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All Journal Sorai: Jurnal Pengkajian dan Penciptaan Musik
Aulia, Riza Alif
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Arts Humanities

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Transmisi Musik Lokal-Tradisional Gondang Oguong oleh Salman Azis Habibullah, Reizki; Purwanto, Sigit; Aulia, Riza Alif
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 15 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i2.4737

Abstract

Gondang Oguong is a local-traditional music ensemble of the community in the Limo Koto customary area of Kampar Regency. Until now, Gondang Oguong art is still being passed on to the next generation. This study aims to reveal and explain the transmission process of Gondang Oguong by artist Salman Azis, including objects, actors, and transmission mechanisms, using ethnographic methods. Salman Azis carried out the stages of the learning method, which began with efforts to attract children's interest, using close and distant communication patterns, as well as listening and imitating exercises. Transmission is one of the essential aspects of cultural inheritance related to enculturation, internalization, education, and socialization activities. For this reason, this research is expected to support the sustainable practices of local-traditional music as part of the culture.
METODE TRANSMISI GONG KEBYAR PADA KOMUNITAS KARAWITAN BALI DI SURAKARTA Aulia, Riza Alif; Mulyana, I Nengah
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 1 (2023): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i1.5223

Abstract

Gong Kebyar is one of the most popular gamelan ensembles from Bali. The distribution of Gong Kebyar is almost spread throughout the archipelago and even the world. One of them is in the city of Surakarta, which is rich and thick with Javanese culture and art. The rich and thick Javanese culture in Surakarta does not prevent Gong Kebyar from being able to grow and develop in this city. The transmission practice has been going on since the first time Gong Kebyar arrived in Surakarta until now. Groups or communities of Gong Kebyar took turns forming. Uniquely, the transmission practice is carried out to people who do not have a Balinese cultural background, in this case the majority are Javanese. Using the lens of traditional music transmission theory from Irawati which mentions three main elements in transmission practices namely actors, content, and mechanisms, this study aims to reveal the methods used by Gong Kebyar teachers in Surakarta in transmitting their knowledge to students from different backgrounds.
Transmisi Musik Lokal-Tradisional Gondang Oguong oleh Salman Azis Habibullah, Reizki; Purwanto, Sigit; Aulia, Riza Alif
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 15 No. 2 (2022)
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v15i2.4737

Abstract

Gondang Oguong is a local-traditional music ensemble of the community in the Limo Koto customary area of Kampar Regency. Until now, Gondang Oguong art is still being passed on to the next generation. This study aims to reveal and explain the transmission process of Gondang Oguong by artist Salman Azis, including objects, actors, and transmission mechanisms, using ethnographic methods. Salman Azis carried out the stages of the learning method, which began with efforts to attract children's interest, using close and distant communication patterns, as well as listening and imitating exercises. Transmission is one of the essential aspects of cultural inheritance related to enculturation, internalization, education, and socialization activities. For this reason, this research is expected to support the sustainable practices of local-traditional music as part of the culture.
Co-Authors Habibullah, Reizki Mulyana, I Nengah Sigit Purwanto