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Konflik Intrapsikis Tokoh Anna dalam Novel Represi Karya Fakhrisina Amalia Nur Syifa, Hilya; Rachmat Pauji, Dicky; Susanto, Arju
Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Vol. 10 No. 4 (2024)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/onoma.v10i4.4201

Abstract

Konflik Intrapsikis adalah konflik yang terjadi berasal dari hubungannya dengan orang lain, di mana hal itu menjadi bagian dari sistem keyakinan pada dirinya. Penelitian ini berisi mengenai konflik intrapsikis yang dialami tokoh Anna dalam novel Represi. Metode penelitian kualitatif diterapkan dalam penelitian ini, dan teknik simak-catat diterapkan untuk pengumpulan data, di mana novel Represimenjadi objek penelitiannya. Hasil pembahasan yang dapat dijabarkan secara sederhana adalah penelitian ini diperoleh 18 data, di antaranya 3 data Diri Rendah, 4 data Diri Nyata, 2 data Diri Aktual, dan 9 data Diri Ideal
Woman’s Voice and The Author’s Social Background in The Book Bukan Salahmu Menjadi Perempuan Azizah, Aenun; Rachmawati, Kurnia; Rachmat Pauji, Dicky
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol. 9 No. 2 (2026): JURNAL KREDO VOL 9 NO 2 TAHUN 2026
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v9i2.16550

Abstract

This study examines the representation of women’s voices in Bukan Salahmu Menjadi Perempuan by Fajar Sulaiman by focusing on the relationship between the author’s social background and the construction of female experiences in the text. The research is motivated by the persistence of gender inequality and the emergence of literary works that articulate women’s emotional wounds, silence, and resilience. Employing a descriptive qualitative method, the study analyzes textual data through close reading and thematic categorization using Alan Swingewood’s sociology of the author as the main theoretical framework. The findings reveal that women’s voices are represented through themes of emotional suffering, social pressure, silencing, vulnerability, strength, and self-recovery. These representations are closely related to the author’s empathetic engagement with women’s lived experiences and his critical reflection on patriarchal social structures. The study concludes that the book functions not merely as a literary work but as a form of social testimony that reflects the dialectical relationship between the author and society, while simultaneously advocating gender awareness and empathy toward women’s experiences.