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The Visual Arts of Masjid Agung Sang Cipta Rasa Cirebon: Hybrid Culture Identity Kartika, Nyai; Piliang, Yasraf Amir; Santosa, Imam; Dienaputra, Reiza D.
Harmonia: Journal of Arts Research and Education Vol 20, No 1 (2020): June 2020
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v20i1.17525

Cultural hybrids complement the richness of the visual art of Masjid Agung Sang Cipta Rasa in Cirebon. The influence of diversity can be seen in the mosque including having strong local cultural characteristics, coupled with the influence of foreign cultures such as Arabic, India, and China. This study aims to find hybrid culture crosses in elements of Masjid Agung Sang Cipta Cipta. The method used is the historical method. The historical method is the process of critically testing and analyzing records and relics of the past. This method consists of several stages, namely heuristics, criticism, interpretation, and historiography. The results of this study describe various forms of hybridity that have influenced the development of Masjid Agung Sang Cipta Rasa. The elements are considered to represent the period before Islam entered, or the influence of Hindu Buddhism, Chinese, Arab, Javanese, and European that coexist in Cirebon. The elements of visual arts in the mosque which are part of the hybrid cultural cross-identity among which are represented on the roof that gets influence (Javanese, Hindu-Buddhist, Arabic/Islamic); gate (Hindu-Buddhist); maksurah (Arabic); mihrab (Arabic, Chinese); pillars (Javanese, Arabic). This shows that the greatest influence on the building of Masjid Agung Sang Cipta Rasa, starting from the earliest development until several centuries later, is the influence of culture from outside.

Batik Pasiran: Wujud Kearifan Lokal Batik Kampung Pasir Garut Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Awaludin Nugraha
PANGGUNG Vol 30, No 4 (2020): Kearifan Lokal dalam Metode, Model dan Inovasi Seni
Publisher : LP2M ISBI Bandung

Batik Pasiran merupakan wujud seni batik yang dihasilkan oleh masyarakat Kampung Pasir,Desa Cintakarya, Kecamatan Samarang, Kabupaten Garut. Batik Pasiran tergolong batik yangbaru berkembang dan diperkenalkan oleh masyarakat Kampung Pasir. Batik tersebut memilikikeunikan dan nilai-nilai leluhur Kampung Adat Pasir, bentuk kearifan lokal masyarakatnya.Penelitian ini menggunakan pendekatan deskriptif dengan analisis budaya yang diharapkanmampu mengungkap dan menjabarkan bagaimana bentuk kearifan lokal yang dikiaskandalam Batik Pasiran. Metode yang digunakan dalam penelitian ini adalah metode penelitiankualitatif yang akan membantu mengabstraksikan pertalian antara bentuk seni dalam hal inibatik dengan nilai-nilai kearifan lokal yang hidup di dalam budaya masyarakat KampungPasir. Hasil penelitian menjelaskan bahwa corak motif Pasiran menggambarkan kehidupanmasyarakat yang menyatu dengan alam. Dalam hal ini batik, bukan hanya sekedar hasil budaya,lebih jauh lagi makna dan nilai-nilai yang terkandung di dalamnya merupakan ungkapan daripengalaman empiris dan keseharian masyarakat yang membentuk satu kesatuan budaya.Kata Kunci: Batik, Pasiran, Kearifan Lokal

Tradisi Lisan dalam Melestarikan Lingkungan Alam di Kampung Adat Dukuh, Desa Ciroyom, Kecamatan Cikelet, Kabupaten Garut Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Awaludin Nugraha; Nani Sriwardani
Mudra Jurnal Seni Budaya Vol 37 No 3 (2022)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v37i3.1982

Life in kampung adat is always interesting to study. Not only it has different culture than what is fostered by the community in general, kampung adat also has local wisdom that is ardently upheld by its community. One example is an oral tradition in Kampung Adat Dukuh, Ciroyom Village, Cikelet Subdistrict, Garut District, which is known as Uga Mandeling. The oral tradition contains local wisdom in preserving the natural environment. This study aims to further explore Uga Mandeling oral tradition and the extent to which it affects the life of the community. This study applied a historical method with four stages, namely heuristics, criticism, interpretation, and historiography, to analyze Uga Mandeling in Kampung Adat Dukuh. The results show that, in addition to maintaining the natural environment, Uga Mandeling also contains an appeal to lead a harmonious life with other communities as well as the government. This study is expected to contribute to the relevant literature, particularly related to Kampung Adat Dukuh.

CULTURAL-BASED TOURISM IN CIREBON: A STUDY OF COMMODIFICATION IN CULTURAL TOURISM Nyai Kartika; Reiza Dienaputra; Susi Machdalena; Awaludin Nugraha
Sosiohumaniora Vol 24, No 3 (2022): Sosiohumaniora: Jurnal Ilmu-Ilmu Sosial dan Humaniora, NOVEMBER 2022
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/sosiohumaniora.v24i3.33432

The people of Cirebon have various religious, ethnic and cultural backgrounds. However, they can live harmoniously in such diversity. Cirebon is interesting to explore due to its abundant culture-based tourism. However, in the tourism industry, the process of commodification is inevitable as part of current development. Therefore, this study employed a qualitative method using historical, social, and cultural commodification approaches expected to provide a better overview and information regarding culture-based tourism in Cirebon. The commodification of culture allows cultural forms to be a tradable commodity. It changes culture as originally a social relationship into culture as an economic relationship. Thus, it is important to apply historical and social approaches in the study to determine the existence of cultural heritage. This encourages the researchers to further discover the extent to which commodification is implemented in the culture-based tourism industry in Cirebon, aiming to provide information to the public to give more attention as well as participate in preserving cultural heritage in the midst of the challenges of modern times. The results of this study show an overview of cultural tourism in Cirebon, in which various elements of society are expected to help preserve and maintain culture as self-identity.

INVENTARISASI POTENSI OBJEK PEMAJUAN KEBUDAYAAN DI JAWA BARAT Reiza D. Dienaputra; Susi Machdalena; Nyai Kartika
JMM (Jurnal Masyarakat Mandiri) Vol 7, No 3 (2023): Juni
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jmm.v7i3.14467

Abstrak: Objek Pemajuan Kebudayaan (OPK) menjadi kata kunci yang dapat digunakan untuk mengukur pemajuan kebudayaan. Hal tersebut secara tegas dijelaskan dalam Undang-undang Nomor 5 tahun 2017 tentang Pemajuan Kebudayaan. Dengan demikian, pemajuan kebudayaan suatu daerah pada kabupaten, kota, provinsi, atau pada wilayah administratif lainnya yang berada di bawah kabupaten dan kota, baik itu kecamatan, desa atau kelurahan, dapat diukur atau didekati dari profil OPK yang dimilikinya, termasuk jenis aktivitas pemajuan kebudayaan yang dimilikinya, baik itu berkenaan dengan pelestarian, pengembangan, pemanfaatan maupun pembinaan. Pengabdian kepada Masyarakat ini bertujuan untuk inventarisasi Objek Pemajuan Kebudayaan di Desa Cimekar Kecamatan Cileunyi Kabupaten Bandung. Metode dilakukan mulai tahap persiapan, inventarisasi kemudian dilakukan pendokumentasian, dan evaluasi atas kegiatan-kegiatan yang telah dilakukan. Mitra kegiatan ini adalah Desa Cimekar. Masyarakat yang terlibat dalam kegiatan ini adalah orang-orang yang tergabung di dalam sanggar kesenian, orang-orang yang perduli pada OPK di daerahnya. Hasil dari kegiatan inventarisasi tersebut tidak saja memberi penjelasan tentang kekayaan Objek Pemajuan Kebudayaan Desa Cimekar, tetapi yang jauh lebih penting dari itu, mampu mendorong tampilnya Desa Cimekar sebagai Desa Pemajuan Kebudayaan, tidak hanya di Kecamatan Cileunyi akan tetapi juga pada tingkat Kabupaten dan Provinsi. Peluang ini cukup terbuka luas bila mengingat kekayaan Objek Pemajuan Kebudayaan yang dimiliki Kecamatan Cimekar. Dari 10 Objek Pemajuan Kebudayaan, Desa Cimekar memiliki kekayaan berupa delapan Objek Pemajuan Kebudayaan ditambah dengan cagar budaya.Abstract: The Object for the Advancement of Culture (OPK) is a keyword that can be used to measure the advancement of culture. This is explicitly explained in Law number 5 of 2017 concerning the Advancement of Culture. Thus, the promotion of the culture of an area in the district, city, province, or in other administrative areas that are under the regency and city, be it sub-districts, villages or sub-districts, can be measured or approached from the OPK profile they have, including the types of cultural promotion activities. owned, both with regard to preservation, development, utilization and development. This Community Service aims to inventory objects for the Advancement of Culture in Cimekar Village, Cileunyi District, Bandung Regency. The method is carried out from the preparation and inventory stages. The partner of this activity is Cimekar Village. The results of the inventory activity not only provides an explanation of the wealth of Cimekar Village Culture Advancement Objects, but far more important than that, it is able to encourage the appearance of Cimekar Village as a Cultural Advancement Village, not only in Cileunyi District but also at the District and Provincial levels. This opportunity is quite wide open when considering the wealth of Cultural Advancement Objects owned by the Cimekar District. Of the 10 objects for the promotion of culture, Cimekar Village has wealth in the form of eight objects for the promotion of culture plus cultural heritage.

Unveiling cultural intelligence: A comparative study of Japanese and Indonesian idiomatic expressions Agus Suherman Suryadimulya; Reiza D. Dienaputra; Susi Machdalena; Awaludin Nugraha; Nyai Kartika
Indonesian Journal of Applied Linguistics Vol 13, No 1 (2023): Vol. 13, No.1, May 2023
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17509/ijal.v13i1.58248

This paper delves into the realm of cultural intelligence inherent in Japanese and Indonesian idiomatic expressions. In the context of intercultural communication, Indonesian speakers utilize diverse cultural intelligence frameworks to express various facets of Japanese culture, with language serving as a prominent component. While a plethora of studies have examined idioms from semantic and semiotic perspectives, a notable gap exists in the literature regarding the exploration of cultural intelligence within idiomatic expressions in both languages, encompassing both structural and semantic analyses. Filling this research void, the present study aims to elucidate the concept of cultural intelligence, specifically focusing on the comprehension of Japanese and Indonesian idioms, particularly those related to the notion of "face". Employing a descriptive research approach, data comprising 16 Japanese idioms and 13 Indonesian idioms were meticulously examined to unveil the cultural significance within each group. The idioms were sourced from various dictionaries and specifically focused on expressions related to body parts, especially the face, which are commonly employed in everyday life. These idiomatic expressions were systematically classified into three categories and subjected to comprehensive analysis. The findings reveal that the majority of the idioms convey emotions, personal characteristics, and concepts of honor, thereby reflecting both cultural similarities and differences between Indonesian and Japanese cultures through idiomatic expressions. This study sheds further light on the intersection between cultural intelligence and idiomatic language, enhancing our understanding of how culture influences language use and interpretation.

Penanaman pohon di area gunung beser sebagai wujud aktualisasi kearifan lokal dalam memelihara sumber mata air Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Nany Ismail; Prima Agustina; Witakania Sundasari; Rony Hidayat
SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Vol 8, No 1 (2024): March
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/jpmb.v8i1.21717

AbstrakPenanaman pohon disekitar hutan gunung Beser penting dilakukan, karena fungsi pohon di hutan untuk ketersediaan sumber air dan penahan erosi jika terjadi hujan. Penanaman pohon dilakukan sebagai upaya menjaga keseimbangan alam tersebut. Metode yang dilakukan adalah metode lapangan, dengan dua tahapan kerja yaitu, tahapan persiapan survey lapangan, di antaranyan menyiapkan bibit tanaman yang akan ditanam di hutan. Selanjutnya tahapan pelaksanaan, yaitu hari dimana dilakukan penanaman di hutan gunung Beser. Tujuan Pengabdian Pada Masyarakat dengan melibatkan mahasiswa KKN di Desa Nagarawangi dapat terjun langsung ikut serta dalam program penanaman kembali hutan. Dengan kegiatan ini diharapkan selain bernilai kebermanfaatan bagi masyarakat,dengan penanaman hutan gunung Beser dapat mencegah erosi, dan penghijauan kembali hutan, juga pengalaman berharga bagi mahasiswa peserta KKN dengan ikut serta bersama dengan Kelompok Tani Hutan Benteng Muda Mandiri. Kelompok Tani Hutan ini yang berkegiatan dalam basis tradisi mendapatkan kesempatan melaksanakan program Daya Desa Budaya pada tahun 2021 yang lalu. Kegiatan yang dilaksanakan yaitu mengadakan berbagai pelatihan dalam upaya pelestarian budaya dan pelestarian lingkungan terutama hutan dan mata air. Kata kunci: penanaman pohon; kearifan lokal AbstractPlanting trees around the Mount Beser forest is important, because the function of trees in the forest is to provide water sources and resist erosion when it rains. Tree planting is done as an effort to maintain natural balance. The method used is a field method, with two work stages, namely, the field survey preparation stage, including preparing plant seeds to be planted in the forest. The next stage of implementation is the day when planting is carried out in the Mount Beser forest. The aim of Community service is to involve KKN Student in Nagarawangi Village who can directly participate in the forest replanting program. With this activity, it is hoped that apart from being of value to the community, planting the Mount Beser forest can prevent erosion and reforest the forest, as well as being a valuable experience for student participating in KKN by participating together with Benteng Muda Mandiri Forest Farmer Group. This Forest Farmers Group, which carries out activityes on a traditional basis, had the opportunity to implement the Daya Cultural Village Program in 2021. The activities carried out include holding various trainings in efforts to preserve culture and preserve the environment, especially forests and springs. Keywords: tree planting; local wisdom

Sintren as a Traditional Performing Art in Mirat Village Kartika, Nyai; Reiza D. Dienaputra; Susi Machdalena; Awaludin Nugraha; Agus S. Suryadimulya; Susi Yuliawati; Sriwardani, Nani
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2551

Sintren art is a traditional art that developed in almost all coastal areas of the island of Java. In Majalengka, sintren art developed in Mirat Village, Leuwimunding District. Sintren as a traditional art grew among rural communities that were becoming modern so sintren then survived as a traditional performing art that had an influence on the social life of the community. This research was carried out using qualitative research methods which are believed to be a scalpel in research so as to help explain the research object factually. Data collection techniques were carried out by direct observation and interviewing sources. The results of this research show that sintren in Mirat Village is not only a traditional art that was initially performed in ceremonies or rituals, but also a traditional performing art that can be performed during circumcision celebrations, weddings, and welcoming guests who come to the village. There has been a shift in sintren performances, currently sintren can be performed anytime and anywhere depending on the enthusiasm and demand of the community, because currently the values contained in this sintren performing art are no longer closely tied to a ceremony or ritual alone. Sintren art absorbs the cultural values of the community so Sintren performing arts have become part of the culture of the Mirat community.

Batik Pasiran: Wujud Kearifan Lokal Batik Kampung Pasir Garut Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Awaludin Nugraha
PANGGUNG Vol 30 No 4 (2020): Kearifan Lokal dalam Metode, Model dan Inovasi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i4.1368

Batik Pasiran merupakan wujud seni batik yang dihasilkan oleh masyarakat Kampung Pasir,Desa Cintakarya, Kecamatan Samarang, Kabupaten Garut. Batik Pasiran tergolong batik yangbaru berkembang dan diperkenalkan oleh masyarakat Kampung Pasir. Batik tersebut memilikikeunikan dan nilai-nilai leluhur Kampung Adat Pasir, bentuk kearifan lokal masyarakatnya.Penelitian ini menggunakan pendekatan deskriptif dengan analisis budaya yang diharapkanmampu mengungkap dan menjabarkan bagaimana bentuk kearifan lokal yang dikiaskandalam Batik Pasiran. Metode yang digunakan dalam penelitian ini adalah metode penelitiankualitatif yang akan membantu mengabstraksikan pertalian antara bentuk seni dalam hal inibatik dengan nilai-nilai kearifan lokal yang hidup di dalam budaya masyarakat KampungPasir. Hasil penelitian menjelaskan bahwa corak motif Pasiran menggambarkan kehidupanmasyarakat yang menyatu dengan alam. Dalam hal ini batik, bukan hanya sekedar hasil budaya,lebih jauh lagi makna dan nilai-nilai yang terkandung di dalamnya merupakan ungkapan daripengalaman empiris dan keseharian masyarakat yang membentuk satu kesatuan budaya.Kata Kunci: Batik, Pasiran, Kearifan Lokal

Revitalisasi Bangunan Cagar Budaya Gedung Juang Tambun sebagai Museum Digital Kabupaten Bekasi, 2019-2021 Imbron Imbron; Miftahul Falah; Nyai Kartika
Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Vol 8 No 1 (2024): April
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/fhs.v8i1.25308

This research was written to provide information and education about changes in the function of the Juang Tambun Building as a Digital Museum and the use of abandoned or neglected cultural heritage buildings. This research uses the Historical Method. In this method there are four heuristic stages, internal criticism and external criticism, interpretation, and historiography. The results of this research, the revitalization of the Juang Tambun Building as the Bekasi Regency Digital Museum, has had a positive impact on the surrounding community. The Juang Tambun Building is officially managed directly by the Bekasi Regency Culture, Youth, and Sports Department. In 2019, the Juang Tambun Building before being revitalized was only a cultural heritage building with no attractions to visit. In 2021, the Juang Tambun Building will officially become a digital museum that provides information about the history of the Bekasi Regency. The revitalization of the Juang Tambun Building has an influence on the economic aspects, educational aspects, and tourism aspects of the people of Bekasi Regency.

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