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All Journal Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Jurnal Pendidikan dan Sosial Humaniora
Naura Atkiya
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Arts Humanities Education

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Pertunjukan Tari Dikee Pam di Desa Tuwi Eumpeuk Kecamatan Panga Kabupaten Aceh Jaya Yeni Zuryaningsih; Cut Zuriana; Yosi Julia Nanda; Naura Atkiya
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 4 (2024): Desember : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i4.112

Abstract

This research discusses the traditional dance Dikee Pam from Tuwi Eumpek village, Panga subdistrict, Aceh Jaya Regency, which has become one of the cultural heritage of Indonesia. The Dikee Pam traditional dance has been transformed from religious rituals into a performing art by having 16 likkok or movement variations and 16 male players and 2 radat. The basis of this research is motivated by the importance of preserving the traditional Dikee Pam dance. The main focus of the research is the performance, history, development, function and efforts to preserve Dikee Pam. This dance originally functioned as a ritual to celebrate the birthday of the Prophet Muhammad and has now developed into a performing art form that is performed at various official and entertainment events. The research method is a descriptive approach using interviews, observation and documentation. The results showed that interest in Dikee Pam is declining due to lack of financial support and lack of interest among the younger generation, which is the main challenge to its preservation. However, the local community is still trying to preserve this dance through the Aneuk Nanggroe studio. This research recommends the importance of documentation, integration into local education and the development of Dikee Pam as a potential cultural tourism to maintain sustainability,
Makna Simbolik Dalam Tari Kuda Kepang di Desa Alue Leuhob Kecamatan Cot Girek Kabupaten Aceh Utara Yeni Zuryaningsih; Cut Zuriana; Naura Atkiya
Khatulistiwa: Jurnal Pendidikan dan Sosial Humaniora Vol. 5 No. 3 (2025): September : Khatulistiwa: Jurnal Pendidikan dan Sosial Humaniora
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/khatulistiwa.v5i3.6940

Abstract

This study aims to examine the symbolic meanings embedded in the movement variations of the Kuda Kepang dance as practiced in Alue Leuhob Village, Cot Girek Subdistrict, North Aceh Regency. This traditional art form, originally a cultural heritage of Javanese traditions, is preserved by a transmigrant community within the Acehnese society, particularly through the Ronggolawe studio. Utilizing a qualitative descriptive approach, the research reveals that each movement variation in this dance does not merely represent elements of dance aesthetics but also incorporates other branches of art, such as visual arts through the use of props and facial makeup, music through rhythmic accompaniment, and dramatic arts in the trance performance segment. Furthermore, Kuda Kepang dance embodies spiritual symbolism closely tied to spirit summoning, energy unification, and spiritual protection. Typically, the dancers perform in even numbers, ranging from six to eight or more male performers. The floor patterns include vertical, horizontal, and circular formations performed in pairs. This study analyzes thirteen primary movement variations: Sembahan, Milang-Miling, Perangan, Srisig, Entrag, Gedheg, Pacak Gulu, Kuda Lari, Nyawang, Lambaian, Kuda Berjalan, Tanjak, and Tundhuk. Each of these movements serves not only as an aesthetic expression but also as a medium for spiritual communication between the dancers and supernatural forces. These findings suggest that the Kuda Kepang dance functions as a cultural bridge intertwining art, tradition, and spirituality in the community of Alue Leuhob Village, Cot Girek Subdistrict, North Aceh
Co-Authors Cut Zuriana Yeni Zuryaningsih Yosi Julia Nanda