Article Per Year (5 Year)
p-Index From 2020 - 2025
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All Journal Panggung Journal Albion : Journal of English Literature, Language, and Culture DIVAGATRA - Jurnal Penelitian Mahasiswa Desain
Apriyulia, Apriyulia
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Perspektif Female Gaze Dalam Karya Seniman Modern Indonesia, Emiria Soenassa Apriyulia, Apriyulia; Adriati, Ira; Damayanti, Nuning Yanti
DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Vol 4 No 2 (2024): DIVAGATRA #08
Publisher : Fakultas Desain Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/divagatra.v4i2.13783

Abstract

The search for national identity in the development of modern Indonesian art has given birth to many artists with their characteristics. Emiria Soenassa, one of the pioneering female artists, plays a vital role in creating a vision of diversity that unites modern Indonesia today. Soenassa's works reflect her complex life experiences through the perspective of the female gaze, making her an important example of contemporary Indonesian art. This research explores how Soenassa's works position their subjects with a female gaze approach and how this contributes to gender struggles in the fine arts. The methodology used is a qualitative approach with descriptive analysis through archival research. The work was analyzed by applying the female gaze theory by Laura Mulvey and the Ways of Seeing concept by John Berger to understand women's perspectives and feminist art in the Indonesian context. This research will provide new insight into the contribution of female artists to the development of modern art in Indonesia.
SOFT POWER ANALYSIS THROUGH KPOP IDOL IN PRESEVATION AND CULTURAL PROMOTION Apriyulia, Apriyulia; Adriati, Ira; Damayanti, Nuning Yanti
Journal Albion : Journal of English Literature, Language, and Culture Vol 6, No 2 (2024): Issue 2
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v6i2.10529

Abstract

Pop culture is a phenomenon that emerged as a result of globalization. This phenomenon is very diverse and often changes over time. It is influenced by rapid advances in technology and mass media, which facilitate its spread in society. One prime example of the spread of popular culture through soft power is Korean Pop (K-pop), which has attracted global attention and spread to various countries worldwide, creating the Korean Wave phenomenon. This research uses qualitative methods with a descriptive approach to analyze literature data from multiple online and offline sources, including articles, journals, photos, and videos related to the Korean Wave through K-pop. The theory used in this analysis uses the soft power theory proposed by Joseph S. Nye Jr. and the visual image theory by Walter Lippmann. The analysis results show that in its efforts to preserve and promote its culture, South Korea implements an imaging strategy involving various levels of society. K-pop idols play an essential role by integrating traditional Korean elements into their music videos (MV). These conventional elements include backgrounds in the form of royal buildings, the use of Hanbok, and aspects of traditional South Korean music. This strategy succeeded in packaging conventional elements in an attractive and modern context without losing their essence, strengthening the image of Korean culture and increasing K-pop's global appeal.
Dinamika Pertunjukan Lukah Gilo Di Kabupaten Tebo Apriyulia, Apriyulia; Adriati, ira; Damayanti, Nuning Yanti
PANGGUNG Vol 35 No 2 (2025): Representasi, Transformasi, dan Negosiasi Budaya dalam Media, Seni, dan Ruang So
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i2.3299

Abstract

Lukah Gilo dance from Tebo Regency, Jambi,  originated as a ritual to honour ancestral spirits before planting and harvest seasons. Over time, as socio-cultural dynamics shifted, the dance transformed from a sacred ritual into a secular form of artistic expression performed at public and communal events. This study describes the transformation of Lukah Gilo’s function and meaning in response to social change. The research adopts a qualitative approach using contemporary ethnography by Hammersley & Atkinson, combined with historical methods through the stages of heuristics, verification, interpretation, and historiography. The findings reveal three developmental phases: a ritual-based pre-independence era, an innovation phase in the early 2000s with two stylistic variations (Semabu Village and the Tebo Regency arts team), and an ongoing preservation phase. These changes are shaped by government support, artistic reinterpretation, community participation, and environmental factors. The study underscores how traditional performances can adapt to modern contexts while maintaining cultural identity.
Co-Authors Ira Adriati Nuning Yanti Damayanti