Article Per Year (5 Year)
p-Index From 2021 - 2026
0.61
P-Index
This Author published in this journals
All Journal Panggung Atrat: Jurnal Seni Rupa Panggung
Dadang Sudrajat
Institut Teknologi Bandung
Arts Humanities Education Social Sciences

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
Preserving Cultural Heritage Through a Traditional Ritual: A Case of Kabuyutan Ciburuy Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Nani Sriwardani; Yully Ambarsih Ekawardhani; Dadang Sudrajat
PANGGUNG Vol 34, No 2 (2024): Estetika, Budaya Material, dan Komodifikasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i2.2801

Abstract

The Seba ceremony in Kabuyutan Ciburuy is a tradition of preserving cultural heritage that has been carried out for generations. Currently, Kabuyutan Ciburuy is no longer actively used as an educational institution, nor are the contents of its ancient manuscripts used as a reference for the development of science. For this reason, this research tries to dissect why this happens. This research uses a qualitative research method which is believed to be a scalpel in research, thereby helping to explain the research object factually. The research step is to carry out participant observation, the researcher actively participates in the activities being researched. Also hold interviews with local cultural figures either formally or informally. The result of this research is a descriptive explanation of the Seba Ceremony as an effort to preserve cultural heritage. Because heirlooms refer to educational activities, such as the discovery of many manuscripts, one of which contains advice on old Sundanese character and ethics. This has become a high level of cultural wealth by continuing to carry out the Seba ceremony as a form of preservation so that it remains alive and relevant for future generations. Keywords: Seba Ceremony, Ciburuy District, Preservation, Cultural Heritage
Preserving Cultural Heritage Through a Traditional Ritual: A Case of Kabuyutan Ciburuy Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Nani Sriwardani; Yully Ambarsih Ekawardhani; Dadang Sudrajat
PANGGUNG Vol 34 No 2 (2024): Estetika, Budaya Material, dan Komodifikasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i2.2801

Abstract

The Seba ceremony in Kabuyutan Ciburuy is a tradition of preserving cultural heritage that has been carried out for generations. Currently, Kabuyutan Ciburuy is no longer actively used as an educational institution, nor are the contents of its ancient manuscripts used as a reference for the development of science. For this reason, this research tries to dissect why this happens. This research uses a qualitative research method which is believed to be a scalpel in research, thereby helping to explain the research object factually. The research step is to carry out participant observation, the researcher actively participates in the activities being researched. Also hold interviews with local cultural figures either formally or informally. The result of this research is a descriptive explanation of the Seba Ceremony as an effort to preserve cultural heritage. Because heirlooms refer to educational activities, such as the discovery of many manuscripts, one of which contains advice on old Sundanese character and ethics. This has become a high level of cultural wealth by continuing to carry out the Seba ceremony as a form of preservation so that it remains alive and relevant for future generations. Keywords: Seba Ceremony, Ciburuy District, Preservation, Cultural Heritage
Experiencing Disharmony: Representing the Imbalance in the Human–Nature Relationship Through Drawing Khayla Indiva Pratanto; Dikdik Sayahdikumullah; Dadang Sudrajat
ATRAT: Jurnal Seni Rupa Vol 13 No 1 (2025): INOVASI DAN KREATIVITAS DALAM KARYA DESAIN
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i1.4286

Abstract

This article discusses the Drawing series “Experiencing Disharmony” as a reflection on the imbalance between humans and nature due to anthropocentric dominance. Based on mountain trekking experiences, the work depicts human alienation within vast and unpredictable landscapes, emphasizing submission to natural laws. The theoretical approach draws from mimesis, Romantic aesthetics, Apollonian–Dionysian duality, Gregory Bateson’s anti-anthropocentrism, and Raffaele Milani’s concept of landscape as a contemplative space. A research-based art practice is used, with landscape photography as the visual foundation. Layered pastel and charcoal lines on large paper record both physical and inner experiences. A small human figure facing away from the viewer reinforces alienation. Visual disharmony is conveyed through disproportional scale, metaphorical composition, and color limitations as an ecological awareness. Each of the six drawings is subtitled with geographic coordinates to highlight landscape as a reflective site.
Co-Authors Dikdik Sayahdikumullah Khayla Indiva Pratanto Nyai Kartika Reiza D. Dienaputra Sriwardani, Nani Susi Machdalena Yully Ambarsih Ekawardhani