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Grammar Cases in Novels “Kita Pergi Hari Ini” Based onCharles J. Fillmore's Perspective Khonsa, Nabila Nur; Al Anshory, Abdul Muntaqim; Aldrian; Mellinda Raswari Jambak; Alam An Shori
Jurnal Sastra Indonesia Vol. 13 No. 1 (2024): March
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/71fkcj43

Abstract

The dialogue and narration in the novel Kita Pergi Hari Ini by Ziggy Zezsyazeoviennazabrizkie are interesting to study in more depth. The researcher uses case grammar based on the perspective of Charles J. Fillmore, a modified form of generative transformation theory with verbs as the central part of a sentence and has a semantic relationship in various noun phrases; this relationship is called case. The use of Charles J. Fillmore's perspective case grammar as an analysis tool for the novel Kita Pergi Hari Ini by Ziggy Zezsyazeoviennazabrizkie aims to examine two aspects, namely modality and preposition. Researchers use descriptive qualitative research. The data collection technique for this research is the reading and notetaking technique. The researcher read the Kita Pergi Hari Ini novel as primary data and Charles J. Fillmore's perspective case grammar theory as supporting data. After reading, the researcher noted essential things to display as data. The data collection technique used in this research is the Miles and Huberman Technique, which consists of three stages: data reduction, data presentation, and conclusion. The results of the study show that four modalities were found, namely tense composed of past, present, and future; negation, mode consisting of indicative, imperative, interrogative, conditional, and subjunctive; and aspect consisting of non-progressive, as well as eight propositions which consisting of agentive, goal, experience, time, accompanying, locative, objective, and source. 
Representasi Kepercayaan Antar Tokoh dalam Film Raya and the Last Dragon Perspektif Teori Roland Barthes Ningsih, Ayu Setia; Khonsa, Nabila Nur
LoroNG: Media Pengkajian Sosial Budaya Vol 11 No 2 (2022)
Publisher : Lembaga Kajian, Penelitian dan Pengembangan Mahasiswa Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.1234/lorong.v11i2.2694

Abstract

Film merupakan salah satu media yang dapat digunakan untuk informasi dan edukasi melalui amanat atau pesan moral. Pesan moral dalam film seringkali muncul secara tersirat, terbentuk melalui tanda-tanda berupa scenes dan dialog antar tokoh serta situasi yang mendukung alur cerita tersebut. Sehingga untuk membantu memahami pesan moral tersirat dalam sebuah film, perlu dikaji lebih lanjut mengenai analisis bentuk-bentukrepresentasi dari kepercayaan. Penelitian ini membahas representasi dari kepercayaan antar tokoh dalam film Raya and The Last Dragon sebagai objek material. Jenis penelitian inimenggunakan metode kualitatif dengan pendekatan deskriptif. Oleh sebab itu, teori semiotika yang dikembangkan Roland Barthes digunakan sebagai alat analisis. Terkait dengan makna denotasi dan konotasi, film Raya and The Last Dragon dianalisis dengan merepresentasikan bentuk-bentuk kepercayaan antar tokoh. Hasil penelitian menunjukkan bahwa dalam film Raya and The Last Dragon terdapat beberapa bentuk representasi darikepercayaan antar tokoh, diantaranya 1) tanggung jawab, 2) keseriusan, 3) kredibilitas, dan 4) kedekatan.