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All Journal Tawarikh : Journal of Historical Studies International Review of Humanities Studies Journal Middle East and Islamic Studies Multikultura Bhakti
Triwinarti, Wiwin
Arabic Studies Program, Faculty Of Humanities, Universitas Indonesia
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The Dynamics of Keroncong Music in Indonesia, 1940’s – 2000’s Sunarti, Linda; Triwinarti, Wiwin
TAWARIKH Vol 5, No 1 (2013)
Publisher : ASPENSI in Bandung, Indonesia

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ABSTRACT: “Keroncong” music, as a treasure of Indonesian national music, has been experiencing a long phase since the arrival of the Moorish as Portuguese slaves to Indonesia in the 16th century. In the long period, the “keroncong” music then, as other kinds of traditional music, has to face industry music, especially Western music. The power of financial capital, the superiority of technology, and the sophistication of marketing ground down traditional music. This paper tries to analyze the “keroncong” music in Indonesia that can still be maintained or popularized through various ways and by making a proper media of promotion such as through television and radio so that society are familiar to “keroncong” music. Therefore, “keroncong” artists should make innovations or changes that can attract people’s interest to “keroncong” music. They should create song lyrics that reflec the life of society or take themes that is in accordance to their period. Although there are many new “keroncong” compositions, but the new “keroncong” songs are rarely published in media. The emergence of “campursari” in the 1990s, pioneered by Manthous, brought a power of interest and became a magnet for fans and activists of “keroncong” and traditional music so that they appreciate the music and many groups of “campursari” music which is rooted from “keroncong” grew. The same effort was done by Didi Kempot and Koko Thole who has given new colour to “keroncong” music. They made efforts to spread “keroncong” music to a wide range of society and also develop the music itself.      KEY WORDS: “Keroncong” music, time of revolution, Indonesian society, “campursari” music, and innovations in traditional music.   About the Authors: Linda Sunarti, M.Hum. and Wiwin Triwinarti, M.A. are Lecturers at the Department of History, Faculty of Humanities UI (University of Indonesia), UI Campus Depok, West Java, Indonesia. Corresponding author is lindsayrani@yahoo.co.ukHow to cite this article? Sunarti, Linda & Wiwin Triwinarti. (2013). “The Dynamics of Keroncong Music in Indonesia, 1940’s – 2000’s” in TAWARIKH: International Journal for Historical Studies, Vol.5(1) October, pp.91-102. Bandung, Indonesia: ASPENSI [Asosiasi Sarjana Pendidikan Sejarah Indonesia] and UVRI [Universitas Veteran Republik Indonesia], ISSN 2085-0980.Chronicle of the article: Accepted (August 3, 2013); Revised (September 7, 2013); and Published (October 28, 2013).
Tindak Tutur Ilokusi Teks Deklarasi Kemerdekaan Palestina Safitri, Salsabila; Triwinarti, Wiwin
Journal Of Middle East and Islamic Studies Vol. 9, No. 1
Publisher : UI Scholars Hub

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This study discusses the types and functions of illocutionary speech acts contained in the text of the Palestinian Declaration of Independence. The text of the Palestinian Declaration of Independence was written by a Palestinian poet, Mahmoud Darwish and then read by the First President of Palestine Yasser Arafat in Algeria on November 15, 1988. This research was analyzed using qualitative descriptive methods and Searle's (1979) speech act theory. In the text of the Palestinian Declaration of Independence, the researcher found 14 utterances containing illocutionary speech acts with different functions. There are 4 assertive utterances with the function of stating, 3 directive utterances with the function of asking and inviting, 3 commissive utterances with the function of promising, 2 expressive utterances with the function of expressing disappointment and criticism, and 2 declarative utterances with the function of declaring the independence of Palestine and appointing the Palestine Liberation Organization (PLO) as the legitimate representative of Palestine.
LINGUISTIC LANDSCAPE ON GUIDE SIGNS IN PUBLIC SPACES OF EXPO 2020 DUBAI, UNITED ARAB EMIRATES Fadhillah, Afifah; Triwinarti, Wiwin
International Review of Humanities Studies Vol. 8, No. 2
Publisher : UI Scholars Hub

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This paper analyzes the linguistic landscape on the guide signs in the public spaces of Expo 2020 Dubai, United Arab Emirates, attended by 192 countries worldwide from October 1, 2021, to March 31, 2022. Dubai, UAE's position as the organizer of Expo 2020 Dubai influences language policy in creating a linguistic landscape situation in a location filled with visitors from various national, linguistic, and cultural backgrounds. This study aims to find out how and what is the background of LL in terms of language in the instructions in public spaces at Expo 2020 Dubai using qualitative methods. The researcher uses Landry and Bourhis's (1997) Linguistic Landscape theory. The results of this study indicate that the LL at Expo 2020 Dubai is filled with Arabic and English, which have informational and symbolic functions. The UAE uses Arabic to show its national identity to the international sphere at Expo 2020 Dubai, which communicates in English. This article can be helpful as a new reference or library for readers to increase their knowledge of linguistic landscape studies in Arab countries, especially Dubai, United Arab Emirates.
UKHTI VS UGHTEA: ARABIC KINSHIP ADDRESS TERM AS SLANG AND IDENTITY IN INDONESIAN TWITTER Qonitah, Salma; Triwinarti, Wiwin
International Review of Humanities Studies Vol. 5, No. 2
Publisher : UI Scholars Hub

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Microblogging has taken a quotidian position in the scope of internet usage. This research explores the pragmatic of ughtea, a slang form of ukhti, as a term of address slang and identity in Twitter’s prominent behaviour on virtual sphere: tweeting. Semantically, ukhti refers to “sister” of a possessive pronoun of the first person i.e. the speaker, both in biological and ideological contexts. For the last two years (2018—2019), the usage of the term ukhti has undergone the extension of its meaning through its use among Indonesian Twitter users by changing its form into ughtea as a slang with degenerative meaning, in order to insinuate the exclusivity of the use of the term ukhti among Indonesian conservative Muslims and the misbehavior of ukhti. As a result, the meaning of the term ukhti experiences pejoration. These certain Indonesian Twitter users, according to McCulloch’s classification of Internet People (2019) are classified as Post Internet People. This research problem focuses on the analysis of the speakers, terms, and how both terms used in the context of pejoration. This study aims to analyze both terms in terms of shifting meaning in terms of speakers, speech, and usage by implementing corpus linguistic approach and Martin and White (2005)’s appraisal system. Data sources were obtained from Twitter users' tweets during a certain period (October 2019).
INDONESIAN–ARABIC TRANSLATION OF PHATIC EXPRESSION IN WEBTOON “FLAWLESS” Washila, Sarah Aufa; Triwinarti, Wiwin
International Review of Humanities Studies Vol. 4, No. 2
Publisher : UI Scholars Hub

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This research studies phatic particles translation from Indonesian to Arabic. The discussed translation here includes phatic expression equivalence and translation and form shift. The aim of the study is to analyse the equivalence of phatic expression from Indonesian to Arabic and to look over shift of translation and form so the message from source language is delivered reasonably to target language. The method applied in the study is qualitative descriptive. 105 data were gathered from a webtoon entitled “Flawless” episode 1-10, in Indonesian and Arabic version. To analyse the data, theory of phatic particles in Indonesian from Kridalaksana (1994) is employed. From 105 data, only 24 data were analyzed. The analysis shows that the phatic articles are not completely translated. There are some articles translated accordingly, and some are translated into other forms or absorbed the sound phonetically. There are 7 untranslated particles; 13 translated according their phatic functions; 2 translated into other forms; and 2 absorbed phonetically.
PROBLEMS IN TRANSLATING FROM ARABIC TO INDONESIAN: A STUDY OF THE TRANSLATION OF QURANIC IDIOMS INTO INDONESIAN Imamuddin, Basuni; Muta’ali, Abdul; Triwinarti, Wiwin
International Review of Humanities Studies Vol. 5, No. 2
Publisher : UI Scholars Hub

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This article analyzes message switching, idiomatic expressions, characteristics of idioms, idiomatic forms, and Quranic idioms. The data source of this research is 28 idiomatic expressions in the Quran. The method used is content analysis using a lexical, grammatical, and Arabic stylistic approach. Idiomatic expression is a form of combination of words whose meaning is not the same as the meaning of each word that forms the combination. This article will analyze idiomatic patterns in the Quran whether the Quran tends to use verbal phrase idioms, nominal phrase idioms, prepositional idioms, clause idioms, sentence idioms, and idioms in Arabic translated to non-idioms in Indonesian. Equivalents for idioms in Arabic are sought from among the idioms in Indonesian whereas non-idioms in Arabic are translated as idioms in Indonesian. Quranic idioms mentioned in this article are idioms found in the Quran. In Arabic tasybih baligh (the eloquent analogy) is a very sophisticated language style, there is nothing more sophisticate than tasybih baligh. The conclusion of this article is that the translation or transfer of the meaning of sentences in the source language (SL) into the target language (TL) is much easier than transferring the meaning of surface structures which are sometimes complex, have multiple interpretations, and difficult to understand. Translations of the Quranic verses are more likely to use a faithful translation approach, namely a translation that is faithful to the linguistic form of the source language (SL).
INDONESIAN TERM OF ADDRESS USTAD IN FILM UTTERANCES: FORMS, FUNCTIONS, AND SOCIAL VALUES Nugraha, Sandy; Triwinarti, Wiwin
International Review of Humanities Studies Vol. 4, No. 3
Publisher : UI Scholars Hub

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This study analyzes the term of address ustad in Indonesian culture. Indonesia’s religious-themed movies may represent the use of the term of address ustad in daily conversation. In particular, this study aims to describe the patterns of form, the patterns of use, and the social values of the term of address ustad in film utterances. The data of the term of address ustad and its contexts are collected from the utterances in Indonesia’s four Islamic-themed movies. This descriptive qualitative study uses sociopragmatics approach in identifying the functions of the term of address in film discourse. The context of the utterances that contain the term of address ustad is identified using Hymes’ (1972) S.P.E.A.K.I.N.G model. This study concludes that: (1) form patterns of the term of address ustad include incomplete form ‘Stad’; title ‘Ustad’; kinship term + title, e.g. ‘Pak Ustad’, and title + personal name, e.g. ‘Ustad Syamsul’; (2) the term of address ustad has two functions: showing respect and showing closeness; (3) there are six characteristics of people who are commonly addressed as ustad in Indonesia, including Quran private teachers, prayer leaders, teachers in pesantrens (Islamic boarding schools), Islamic preachers in mosques, Islamic preachers in television shows, and pesantren leaders in villages; (4) the terms of address ustad is a title held at any time regardless of the situation. An ustad is still addressed as ustad even though he is not preaching at that moment.
TINDAK TUTUR MEMUJI OLEH KOMENTATOR BAHASA ARAB PADA SIARAN FINAL SEPAK BOLA PIALA DUNIA 2022 Aprilian, Dhafa; Triwinarti, Wiwin
Multikultura Vol. 3, No. 1
Publisher : UI Scholars Hub

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Tuturan merupakan wacana yang menonjolkan rangkaian peristiwa dalam serentetan waktu tertentu, bersama dengan partisipan dan keadaan tertentu. Dalam dunia sepak bola, banyak ditemukan tindak tutur memuji yang berkaitan antara komentator sebagai penutur dengan kejadian yang sedang berlangsung. Dalam hal ini, studi pragmatik bahasa Arab akan dilakukan melalui pengkajian sebuah pertandingan sepak bola Final Piala Dunia 2022 antara Argentina versus Prancis. Pada umumnya, pertandingan sepak bola dunia menampilkan komentator dalam bahasa Inggris saja, tetapi dengan diadakannya Piala Dunia 2022 di Qatar, maka siaran Piala Dunia 2022 juga menampilkan komentator dalam bahasa Arab. Penelitian ini merupakan penelitian kualitatif metode deskriptif analitis dengan pendekatan pragmatik. Tujuan dari penelitian ini adalah untuk menganalisis bentuk-bentuk dan jenis-jenis tindak tutur memuji yang dituturkan dalam Final Piala Dunia 2022 melalui komentator berbahasa Arab. Teori yang digunakan dalam mengategorisasikan bentuk-bentuk pujian menggunakan teori Yuan (2002), sedangkan dalam mengategorisasikan jenis-jenis pujian menggunakan teori Holmes (1986). Hasil dari penelitian ini adalah ditemukan 16 data pujian yang terbagi atas 13 termasuk ke dalam bentuk pujian tidak terikat dan 3 data termasuk ke dalam bentuk pujian terikat. Semua data termasuk ke dalam jenis pujian terhadap kemampuan, prestasi atau perbuatan baik.
TINDAK TUTUR MENGHINA DALAM FILM ANIMASI AL-RIḤLAH Haristianti, Fanny; Triwinarti, Wiwin
Multikultura Vol. 2, No. 3
Publisher : UI Scholars Hub

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Kesantunan berbahasa adalah aspek penting dalam kehidupan sosial. Namun, tindak tutur yang mengancam muka mitra tutur tidak dapat dihindari pada situasi tertentu, salah satunya tindak tutur menghina yang penuh konflik. Penelitian ini bertujuan untuk menganalisis strategi tindak tutur menghina yang dituturkan tokoh film animasi al-Riḥlah dengan menggunakan teori strategi Face-Threatening Acts (FTA) oleh Brown dan Levinson 1987. Penelitian ini merupakan penelitian kualitatif dengan metode deskriptif analitis. Teknik pengumpulan data dilakukan dalam tiga tahap, yaitu 1) teknik simak bebas libat cakap; 2) transkripsi; dan 3) catat. Selanjutnya, data dianalisis menggunakan teknik analisis padan ekstralingual dan disajikan melalui metode informal. Penelitian ini menemukan dua strategi yang digunakan dalam bertindak tutur menghina oleh para tokoh film animasi al-Riḥlah, yaitu 1) strategi langsung tanpa basa-basi (bald on-record) dan 2) strategi tidak langsung (off record) berupa pertanyaan retorik, ironi (al-Sikhriyyah), dan menggantikan mitra tutur (displace Hearer). Tuturannya bermakna negatif merendahkan, meremehkan, menyinggung perasaan, mengumpat untuk mengutuk, dan menghina mitra tutur menggunakan kata, frasa, maupun kalimat.
TINDAK TUTUR MENGKRITIK DALAM SERIAL BAHASA ARAB <i>CRASHING EID /JĀYIBATU AL-‘ĪDI/</i> Nurhannah, Childa; Triwinarti, Wiwin
Multikultura Vol. 4, No. 3
Publisher : UI Scholars Hub

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The speech act of criticizing is a statement that contains assessment, expression, and emotion towards the behavior and words of the speech partner or the object of criticism. The data corpus studied in this research is the speech act of criticizing in the Arabic series from Saudi Arabia جايبة العيد or Crashing Eid which aired on Netflix in 2023. This descriptive qualitative research data is processed with free listening and note-taking techniques. This study aims to analyze the form of criticizing speech acts in the Hijazi dialect of Arabic contained in the series and classify criticizing speech acts with direct and indirect categories based on Nguyen's theory (2005). The results show that the strategy that is more widely used in the data corpus is direct criticism speech, which acts as an expression of disagreement.
Co-Authors Abdul Muta’ali Aprilian, Dhafa Fadhillah, Afifah Frans Asisi Datang Haristianti, Fanny Imamuddin, Basuni Multamia RMT Lauder Muta’ali, Abdul Nugraha, Sandy Nurhannah, Childa Qonitah, Salma Safitri, Salsabila Salma Qonitah Sandy Nugraha Sarah Aufa Washila Sri Munawarah Sunarti, Linda Washila, Sarah Aufa