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Cyber Crime Against Women's Personal Data on Online Platforms and The Role of PDP Laws Rosyidah, Ambar Alimatur; Fajriyah, Farah; Rahayu, Rahayu
JURNAL KOMUNIKASI INDONESIA Vol. 13, No. 2
Publisher : UI Scholars Hub

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Abstract

The presence of online platforms such as financial technology lending platforms is like a double-edged knife for women. These platforms pave the way for restrictions on women accessing loans. However, the use of fintech poses risks to women. They become victims of cybercrime with the existence of desk collectors who collect online loans and the third party who use the women's data. This study aims to examine the cybercrime implications of using fintech experienced by women related to fintech lending and then explore the role, data protection, and scope of the PDP Law as a solution. This study uses Qualitative Content Analysis (QCA) with the Tripartite Cybercrime Framework (TCF) from Ibrahim (2019) and Lazarus (2022) to analyze the problem. According to the author's criteria, the research data is from 15 women's complaint letters against fintech lending platforms that we obtained through the mediakonsumen.com website from 12 September 2020 to 8 November 2022. The PDP law, LBH reports, press releases, and relevant news media complement the data. These letters show five categories of women's experiences with online loan desk collector billing: online fraud, unauthorized transmission and use of personal data, identity theft, cyberbullying, and online harassment. This research also obtains socio-economic and psychosocial blending motives from online loan desk collectors. The core problem in online loan cases is ownership and access to personal data. Nevertheless, the PDP Law does not cover fundamental rights to data security, namely privacy rights and the victim's right to recovery.
Exploring Misinformation and Disinformation Towards 2024 Election: Patterns and Policy Recommendations Rosyidah, Ambar Alimatur; Fajriyah, Farah; Galuh, Elisabeth Adventa; Ulfa, Dhiya Sahara
Profetik: Jurnal Komunikasi Vol. 17 No. 2 (2024)
Publisher : Faculty of Social Sciences and Humanities Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v17i2.2973

Abstract

Ahead of the 2024 election, social media offers ease of production and access to its information. On the other hand, it also encourages the spread of misinformation and disinformation and has the potential to influence democracy in Indonesia. This research aims to investigate misinformation and disinformation on social media and provide policy recommendations. The researchers analyzed mis/disinformation content from the turnbackhoax.id site from 18 July - 26 September 2023 by using qualitative content analysis methods to identify patterns of spreading misinformation and disinformation content on social media. Thisresearch identified the dominance of hoax and clickbait content types and personal and social content topics. There are similar patterns of mis/disinformation on every social media; its content is the result of digital reproduction from social media, online media, and microstock sites. The researchers provide content moderation policy recommendations using the reeve model of the regulatory pyramid, which consists of regulatory laws, standards, and co-regulation through independent institutions.
The Evolution of Women’s Representation in Indonesian Film: A Narrative Review Rosyidah, Ambar Alimatur
Journal of Innovative and Creativity Vol. 6 No. 1 (2026)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v6i1.6976

Abstract

The representation of women as the main characters in the film has a significant inequality with the male characters. Women are often portrayed as passive characters and become sexually objectified. The portrayal is inseparable from the patriarchal culture that has taken root in Indonesia. This kind of representation will affect how women, especially teenagers, think, identify, and make decisions. The purpose of this study is to examine the evolution of women’s representation in Indonesian films across the Old Order, New Order, and contemporary periods. Materials and methods. The author used a narrative review research design, which allows describing what is known about a topic while conducting a subjective examination and critique of the entire literature. This type aims to identify and summarize previously published articles, avoid duplication of research, and explore new, under-researched areas of study. Results. The findings in this study are three phases of film development in Indonesia, namely the Old Order phase (1950-1965), where women are underrepresented; the New Order phase (1966-1998), where we would find commodification of women's sensuality; and the Contemporary phase (1998-present), where women are trying to cope with the patriarchal culture. Conclusions. Feminist ideology in films has emerged since the fall of the Soeharto regime, showcasing a diverse range of female characters and their struggles against patriarchal culture. However, the film industry remains male-dominated, and the lack of women behind the scenes certainly impacts how women’s voices are heard.