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INTERPRETATION OF MYTHS IN THE FILM THE STORY OF THE JAVA LAND OF MERAPI Islamy, Nur Izzah; Muhammad Irfan Riyadi
QAULAN: Journal of Islamic Communication Vol. 5 No. 1 (2024): Qaulan: Journal of Islamic Communication
Publisher : UIN Kiai Ageng Muhammad Besari Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21154/qaulan.v5i1.8876

Abstract

One type of mass media that captivates viewers both with the content and meaning of what they see is film. The theoretical significance of the story of Merapi Island in Java, as well as its use. The purpose of the study of the words "sigh", "object", and "interpretant" in the film is the focus of this investigation. By applying the model of semiotic analysis proposed by Charles Sanders Pierce, the problem of how meaning arises from a sign when the sign is used by people when communicating. The relationship between signs, objects, and interpretations was drawn by Pierce. This research uses a qualitative descriptive approach, systematic data analysis from the collection of facts or a set of numerical values, and enriched with documentation in the form of screenshots from several episodes of the film The Story of the Land of Java Merapi. To examine the film The Story of the Land of Java Merapi and its depiction of the myth that Mount Merapi is home to supernatural beings whose existence is still widely believed to exist, the film The Story of the Land of Java Merapi has 6 episodes in its story and each episode in the film The Story of the Land of Java Merapi has several mythical meanings. The phenomenon of Merapi as a very important local genius, the mythological tradition of the nations of the world describes the existence of a region that is the origin of the development of life and heaven civilization or the place of origin that was then abandoned when suddenly heaven turned into hell. After seeing the Story of the Land of Java Merapi, we hope you don't take everything for granted; instead, we encourage you to think critically about the film.
Hijab in the Qur'an and the Contemporary Context (Double Movement Theory Analysis) Islamy, Nur Izzah; Rahman Akbar, Ahmad Fadly
Transformatif Vol 8 No 1 (2024): ISSUED IN APRIL 2024
Publisher : POSTGRADUATE OF PALANGKA RAYA STATE ISLAMIC INSTITUTION

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23971/tf.v8i1.7989

Abstract

This paper discusses Muslim women's clothing, namely the issue of hijab. The term hijab in the Qur'an is also related to the terms khimar and jilbab. There are pros and cons related to the obligation to wear the hijab, as happened in Iran and Aceh. Because of the compulsion to wear the hijab, Iranian women are struggling to regain control over their own bodies, because this concerns women's right to choose how to dress. Thus, this article aims to examine how the hijab and related issues in the Qur'an are based on the socio-historical context with the Double Movement theory analysis approach. Therefore, this article is expected to find the universal value of the verse of hijab command in the Qur'an in the context of today.