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INTERPRETATION OF MYTHS IN THE FILM THE STORY OF THE JAVA LAND OF MERAPI Islamy, Nur Izzah; Muhammad Irfan Riyadi
QAULAN: Journal of Islamic Communication Vol. 5 No. 1 (2024): Qaulan: Journal of Islamic Communication
Publisher : UIN Kiai Ageng Muhammad Besari Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21154/qaulan.v5i1.8876

Abstract

One type of mass media that captivates viewers both with the content and meaning of what they see is film. The theoretical significance of the story of Merapi Island in Java, as well as its use. The purpose of the study of the words "sigh", "object", and "interpretant" in the film is the focus of this investigation. By applying the model of semiotic analysis proposed by Charles Sanders Pierce, the problem of how meaning arises from a sign when the sign is used by people when communicating. The relationship between signs, objects, and interpretations was drawn by Pierce. This research uses a qualitative descriptive approach, systematic data analysis from the collection of facts or a set of numerical values, and enriched with documentation in the form of screenshots from several episodes of the film The Story of the Land of Java Merapi. To examine the film The Story of the Land of Java Merapi and its depiction of the myth that Mount Merapi is home to supernatural beings whose existence is still widely believed to exist, the film The Story of the Land of Java Merapi has 6 episodes in its story and each episode in the film The Story of the Land of Java Merapi has several mythical meanings. The phenomenon of Merapi as a very important local genius, the mythological tradition of the nations of the world describes the existence of a region that is the origin of the development of life and heaven civilization or the place of origin that was then abandoned when suddenly heaven turned into hell. After seeing the Story of the Land of Java Merapi, we hope you don't take everything for granted; instead, we encourage you to think critically about the film.
Konsep Islam Rahmatān Lil ‘Alamīn Dalam Al-Qur’an (Perspektif Tafsir Kontekstual Abdullah Saeed) Nahwa Faadlil Basya; Muhammad Irfan Riyadi
AL-MIKRAJ Jurnal Studi Islam dan Humaniora (E-ISSN 2745-4584) Vol. 6 No. 1: Al-Mikraj, Jurnal Studi Islam dan Humaniora
Publisher : Pascasarjana Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/almikraj.v6i1.8978

Abstract

This research is motivated by the rise of violence committed in the name of religion, both in the real world and online. Such violence is driven by a misinterpretation of Qur'anic texts and certain ideologies that reject diversity. The main focus of this study is to explore the meaning and contextualization of the values of Islam rahmataān lil ‘alamīn as found in the Qur’an, using Abdullah Saeed’s contextual interpretation approach. This research employs a qualitative library-based method with descriptive and deductive analysis. The findings reveal that Islam rahmataān lil ‘alamīn encompasses values of compassion, justice, brotherhood, and noble character. The contextualization of these values in the modern era includes: (1) the social aspect, which serves to counter radicalism and promote tolerance; (2) the educational aspect, by integrating these values into Islamic curricula; (3) the economic aspect, through community empowerment; and (4) the aspect of religious moderation, by introducing moderate values early in Islamic education