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Sequential Inheritance Implementation: A Maqasid Sharia Perspective by Jasser Auda (A Case Study in Pagelaran Village, Pagelaran District, Malang Regency) Faizah, Eka Zahrotul; Rahmawati, Erik Sabti
Sakina: Journal of Family Studies Vol 8 No 4 (2024): Sakina: Journal of Family Studies
Publisher : Islamic Family Law Study Program, Sharia Faculty, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jfs.v8i4.11799

Abstract

The urgency of proper inheritance distribution is greatly needed in society. Therefore, an appropriate concept and legal framework are necessary in practice to ensure that the essence of justice and the objectives of Islamic law in inheritance are not compromised. This is exemplified by the practice in Pagelaran village, where inheritance is distributed not according to Islamic law, even though the majority of the population is Muslim. They have a unique method of rotating the inheritance among heirs, taking turns. This practice presents an interesting subject for analysis using the theory of maqasid shari’ah to understand the essence of the objectives behind the enactment of inheritance law in Islam. This study is empirical, using a sociological and conceptual approach. The results can be summarized in two aspects: (1) The practice of rotating inheritance in Pagelaran village is carried out alternately among heirs based on mutual agreement, and in practice, this is driven by the limited land available for distribution. It also serves as a preliminary step toward permanent land division, with the proceeds from the rotation used to cover the costs of certifying the land for each heir; (2) The practice of rotating inheritance fulfills the purpose of maqasid shari’ah as outlined by Jasser Auda and aligns with the essence of the enactment of inheritance law, ensuring the fair distribution of inheritance. This is due to the mutual agreement among the heirs, while also considering the aspects of protection and resilience within the family.
Analysis of Husain Nasr Art Concept on Zafin Dance in the Wedding Tradition of Arabic Descendants in Indonesia Faizah, Eka Zahrotul; Sholeh, Achmad Khudori; Anisa, Anisa
Studi Multidisipliner: Jurnal Kajian Keislaman Vol 12, No 2 (2025)
Publisher : Universitas Islam Negeri Syekh Ali Hasan Ahmad Addary Padngsidimpuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24952/multidisipliner.v12i2.16653

Abstract

This study aims to examine the concept of art according to Seyyed Hossein Nasr and its relevance to the art of Zafin Dance which is part of the Arab-Indonesian marriage tradition. This research uses a library research method by examining various sources such as scientific journals, books, and academic papers related to Islamic art philosophy and Arab-Indonesian cultural practices. The main focus of this research is to analyze the aesthetic and spiritual dimensions of the Zafin Dance within the framework of sacred art as described by Nasr. The results of the study show that, first, the concept of art according to Hossein Nasr sees beauty as a reflection of the majesty and beauty of God, which is manifested in the harmony of human movements, rhythms, and expressions. Second, based on the classification of art according to Nasr, the Zafin Dance is classified as a sacred art because it is rooted in spiritual values and has a direct connection with religious traditions. The integration between dance movements and spiritual music makes the Zafin Dance not only entertainment, but also a means of contemplation and a reminder of the Creator. Third, in the Arab-Indonesian marriage tradition, the Zafin Dance has a symbolic meaning as an expression of gratitude and happiness for the marriage, as well as a form of spiritual appreciation that leads people to peace of soul through awareness of the greatness of God and His Messenger. This research confirms that the Zafin Dance functions not only as a performing art, but also as an aesthetic and spiritual expression that represents the unity between beauty, religiosity, and culture in the view of Islamic art as formulated by Seyyed Hossein Nasr.
Legitimasi Pencatatan Pernikahan dalam Negara Hukum: Telaah Epistemologi Bayani Muhammad Abid Al-Jabiri Anisa, Anisa; Faizah, Eka Zahrotul
Studi Multidisipliner: Jurnal Kajian Keislaman Vol 12, No 2 (2025)
Publisher : Universitas Islam Negeri Syekh Ali Hasan Ahmad Addary Padngsidimpuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24952/multidisipliner.v12i2.16363

Abstract

This study aims to analyze the epistemology of bayani as an approach in understanding religious texts and examine its implications for the urgency of marriage registration in the legal context in Indonesia. This study uses a qualitative method with a content analysis approach. The main source of data for this research is the work of Muhammad Abid al-Jabiri, namely Bunyah al-'Aql al-'Arabi, which is used as a conceptual basis to understand the framework of bayani epistemology. Secondary data sources include scientific journals, books, and laws and regulations relevant to the issue of marriage registration in Indonesia. The analysis is carried out by tracing the structure of bayani thinking that places the text (nash) as the main source of knowledge and makes the authority of the text as the basis for legitimacy in the formation of law. The results of the study show that bayani epistemology emphasizes the importance of understanding religious texts through the principle of correspondence between the meaning of the text and social reality. In the context of marriage, marriage registration is a concrete form of textual authorization efforts to suit modern social and legal needs. Thus, marriage registration is not only administrative, but has epistemological and moral dimensions as a form of responsibility for social clarity and benefits. Therefore, marriage registration is seen as very urgent in order to prevent mistakes, legal uncertainties, and potential disputes in the future.