration, interviews and analysis. The author conducts exploration first, looking for research on knowledge developed by partners. After that, interviews were conducted with the aim of collecting data and research documentation. Finally, analysis is carried out by analyzing the research and documentation obtained and then adjusting it to the tastes of the market and society. An oversized painted t-shirt was formed. oversized t-shirts are chosen because they are on the rise in society. The capital obtained is approximately one million rupiah. The author also has his own branding, namely Fach handmade painting. Fach is taken from the author's name "Fachri". In the MBKM TA, the author created six works with surface designs from the Agung Bali Collection. Marketing used through the social media platform Instagram and dissemination.
Handmade Painting on an Oversized T-shirt with Balinese Motif Ornaments at the Agung Bali Collection Putra, Fachri Permana; Budiarta, I Dewa Putu Gede; Supriyatini, Sri
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2993

Abstract

The thesis with the title Handmade painting on an oversized t-shirt with Balinese motif ornaments at the Agung Bali Collection is motivated by the start-up world which is increasingly rampant in society. The author has hopes in the future to become an artist and also have a business. By conducting research at the Agung Bali Collection, the authors gain entrepreneurial knowledge such as management science, marketing science, capital and so on. By having this entrepreneurial knowledge, the author has an idea to market his work. Because it's not enough just to make a work, you also have to know how to market and manage it. The stages in conducting this research are exploration, interviews and analysis. The author conducts exploration first, looking for research on knowledge developed by partners. After that, interviews were conducted with the aim of collecting data and research documentation. Finally, analysis is carried out by analyzing the research and documentation obtained and then adjusting it to the tastes of the market and society. An oversized painted t-shirt was formed. oversized t-shirts are chosen because they are on the rise in society. The capital obtained is approximately one million rupiah. The author also has his own branding, namely Fach handmade painting. Fach is taken from the author's name "Fachri". In the MBKM TA, the author created six works with surface designs from the Agung Bali Collection. Marketing used through the social media platform Instagram and dissemination.
Figures of Classic Kamasan Painting as Inspiration for the Creation of Modern Painting Neode, Haris Candra; Tjokropramono, I Gede Yosef; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.2994

Abstract

The classic painting of Wayang Kamasan began when the Modara puppet painting, made by I Gede Mersadi was favored by the king of Klungkung. Then he was given the nickname Modara according to the puppet figure he painted. By king Klungkung Modara was sent to work on many projects so that his puppet painting style spread and until now it is known as Classical Painting Wayang Kamasan. The characteristic of this painting can be seen from the coloring technique that uses the sigar warna and sigar mangsi techniques. (Ni Wayan Sri Wedari, 2022:9). Broadly speaking, the forms of wayang can be distinguished through the shape of the face, body shape or abdomen and coils as well as detailed parts of the eyes, eyebrows, nose, mouth, mustache, and other detailed shapes. (I Made Yasana, Menggambar Wayang Klasik Bali 1). Gede Modara who created the Kamasan Wayang style inspired the author to create puppets with a new style through the figures in the Kamasan Classical Puppet. This creation process aims to preserve the Kamasan Classical Puppet and develop it into a modern painting without eliminating the existing packages. The paintings created are expected to be able to become the characteristics of the author.
Barong Landung as Inspiration for the Creation of Painting Works Prayoga, I Made Adi Putra; Kondra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3002

Abstract

The classic painting art of Wayang Kamasan has a distinctive depiction of figures, coloring techniques and complementary ornaments so that it has been preserved and maintained until now. In Bali there is also Barong Landung which has a historical background and interesting characteristics. The creation of this work and writing aims to find the author's unique painting style which is inspired by the figure of Wayang Kamasan by raising the topic of Barong Landung. The method used in the process of creating this work of art is the method of writing by Hawkins, which includes the stages of exploration, improvisation, and forming. The results of this activity are in accordance with the stages carried out, namely (1) during the exploration stage, ideas and relevant studies are generated regarding the works created; (2) the improvisation stage resulted in a sketch on a sketchbook; and (3) the formation stage produced six paintings according to the plot or history of Barong Landung
Sang Hyang Semara Ratih as The Creation of Painting Ninggrat, I Dewa Gede Wisnu Jaya; Budiarta, I Dewa Putu Gede; Kondra, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3003

Abstract

This independent project thesis raises the title Sang Hyang Semara Ratih as the creation of a painting. In the Hindu mythological story Sang Hyang Semara Ratih, which is the lamp of the gods and goddesses as a symbol of love full of desire and loyalty and sacrifice. The story is told in Lontar Cundamani II. In this quote, it is told that heaven is being attacked by the giant Nilarudraka, a powerful giant who wants to rule over heaven. The gods were all defeated, none of them could fight him. Finally the gods came to Bhagawan Wraspati to ask and predict who would be able to beat the giant. Finally the results of the prediction showed that the giant Nilarudraka would only be defeated by the elephant-headed children of Lord Shiva. From the contents of this thesis, the author also reveals the creation of works of art, which the author creates and shows, namely the visuals of the Hindu Mythological object Sang Hyang Semara Ratih which contain many philosophical meanings in it. The conclusion of Sang Hyang Semara Ratih's thesis as the creation of this painting aims to provide an understanding for readers to recognize the meaning of the symbols contained in Sang Hyang Semara Ratih.
Tampiog Dance Tradition as a Source of Inspiration for Painting Works Yana, I Wayan Wirta; Kondra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 2 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v3i2.3008

Abstract

The Tampiog Dance tradition literally means kicking fire in its implementation involving the youths, undagi and stakeholders as participants and witnessed directly by village krama around the village of Manukaya Let. This shows that the Tampiog organizational culture that is formed in a system called Pekraman village is able to move each other to make the implementation of its activities successful. The Tampiog Dance Tradition (Kicking Fire) is a mythology that has been accepted as an inheritance by the people of Manukaya Let Village for generations. This tradition sounds and looks unique and rare, simply not found anywhere else. After carrying out a joint prayer at the Balai Agung Temple or the Village Temple, the village. So in the evening the Tampiog Dance tradition was immediately carried out. This tradition was carried out by the Pemangku who started this ceremony and was continued by the Banjar youth Manukaya Let. In carrying out this tradition, all residents were expected to be able to think cleanly, speak the truth and do what was noble. In this independent project, the author displays a tradition that stands out in the Tampiog tradition that is highlighted, namely the tradition of kicking a fire.
Product Development Start Up Roumy (Shoes Blend Painting And Patchwork) Abdini, Ni Gusti Ayu Arum; Gulendra, I Wayan; Budiarta, I Dewa Putu Gede
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3297

Abstract

Implementation of MBKM Entrepreneurship Final Project with Mitra Agung Bali Collection which is engaged in the fashion industry on the development of weaving designs for weaving feed or endek fabrics with characteristics of air brus technique and surface design. In the development of surface design, Agung Bali Collection prioritizes creativity and innovation as well as artistic skills in gold, silver, pearl and glitter colors with massage canting techniques. During the MBKM process of the Entrepreneurship Final Project, the author developed a painting shoe product with a combination of patchwork. Different old and new product stitching techniques are intended to create an impression of different aesthetic values in the shoes chosen as a medium. The marketing that the author does is based offline and online, with promotions through whatsapp, Instagram, and shopee. The types of research methods used are included in quantitative research and observation as data collection methods. The results obtained were 9 shoe products combining patchwork endek with the titles Roro, Water Waves, Ginkgo Leaves, Viewpoint, Whale, Galaxy, My Cat, Koi Place and Ladybug.
Co-Authors Abdini, Ni Gusti Ayu Arum Adiguna, Made Hendra Buana, Anak Agung Ngurah Gede Surya BUDIAPRILLIANA, LUH Gulendra, I Wayan I Gusti Ngurah Putra Jodog, I Made Kondra, I Wayan Mustika, I Ketut Neode, Haris Candra Ninggrat, I Dewa Gede Wisnu Jaya Nisa, Apriliana Putri Khairun Prayoga, I Made Prayoga, I Made Adi Putra Putra, Fachri Permana Putra, I Made Pande Agus Cahyadi Sastrawan, Dewa Ayu Eka Savitri Sihombing, Richard Rogate Supriyatini, Sri Tjokropramono, I Gede Yosef Udghitasari, Ni Made Yana, I Wayan Wirta Yugus, A.A Gede