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All Journal Nusantara Hasana Journal Jurnal Ilmu Komunikasi Indonesian Journal of Humanities and Social Sciences
Yudha Wirawanda
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Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Nursing

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MENUJU PEMILIHAN UMUM 2024: STRATEGI OPTIMALISASI INFORMASI TAHAPAN PEMILU DI KOMISI PEMILIHAN UMUM KABUPATEN BANTUL Muhammad Rifa’at Adiakarti Farid; Eka Anisa Sari; Yudha Wirawanda; Fajar Junaedi
Nusantara Hasana Journal Vol. 4 No. 3 (2024): Nusantara Hasana Journal, August 2024
Publisher : Yayasan Nusantara Hasana Berdikari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59003/nhj.v4i3.1185

Abstract

This research is to observe the flow of optimization and use social media of the General Election Commission (KPU) Bantul Regency to welcome the 2024 election and its effect on society. This study also examines the effect of branding as an election organizer that can be recognized by the public using descriptive qualitative methods. The results of this study, the Bantul Election Commission increases media literacy ahead of the democratic party as a way of branding election organizers by maximizing digital tools including Websites, Instagram, Facebook and Youtube in an effort to  increasing voter participation and public trust.
Perlawanan Terhadap Kekerasan Simbolik dalam Drama Undercover High School (Analisis Semiotika Roland Barthes) Rahma Nastiti Damayanti; Yudha Wirawanda
MUKASI: Jurnal Ilmu Komunikasi Vol. 5 No. 1 (2026): Februari 2026
Publisher : Yayasan Pendidikan Penelitian Pengabdian Algero

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54259/mukasi.v5i1.6739

Abstract

The Korean drama Undercover High School was quite popular in 2025, which raised the theme of social inequality in the school education environment. This drama packaged the existence of social inequality in the lower class so that resistance aided by the middle class against symbolic violence from the upper class made the drama interesting to study. The purpose of this study was to determine how social inequality causes symbolic violence so that there is a difference between rich and poor students in the drama Undercover High School. The method used was qualitative analysis. The data analysis technique in the research of the drama Undercover High School used semiotics from Roland Barthes with primary data observing and watching the conversations of the drama subjects. Then the secondary data was obtained from journal literature, books and websites related to this research topic. In this study, researchers used data validity through triangulation and involved various sources for data accuracy. The results of the study found that social inequality resulted in symbolic violence from Pierre Bourdieu, which caused resistance from the lower class that occurred at the elite school Byeongmun High School.
Analisis Semiotika Roland Barthes terhadap Representasi Diskriminasi Gender Perempuan dalam Film A Normal Woman Exga Soleha; Yudha Wirawanda
JOM Vol 7 No 1 (2026): Indonesian Journal of Humanities and Social Sciences , March
Publisher : Universitas Islam Tribakti Lirboyo Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33367/ijhass.v7i1.8870

Abstract

The practice of discrimination against women is constructed through film screenings and reinforced by societal myths. Gender inequality causes women to experience various disadvantages, making gender discrimination a significant research concern. This phenomenon is represented in the film A Normal Woman, which addresses gender discrimination against women in the modern era. This study aims to gain a deep understanding of how gender discrimination against women is represented through signs that appear in film scenes using Roland Barthes' semiotic analysis. The method used is qualitative descriptive to obtain knowledge related to meanings in the form of connotation, denotation, and myth. The critical paradigm is used to explore and critique societal inequalities and to uncover injustices arising from power relations. Analysis is conducted by identifying visual and verbal signs in selected scenes, describing their denotative meanings (literal), interpreting connotations (socio-cultural meanings), and revealing myths (naturalized patriarchal ideology). The results reveal that the film constructs the myth of "ideal wife" through repeated signs of domestic roles and controlled female bodies, the myth of "female body as social capital" legitimizing beauty standards as prerequisites for social acceptance, and the myth of "violence as logical consequence" naturalizing symbolic to physical violence when women fail to meet patriarchal standards. These findings demonstrate how Barthesian semiotics uncovers the mechanism of patriarchal ideology reproduction through cinema's sign systems.
Co-Authors Eka Anisa Sari Exga Soleha Fajar Junaedi Muhammad Rifa'at Adiakarti Farid Rahma Nastiti Damayanti