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KARYA MUSIK LUNGUN: INTERPRETASI VOKAL ANDUNG BATAK TOBA DALAM KONSEP MUSIK KAMAR Simanjuntak, Yessica Yosia Virginia
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.5979

Lungun is a musical work inspired by a tradition in the death ceremony of the Toba Batak people, called the andung tradition. Andung is a song of sadness that expresses one's feelings of grief for a loved one. Andung chanting is chanted by a pangandung (poet) using hata andung verses (Toba Batak fine literature) whose content tells the life history of someone who has died. In its current development, the andung tradition has shifted, and many cannot practice it because many younger generations can no longer speak hata andung, and andung singing which have been replacing with spiritual songs. The analysis of the andung tradition revealed distinct characteristics of the andung melody and the presentation of Gondang Sabangunan music for death ceremonies. The creation of the musical work Lungun aims to find out the musical form and its symbolic meaning. The method used is panca sthiti ngawi sani, which consist of five stages: (1) inspiration (ngawirasa), (2) exploration (ngawacak), (3) conception (ngarencana), (4) execution (ngawangun) and (4) production (ngabah). Lungun's musical work incorporates elements such as the Toba Batak scales, processed andung vocals, hata andung poems, rhythm processing, and Gondang Sabangunan playing techniques into chamber music performances. Lungun music has three parts: part I is mula-mula (beginning), part II is andung (vocal singing), and part III is poda (message). The symbolic meaning expressed in Lungun music refers to the values found in the Toba Batak community: the Dalihan Na Tolu Batak philosophy, the five levels of Toba Batak death, and the seven Toba Batak philosophies.

Struktur Musikal dan Fungsi Gondang Sabangunan dalam Ritual Kematian Adat Batak Toba Simanjuntak, Yessica Yosia Virginia; Mudra, I Wayan; Yudarta, I Gede
Journal of Music Science, Technology, and Industry Vol. 7 No. 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Tujuan: Artikel ini membahas tentang Gondang Sabangunan yang merupakan ansambel musik tradisional Batak yang berperan penting dalam upacara kematian masyarakat Batak Toba. Tulisan ini bertujuan untuk mengetahui struktur musik dan fungsi Gondang Sabangunan. Metode penelitian: penelitian ini menggunakan metode kualitatif dengan pendekatan etnomusikologi. Teori-teori yang digunakan antara lain: 1. teori kinerja dan 2. Teori fungsi. Hasil dan pembahasan: Hasil pembahasan menunjukkan tiga struktur musik besar Gondang Sabangunan. Bagian pembukanya adalah manggalang pargonsi, panjujuran gondang, dan mambuat tua ni gondang. Bagian utamanya adalah Gondang Dalihan Na Tolu. Implikasi: Bagian penutupnya adalah manutup gondang atau panjujuran gondang, sedangkan fungsi Gondang Sabangunan yang ditemukan terdapat fungsi religi, fungsi estetis, dan fungsi identitas sosial.

KARYA MUSIK LUNGUN: INTERPRETASI VOKAL ANDUNG BATAK TOBA DALAM KONSEP MUSIK KAMAR Simanjuntak, Yessica Yosia Virginia
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.5979

Lungun is a musical work inspired by a tradition in the death ceremony of the Toba Batak people, called the andung tradition. Andung is a song of sadness that expresses one's feelings of grief for a loved one. Andung chanting is chanted by a pangandung (poet) using hata andung verses (Toba Batak fine literature) whose content tells the life history of someone who has died. In its current development, the andung tradition has shifted, and many cannot practice it because many younger generations can no longer speak hata andung, and andung singing which have been replacing with spiritual songs. The analysis of the andung tradition revealed distinct characteristics of the andung melody and the presentation of Gondang Sabangunan music for death ceremonies. The creation of the musical work Lungun aims to find out the musical form and its symbolic meaning. The method used is panca sthiti ngawi sani, which consist of five stages: (1) inspiration (ngawirasa), (2) exploration (ngawacak), (3) conception (ngarencana), (4) execution (ngawangun) and (4) production (ngabah). Lungun's musical work incorporates elements such as the Toba Batak scales, processed andung vocals, hata andung poems, rhythm processing, and Gondang Sabangunan playing techniques into chamber music performances. Lungun music has three parts: part I is mula-mula (beginning), part II is andung (vocal singing), and part III is poda (message). The symbolic meaning expressed in Lungun music refers to the values found in the Toba Batak community: the Dalihan Na Tolu Batak philosophy, the five levels of Toba Batak death, and the seven Toba Batak philosophies.

Lungun Music: The Batak Toba Andung Vocal Interpretation In Chamber Music Simanjuntak, Yessica Yosia Virginia; sudirana, I Wayan
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 1 (2024): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i1.71

Lungun is a musical piece inspired by the andung Batak tradition of grief singing, expressing sorrow for a loved one. Andung songs are chanted by a pangandung (poet) using hata andung verses (Toba Batak fine literature) whose content tells the life history of someone who has died. Nowadays, the andung tradition has shifted, and many people cannot practice it; This is because many younger generations can no longer speak with hata andung, andung singing tends to be replaced with spiritual songs. Andung is unique in terms of lyrical and musical, andung is even a cultural heritage that the Batak community itself should preserve. The above problem requires the creator to work on Lungun music, which aims to discover the musical form and symbolic meaning. The method used is panca sthiti ngawi sani, which consist of five stages: (1) inspiration (ngawirasa), (2) exploration (ngawacak), (3) conception (ngarencana), (4) execution (ngawangun) and (4) production (ngabah). Lungun's musical work incorporates elements such as the Toba Batak scales, processed andung vocals, hata andung poems, rhythm processing, and Gondang Sabangunanplaying techniques into chamber music performances. Lungun music has three parts: part I is mula-mula (beginning), part II is andung (vocal lamentation singing), and part III is poda (message). The symbolic meaning expressed in Lungun music refers to the values found in the Toba Batak community: the Dalihan Na Tolu Batak philosophy, the five levels of Toba Batak death, and the seven Toba Batak philosophies.

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