Chiristianly Yeri Silaban
Program Studi Seni prtunjukan FKIP Untan Pontianak

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ANALISIS MUSIK IRINGAN TARI JEPIN SENGGAYONG DESA MEDAN JAYA KECAMATAN SIMPANG HILIR KABUPATEN KAYONG UTARA Arianda yarso; Imam Ghozali; Chiristianly Yeri Silaban
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 8, No 9 (2019): September 2019
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1388.129 KB) | DOI: 10.26418/jppk.v8i9.35918

Abstract

AbstractThis research was motivated there is uniqueness of the vocal melody of the accompaniment songs of Jepin Senggayong dance from Kayong Utara Regency has been the researcher's interest in carrying out this study directed at describing the aspects of the music. Theories used for the study were the structures, elements, musicology, rhythm patterns, forms, and the chords of the music. This is qualitative research using the descriptive-analytic method with musicology approach. the data were gathered from the interviews and observation on the researched accompaniment music, of which the data were collected using observation, direct communication, and documentary study techniques. Along with interview and observation guides, the researcher acted as the main instrument of research. The data were validated by extended observation and triangulation techniques and were analyzed by data reduction, presentation, and conclusion. The findings show that the accompaniment of Jepin Senggayong music is music consiting of twoparts that comprise two sentence. The tempo used ranges from 90 or 110. In the vocal section three are also ornaments with two forms of music which includetwo sentences with three phrasesand six motifs.This study suggests the reactivation of traditional artists to preserve their traditional music and dance as part of the culture, particularly in the Kayong Utara Regency, Kalimantan Barat. Keywords: Analysis, Accompaniment Music, Jepin Senggayong Dance
ANALISIS MUSIK IRINGAN TARI GAMELAN PADA RITUAL ADAT BAJADI DI DESA MENYUMBUNG KECAMATAN HULU SUNGAI KABUPATEN KETAPANG Erwin Erwin; Nurmila Sari Djau; Chiristianly Yeri Silaban
Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Vol 9, No 4 (2020): April 2020
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1731.665 KB) | DOI: 10.26418/jppk.v9i4.40523

Abstract

AbstractThis research is motivated by a concern for local culture, especially music accompaniment to Gamelan dance. The purpose of this study is to describe the analysis of musical accompaniment to the Gamelan dance in Ketapang Regency. The theory used is about the structure of music, elements of music, musicology, rhythmic patterns, musical forms and chords. The method used in this research is descriptive analytic method with a form of qualitative research. The approach used in this research is the musicology approach. Data obtained from interviews and observations about the musical accompaniment of Gamelan dance in Ketapang Regency, direct communication. Data collection tools used in this study are researchers as the main instrument, cloud guidelines and observation guidelines. Checking the validity of the data of this study uses the extension of observation and triangulation techniques. Data analysis techniques in this study are data reduction, data presentation, and drawing conclusions. The results of this study indicate that the Gamelan dance accompaniment is a musical composition with one part and has two sentences. The tempo used is the moderato tempo. This Gamelan dance accompaniment has one form which includes two sentences, and five motifs. Based on the results of this study it is hoped that it can reactivate the traditional artists in the Ketapang Regency, West Kalimantan. Keywords: Accompaniment Music Analysis, Bajadi Traditional, Gamelan dance