Article Per Year (5 Year)
p-Index From 2020 - 2025
2.22
P-Index
This Author published in this journals
All Journal Garina
Edi Suwasana
Unknown Affiliation
Arts Computer Science & IT

Published : 10 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 10 Documents
Search

 1 
Pembuatan Busana Excotic Dramatic dengan Bahan Batik Lereng, Santung dan Anyaman Kulit Sintetis Della Kartika; Edi Suwasana
Garina Vol. 16 No. 2 (2024): Desember : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan De
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v16i2.162

Abstract

Exotic Dramatic fashion, this fashion reflects a person's gentle personality, as well as a firm and strong side in some situations. Exotic dramatic clothing can be worn on formal or non-formal occasions. The problem that will be discussed is how the process of making exotic dramatic clothing with slope batik, santung and synthetic leather webbing. While the benefits can be to know the manufacture of exotic dramatic clothing with slope batik, santung and synthetic leather webbing. The method used by the author is the R&D method. This exotic dramatic fashion has 3 parts of fashion which include, crop top, dress, custom skirt, with standard size M, making archetypes, breaking patterns, making wicker, preparing tools and materials, sewing. The clothes on the Crop top three-axis wicker technique are located on the front of the bottom and on the back, the combination of slope batik motifs whose patterns are regular slashes and the combination of red and black materials makes an exotic impression. Making this fashion with slope batik, santung and synthetic leather webbing, in making woven size 3 cm wide 65 cm long which is sewn once so that the finished woven product becomes neat and not wavy. In the hollow three-axis webbing, it should be helped by sewing hands outside as a woven barrier on clothes so that they are not easily shifted and the result is neater.
Penerapan Batik Bakaran Pada Pembuatan Bridal Gown The Application Of Bakaran Batik For Bridal Gown Making Edi Suwasana; Dila Oktaviana Devani
Garina Vol. 14 No. 1 (2022): June : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v14i1.1

Abstract

Batik, especially Bakaran batik, has never been applied to bridal gowns because most bridal gowns tend to be plain white and are only decorated with Swarovski, sequins, and pearls. The problem of this research is how a Bakaran batik can be applied in bridal gown making. The purpose of this research is to understand the application of Bakaran batik in bridal gown making. The research method used is research and development. The results of a Bakaran batik application to the bridal gown making begin with a design determination. The design is a bridal gown inspired by the beauty of Indonesian artwork Bakaran batik. There is a Sido Mukti motive surrounding the bottom of the gown up to the tail, with a diverse arrangement of Sido Mukti motives that has a distinct meaning. After determining the design, it is continued by preparing the tools and materials, sizing up, shaping pattern, cutting material, spellbinding, sewing process, and finishing. The recommendation from the application of Bakaran batik on the bridal gown is that the design of a skirt for the crinoline would be best combined with the main part and lining fabric because it can affect the fall of the pleated detail. Completing the solution on the crinoline should use a finished seam from bias tape because the fibres on the crinoline are very sharp and can be uncomfortable or itchy if it is exposed to the skin.
Penerapan Variasi Teknik Anyaman Pada Busana Exotic Edi Suwasana; Afidatun Nisa
Garina Vol. 14 No. 2 (2022): Desember: Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Des
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v14i2.11

Abstract

Weaving is a unique variation whose manufacturing method is quite complicated and requires precision and patience. The process of making woven fabric which is quite complicated with unique results makes the writer interested in choosing woven as a variation of dramatic exotic clothing in the clothing. The problem discussed is how to apply variations of woven techniques to dramatic exotic clothing. The aim is to find out how to apply variations of woven techniques to dramatic exotic clothing. The benefit is to know about how to apply variations of woven techniques to dramatic exotic clothing. The method used is the method of research and development (research and development). The process of applying variations of weaving techniques in dramatic exotic clothing is as follows: making designs, determining the materials and weaving techniques to be used, preparing the tools and materials, taking measurements, making patterns, cutting fabrics, merging, pressing, weaving, making trials, sewing the clothing, applying weaving to clothing. The completion process is soom stitching and attaching the buttons. In the process of weaving, it is better to use a used cardboard base or Styrofoam, then both ends of the material are pinned using a pin to ease the weaving process. For woven braids, it should be decorated with stitches to beautify the appearance and maintain the shape of the weaving. The four-axis weaving should be pinned by hand sewing using a hand sewing needle and the thread to maintain the shape of the weaving.
Penerapan Sulam Pita Dan Anyaman Sebagai Hiasan Pada Busana Edi Suwasana; Aisyah Dewi Sri Annisa
Garina Vol. 15 No. 1 (2023): June : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v15i1.25

Abstract

Ribbon embroidery is an embroidery art that uses ribbons as the embroidery material, the development of ribbon embroidery to be applied to the clohting is still something that is rare because usually ribbon embroidery is only used in the manufacture of household linen or just as decoration. Likewise with webbing which is usually found on objects made of bamboo, because woven is rarely used in decoration on clothing. Destination making this report to find out the process of making decorated clothes using ribbon and woven embroidery. The methodology. The methodology used is Research and Development (R&D) method, data analysis using Analysis Descriptive. Making ribbon and woven embroidery that is applied to clothing through several stages, namely: 1) determining the fashion design, 2) the process of embroidering robbon, 3) weaving process, 4) validation, 5) sizing on the model, 6) pattern making, 7) cutting material, 8) making seams, 9) pressing, 10) sewing process, 11) finishing. The process of making clothing needs to be done carefully, to produce appropriate clothing. On sewing the skirt with refence to the pattern Singo Sato should be done carefully when sewing curved, because it can make the fabric stretchy if it’s too tight holding it in the sewing process. And it will make the stitching result not according to size.
Proses Pembuatan Busana Feminime Romantic Khas Belanda Dengan Variasi Pita Renda Dan Ruffle Edi Suwasana; Sebtaribah
Garina Vol. 15 No. 2 (2023): Desember: Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Des
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v15i2.37

Abstract

Romantic clothing is clothing made to create a romantic impression by applying variations of ribbons, lace and ruffles. The selection of materials uses vintage colors so that the clothes seem classic and elegant. The problem in making this final project is how the process of making Dutch romantic feminime clothing with variations of lace ribbons and ruffles. The goal is to find out the process of making typical Dutch romantic feminime clothing with variations of ribbons, lace and ruffles. The methods used are data collection methods, namely library methods, observation methods, documentation methods and data analysis. The process of making typical Dutch romantic feminime clothing with variations of ribbons, lace and ruffles is making designs, preparing tools and materials, taking measurements, making patterns, breaking patterns, putting patterns on fabric, cutting, pasting upholstery materials, merader. Next sew fashion from putting components together, furing, skirts, sewing lace on bell sleeves, making variations of ribbons, lace and ruffles and making hats. This clothing has the characteristics of Noni in the Dutch royal era. Inspired by texel sheep that have thick meat and dense fur depict prosperity. Suggestions in making ruffles for making ruffles using wrinkle shoes according to the sewing machine, so that the wrinkle results are equal and balanced. During the process of sewing rasfur fabric, you should use a tool used to turn the fur so that it does not fold so that the surface of the feather remains balanced.
PROSES PEMBUATAN BUSANA PESTA READY TO WEAR MONOCHROMATIC TRI-ANGLE Edi Suwasana; Bryan Farrelinda Trimanta
Garina Vol. 12 No. 1 (2020): June : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v12i1.46

Abstract

One type of clothing is ready to wear, in the form of ready-to-wear clothing. Currently this clothing is a trend, with monochrome colors and geometric motifs. The goal to be achieved is to make Monochromatic Tri-Angle ready-to-wear clothes. The data collection methodology used was in the form of observation, documentation, and literature. The fabric motif in the form of geometric shapes can be found on the Jepara Troso woven fabric. This outfit is based on a monochrome source of ideas, a triangle shape, and a Bird of Paradise. This dress is a party dress for non-formal parties. Consists of three parts, namely a long sleeved blouse with a balloon style with hidden buttons and no collar, a sleeveless outer length, then a custom skirt with a slit and a span skirt inside. Making ready to wear Monochromatic Tri-Angle party dresses includes several processes. The first is to make a design, then from the design it is developed into a pattern with a predetermined formula and size. After that cutting the material, laying the pattern on the fabric should be as much as possible so as not to waste a lot of material. Then the sewing process, which is combining the pieces of material. The last one is the solution, which includes attaching the rubbing stone application using a special tool, cleaning clothes from threads and ironing clothes to make them tidier.
PEMANFAATAN KULIT BUAH NAGA DAN DAUN BAYAM SEBAGAI PEWARNA DALAM PEMBUATAN BATIK MOTIF VIRUS COVID-19 Edi Suwasana; Ega Mawarni Putri; Aisyah Dewi Sri Annisa; Gabriella Krisnugtya Putri
Garina Vol. 13 No. 1 (2021): June : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v13i1.57

Abstract

The times have demanded new innovations, including in the fields of culture and art. In accordance with this research, the process of making batik with motif inspiration from the form of the Covid-19 virus with natural dyes from dragon fruit skin and spinach is expected to be a new innovation in the art of batik. This study aims to determine how the process of making the covid-19 virus motif batik with natural dyes that have been determined. The method used in this research is the R&D method or in Indonesian it is called the research and development method. This experiment was carried out starting from December 1, 2020 at the AKS Ibu Kartini Batik laboratory, Semarang, which is located at Jl. Kawi No. 40 Kos Mas Gilang, Semarang city. In the experiment, the skin of dragon fruit was used as much as 500 gr and 300 ml of water, while spinach was 800 gr and 700 ml of water but the total for the dragon fruit was 7 kg and 4 liters of water & 2 kg of parrot with 1 liter of water, and the first and second immersion was carried out through several locks. The result of this research indicate that the design motifs designed are very suitable for tall thin people, the pink color produced from the dragon fruit skin and the brownish green color of the spinach are very suitable for prismatic cloth. While the locking which is suitable for the coloring of dragon fruit peel is locking alum and the dye from spinach is suitable for locking the gazebo.
MOTIF MONUMEN SEBAGAI IDE READY TO WEAR DENGAN SABLON POLYFLEX Edi Suwasana; Dwy Nurcahyati
Garina Vol. 13 No. 2 (2021): Desember: Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Des
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v13i2.75

Abstract

The Lembu Sora Building Monument and the Pure Milk Monument are monuments located in Boyolali Regency, Central Java which will be used as ready to wear motifs with the aim of introducing the area as the largest producer of cow's milk in Central Java. Taking pictures of the motifs uses deformation techniques and distortion techniques which are realized by polyflex screen printing techniques on ready to wear. Based on the problems and objectives, this study aimed to determine the application of the image of the Lembu Sora Building Monument and Pure Mil Monument as a motif on ready to wear with Polyflex Screen Printing Technique. The research methods used were observation, documentation, and literature review. This final project was completed by: creating designs, preparing tools and materials, conducting trials on selecting fabrics and polyflex types, determining sizes, creating ready-to-wear patterns, cutting fabrics, pressing the coating material, carrying out the polyflex screen printing process, ready-to-wear sewing process, and completion. Furthermore, the polyflex screen printing process on ready-to-wear included the following steps: creating polyflex screen printing designs, printing designs with a cutting machine, peeling polyflex (polyflex cleaning), gluing polyfex on the fabric, and finishing, which was the process of removing the masking from the polyflex sheet. Researchers suggest that during the pressing process on polyflex, it is required to alter the temperature and time with the type of polyflex. According to the recommendation that can be utilized, the pressing process on polyflex for temperature and duration must be adjusted to the type of polyflex.
Proses Pembuatan Busana Pesta Dengan Lukis Kain The Process Of Making Party Clothes With Fabric Painting Edi Suwasana; Vayza Indah Febrianti
Garina Vol. 16 No. 1 (2024): Juni : Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v16i1.107

Abstract

Party attire is clothing that is worn to attend the occasion of a party event. In party clothes, the addition of paintings on the cloth is given. Painting is the result of painting in the form of a display that has aesthetic value. This party dress design with the application of painting techniques with Dutch building ideas (windmills) gives the impression of symbolizing energy, strength, courage, love, struggle, and speed. Painting on cloth has quite a complexity in the process so it requires high precision and patience. This study uses the method of observation, interviews, documentation, literature. In this descriptive research, the data collected is in the form of words and pictures The results of making this report to find out the manufacture of party dresses with cloth painting. The process of making party dresses with cloth painting has 3 parts, namely on the right, left and back of this skirt through several stages, namely: 1) determining the design model, 2) Taking measurements, 3) preparing tools and materials, 4) making patterns, 5 ) cutting materials, 6) merging, 7) sewing, 8) finishing. The cloth painting process itself includes: 1) determining the painting design, 2) sketching the painting on the cloth, 3) preparing the painting material, 4) applying paint to the material, 5) painting on the cloth. In making cloth painting, you need a sketch to make it easier to work on. Suggestions in making clothes with cloth painting need to pay attention to paint so that the color of the paint and fabric on the dress looks good, so first select the color that matches the dress. To reduce the risk of paint drying easily and wasting paint, it's best when you go through the process of painting the fabric to paint the same color first, so that the results are maximized.
Pembuatan Busana Fantasi Aplikasi Bunga Tulip, Kupu-Kupu, Hiasan Kepala Elang Falcon Rosita Novarida; Edi Suwasana
Garina Vol. 17 No. 1 (2025): Garina : Jurnal Pengembangan IPTeks Seni Kuliner, Tata Rias, dan Desain Mode
Publisher : Akademi Kesejahteraan Sosial Ibu Kartini Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69697/garina.v17i1.277

Abstract

Fantasy Party Dress is a dress shows beauty and uniqueness. This cloth is that worn for certain events, based on the occasion, fantasy clothing is only used in fashion gshows/carnivals. The purpose of making a report is to find out the process of making a fantasy party dress for the application of tulips, butterflies and falcon headdresses. The report uses qualitative research methods, literature, observation, documentation and data analysis. The making of this Fantasy Party Dress goes through the stages, 1) determining the design, 2) Making an S size pattern, 3) Cutting the main material, furing, lining material, 4) Pressing the coating on the main material, 5) Merader, 6) Sewing the material, sewing the rufle skirt then sewing on skirt, 7) Installation of the application of butterfly embroidery with the check technique, 8)Determining the falcon headdress and determining the appropriate color, 9)The process of sewing parel with the jidot technique, 10)Finishing it by examining the details of the dress. The process of making fantasy clothes is carried out carefully and carefully, to produce clothes that match the design and size. Sew the camisol loop by exaggerating the thread at the end of the stitch, the end of the thread is inserted into the eye of the hand needle, the needle is inserted into the loop, pulled upside down. Sequins using the jidot technique (parallel sequins with one key at a time)
Co-Authors Afidatun Nisa Aisyah Dewi Sri Annisa Bryan Farrelinda Trimanta Della Kartika Dila Oktaviana Devani Dwy Nurcahyati Ega Mawarni Putri Gabriella Krisnugtya Putri Rosita Novarida Sebtaribah Vayza Indah Febrianti