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Challenging the 'Dumb Blonde' Stereotype: A Feminist and Intersectional Analysis of Gender and Professionalism in Legally Blonde (2001) Movie Lee, Georgia Love; Sabuin, Kezia Jade Meizie; Manullang, Petronio Pirdon; Hutagalung, Rachell Christie Anastasya
Jurnal Pendidikan Makarios Vol 2 No 1 (2024): BOANERGES
Publisher : Yayasan Pendidikan Gereja Masehi Advent Hari Ketujuh Makarios

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This study examines how Legally Blonde (2001) depicts femininity using a qualitative content analysis: intelligence, and gender dynamics by applying feminist criticism, gender performativity by Judith Butler (1990) and intersectionality frameworks by Kimberlé Crenshaw (1991). In addition, the elements of the visual narratives (cinematography), such as: camerawork, tones of colors were analyzed. As the result: 1) It reveals how the movie subverts traditional gender stereotypes by showing Elle Woods’ transformation from being perceived as a “dumb blonde” to a competent lawyer, challenging societal expectations that femininity equates to a lack of intelligence. 2) It highlights the challenges women face in male-dominated professions, as seen in Elle’s experience navigating Harvard Law School while maintaining her feminine identity. 3) It focuses on how Elle’s success illustrates that professional competence and femininity are not mutually exclusive, as her journey critiques the rigid expectations placed on women in professional spaces. This research offers a detailed perspective on gender roles in media, highlighting how movies can either question or uphold societal expectations related to gender and career achievement.
Spectacle, Oppression, and Resistance: Class Struggle in Gladiator II through Marxist Criticism Kusen, Felicia Jessica; Tatemba, Filmorevo Jesse Lincoln; Lie, Jesslyn Quaneisha; Martin, Dominic Thomas; Tambunan, Aubrey Jemima; Sabuin, Kezia Jade Meizie
Jurnal Pendidikan Makarios Vol 3 No 1 (2025): BOANERGES
Publisher : Yayasan Pendidikan Gereja Masehi Advent Hari Ketujuh Makarios

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This article examines Gladiator II (2024) through the lens of Karl Marx’s theory of class struggle. Using textual and thematic analysis, the study explores how the film portrays structural inequality, labor exploitation, and the emergence of resistance within ancient Roman society. The findings indicate three key results: 1) the depiction of slavery and gladiatorial combat embodies Marx’s concept of commodification of labor, revealing the economic foundations of Roman spectacle. 2), the transformation of Lucius Verus illustrates the development of class consciousness, shifting from individual survival to collective solidarity. 3), the film’s portrayal of Rome’s decline demonstrates historical materialism, showing how contradictions in production and power relations lead to social revolution. These insights position Gladiator II not merely as entertainment but as a cultural text that critiques systemic oppression and mirrors contemporary issues such as inequality, corruption, and political dominance. By employing Marxist criticism, the study affirms the relevance of class struggle as both a historical and modern narrative.