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Menelusuri Akar Konflik Warisan Budaya antara Indonesia dengan Malaysia Sunarti, Linda
SOSIOHUMANIKA Vol 6, No 1 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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RESUME: Dari kaca mata sejarah, hubungan antara masyarakat Indonesia dan Malaysia telah berlangsung lama dan menyebabkan adanya beberapa kesamaan budaya antara Indonesia dan Malaysia. Banyaknya kesamaan budaya Malaysia dengan Indonesia telah memunculkan suatu istilah yang sering diungkapkan oleh Malaysia terhadap Indonesia sebagai “saudara serumpun”. Dalam masalah klaim budaya, masyarakat Indonesia harus menyadari bahwa bangsa Indonesia beserta budayanya telah menyebar luas ke berbagai wilayah sejak lama. Sehingga kebudayaan kita juga terdapat dan diakui sebagai kebudayaan oleh suatu kelompok masyarakat di negara lain. Pada pihak lain, Malaysia harus jujur pada sejarah bahwa beberapa kebudayaannya mempunyai akar Indonesia. Meskipun telah merasa bahwa beberapa kebudayaan yang sama dengan Indonesia sebagai kebudayaan asli Malaysia. Untuk menunjukkan itikad baik dan penghormatan kepada saudara serumpun, hendaknya dalam berbagai kesempatan akar budaya itu sebaiknya diungkapkan oleh Malaysia, termasuk untuk promosi pariwisata. Akhirnya, media massa di Indonesia dan di Malaysia masih belum berfungsi sebagai media sosialisasi bagi warisan budaya di kedua belah pihak. Hal ini dikarenakan liputan-liputan mengenai kebudayaan masih sangat kurang bila dibandingkan dengan liputan-liputan politik. Liputan warisan budaya pun muncul menjadi masalah politik.KATA KUNCI: Warisan budaya, Indonesia dan Malaysia, saudara serumpun, klaim budaya, ketegangan politik, dan peran media massa. ABSTRACT: This paper entitled “Tracing the Root of Conflict on the Cultural Herirage between Indonesia and Malaysia”. From the historical perspectives, the relationship between Indonesia and Malaysia had been long journey and caused some cultural similarities between Indonesia and Malaysia. A lot of similarities between Indonesia and Malaysia cultures had brought up a term that was frequently said by Malaysia to Indonesia as “cluster brother”. In a matter of cultural  claim, Indonesia people should aware that Indonesian and its culture had spread widely through various regions for a long time. Thus, our culture was existing in other communities in other country and acknowledged as a culture of other nation. In other side, Malaysia should be honest to the history that some of its culture were rooted to Indonesia culture. Although it felt that some of its cultures, that were similar with Indonesia’s, were its original Malaysia culture. To show the good will and respectto the cluster brother, Malaysia should convey the root of its culture, including its tourism promotion. Finally, mass media in Indonesia as well as in Malaysia had not functioned as socialization media of cultural heritages for both parties. It was due to less coverage of culture if it was compared with political coverage. Then, cultural heritage coverage appeared to be political affair. KEY WORD: Cultural heritage, Indonesia and Malaysia, cluster brother, cultural claim, and the role of mass media. About the Author: Linda Sunarti, M.Hum. adalah Dosen di Departemen Sejarah, Fakultas Ilmu Budaya UI (Universitas Indonesia), Kampus UI Depok, Jawa Barat, Indonesia. Alamat emel: lindsayrani@yahoo.co.ukHow to cite this article? Sunarti, Linda. (2013). “Menelusuri Akar Konflik Warisan Budaya antara Indonesia dengan Malaysia” in SOSIOHUMANIKA: Jurnal Pendidikan Sains Sosial dan Kemanusiaan, Vol.6, No.1 [Mei], pp.77-88. Bandung, Indonesia: Minda Masagi Press owned by ASPENSI, ISSN 1979-0112. Chronicle of article: Accepted (March 18, 2013); Revised (April 21, 2013); and Published (May 20, 2013).    
Never Ending Brotherhood? Seeking Peace Solutions of Indonesia – Malaysia Confrontation, 1963-1966 Sunarti, Linda
TAWARIKH Vol 8, No 2 (2017)
Publisher : ASPENSI in Bandung, Indonesia

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ABSTRACT: Confrontation events, that occurred in 1963-1966, between Indonesia against Malaysia, were a unique event. This is because the conflict at that time differs from the prevalence of conflict or war between states in general. The focus of this study is to examine the relationship between Indonesia-Malaysia during the confrontation era, 1963-1966. The main focus is the process of resolving the confrontation. This research is a qualitative study by using historical methods and structurist approaches. The resolved of conflict between the two countries was interesting, because the conflict also involved forces outside, such as Britain and the USA (United States of America), can be resolved in a short time rather than through formal meetings, but can be resolved amicably, preceded by a number of secret meetings of both parties involved directly, without going through the mediator. The results concluded that there are two factors that pushed the end of confrontation, namely: separation of Singapore from the Federation of Malaysia in August 1965 and the 30 September 1965 movement in Indonesia. Both of these events can be said to be intertwined and become the main factor of change in the attitude of the two countries related confrontation. In addition, conflict resolution can occur due to the emergence of actors in both countries with a view to the equation could change things, which have been inhibiting and destabilizing both countries and the region as well. Another important thing is secret meetings established early in the settlement process confrontation by utilizing a network of friends and fraternity. KEY WORDS: Brotherhood; Confrontation; Indonesia and Malaysia; British and USA; Peace Solutions.About the Author: Dr. Linda Sunarti is a Senior Lecturer at the Department of History, Faculty of Humanities UI (University of Indonesia), UI Campus Depok, West Java, Indonesia. For academic interests, the author is able to be contacted via e-mail at: lindsayrani@yahoo.co.ukHow to cite this article? Sunarti, Linda. (2017). “Never Ending Brotherhood? Seeking Peace Solutions of Indonesia – Malaysia Confrontation, 1963-1966” in TAWARIKH: International Journal for Historical Studies, Vol.8(2) April, pp.229-242. Bandung, Indonesia: Minda Masagi Press and UIN SGD Bandung, ISSN 2085-0980. Chronicle of the article: Accepted (August 17, 2016); Revised (December 27, 2016); and Published (April 28, 2017).
The Dynamics of Keroncong Music in Indonesia, 1940’s – 2000’s Sunarti, Linda; Triwinarti, Wiwin
TAWARIKH Vol 5, No 1 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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ABSTRACT: “Keroncong” music, as a treasure of Indonesian national music, has been experiencing a long phase since the arrival of the Moorish as Portuguese slaves to Indonesia in the 16th century. In the long period, the “keroncong” music then, as other kinds of traditional music, has to face industry music, especially Western music. The power of financial capital, the superiority of technology, and the sophistication of marketing ground down traditional music. This paper tries to analyze the “keroncong” music in Indonesia that can still be maintained or popularized through various ways and by making a proper media of promotion such as through television and radio so that society are familiar to “keroncong” music. Therefore, “keroncong” artists should make innovations or changes that can attract people’s interest to “keroncong” music. They should create song lyrics that reflec the life of society or take themes that is in accordance to their period. Although there are many new “keroncong” compositions, but the new “keroncong” songs are rarely published in media. The emergence of “campursari” in the 1990s, pioneered by Manthous, brought a power of interest and became a magnet for fans and activists of “keroncong” and traditional music so that they appreciate the music and many groups of “campursari” music which is rooted from “keroncong” grew. The same effort was done by Didi Kempot and Koko Thole who has given new colour to “keroncong” music. They made efforts to spread “keroncong” music to a wide range of society and also develop the music itself.      KEY WORDS: “Keroncong” music, time of revolution, Indonesian society, “campursari” music, and innovations in traditional music.   About the Authors: Linda Sunarti, M.Hum. and Wiwin Triwinarti, M.A. are Lecturers at the Department of History, Faculty of Humanities UI (University of Indonesia), UI Campus Depok, West Java, Indonesia. Corresponding author is lindsayrani@yahoo.co.ukHow to cite this article? Sunarti, Linda & Wiwin Triwinarti. (2013). “The Dynamics of Keroncong Music in Indonesia, 1940’s – 2000’s” in TAWARIKH: International Journal for Historical Studies, Vol.5(1) October, pp.91-102. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia] and UVRI [Universitas Veteran Republik Indonesia], ISSN 2085-0980.Chronicle of the article: Accepted (August 3, 2013); Revised (September 7, 2013); and Published (October 28, 2013).