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All Journal Jurnal Imajinasi Visual Art Panggung Jurnal Budaya Nusantara Journal Albion : Journal of English Literature, Language, and Culture DIVAGATRA - Jurnal Penelitian Mahasiswa Desain TGO Journal of Community Development Seminar Nasional Riset dan Teknologi (SEMNAS RISTEK)
Ira Adriati
Institut Teknologi Bandung
Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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ANALISIS ESTETIS LUKISAN KACA CIREBON TEMA SEMAR DAN MACAN ALI Wulandari, Yustina Intan Intan; Adriati, Ira; Damajanti, Irma
Visual Art Vol 1, No 1 (2012)
Publisher : Visual Art

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (0.168 KB)

Abstract

Abstrak Cirebon adalah kota yang terletak pada perbatasan antara Jawa Barat dan Jawa Tengah, serta berbatasan dengan Laut Jawa. Posisinya sebagai kota pelabuhan membuat berbagai budaya masuk ke dalam Cirebon. Lukisan kaca Cirebon adalah salah satu seni tradisional yang berkembang di Cirebon dari masuknya berbagai kebudayaan seperti Cina, Islam, dan Hindu. Penelitian ini bertujuan untuk melihat lebih lanjut perkembangan lukisan kaca Cirebon yang lebih difokuskan pada lukisan kaca Cirebon dengan obyek Semar dan Macan Ali. Sampel yang digunakan adalah lukisan kaca Semar dan Macan Ali. Pelukis yang menjadi sampel adalah salah satu pelukis yang menjadi pelopor kemajuan lukisan kaca yaitu Rastika, serta pelukis lain yang masih aktif menghasilkan lukisan hingga sekarang. Berbagai lukisan Semar dan Macan Ali akan dibandingkan untuk memperlihatkan variasi obyek dan latar belakang yang dibuat oleh pelukis kaca, seperti bentuk kaligrafi, bentuk dasar obyek, dan pengolahan latar belakang. Hasil perbandingan tersebut akan memperlihatkan sejauh mana pengrajin melakukan perubahan-perubahan dalam visual lukisan kaca yang mereka buat yang dibandingkan dengan karya-karya klasik yang sudah ada. Hasil analisis kualitatif pada penelitian menunjukkan pengrajin lukisan kaca melakukan perubahan visual berdasarkan kesadaran akan komposisi obyek lukisan kaca, pada kasus lain susunan visual dipertahankan sama dengan karya-karya klasik dengan penambahan maupun pengurangan obyek pendukung lainnya seperti mega mendung, wadasan, stilasi tumbuhan, dan bagian latar belakang lukisan. Obyek utama tidak mengalami banyak perubahan, Semar tetap mengikuti bentuk dasar wayang Cirebon, dan lukisan kaca Macan Ali masih mengikuti bentuk Macan Ali yang sudah ada pada karya-karya klasik. Kata Kunci : analisis estetis, Cirebon, lukisan kaca, Macan Ali , Semar  Abstract Cirebon is a city which located in the province of West Java, near the border of Central Java, and Java Sea. Its position as port city had attracts merchants and made Cirebon to be influenced with many cultures. Cirebon glass painting is a traditional craft which showed how several cultures such as Chinese, Islam, Hindu combined as one. This research was conducted to find the development in Cirebon glass painting compare to the classic works. Cirebon glass painting with primary object Semar and Macan Ali was chosen. One of glass painting pioneer, Rastika, also some artisan who still actively producing glass paintings. The glass paintings were compared to show how the object variation, background development, and caligraphy. Changes, especially in visual, will be compared with the classic works such as works those could be found in Cirebon palace, Keraton. The research showed some glass painting artisans made some changes in visual based of the composition. The primary objects, Semar or Macan Ali, dont have  lots of changes, the difference between paintings only in minor features. For example is the placing of minor objects mega mendung and wadasan, plant ornament, and the background. Semar visualization in glass painting is similar with Semar visualization in Cirebon traditional puppet. The visualization in Macan Ali glass painting have similarity with the classic works such as tlawungan and wall hangings made of animal skin.
ANALISIS LUKISAN LEE MAN FONG PERIODE 1950-1965 KOLEKSI ISTANA NEGARA Rahayu, Poppy; Adriati, Ira
Visual Art Vol 4, No 1 (2015)
Publisher : Visual Art

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (0.168 KB)

Abstract

Lukisan Cina merupakan suatu entitas kesenirupaan yang mempunyai kaidah serta dalilnya tersendiri yang membuat karya-karya lukisnya menjadi unik dan menjadi ciri khas. Pada karya tulis ini, khususnya, membahas lukisan-lukisan Cina karya Lee Man Fong yang pada latar belakangnya merupakan seniman diaspora Cina yang tinggal dan bekerja di Indonesia dan sempat menjadi ajudan kepercayaan Presiden Soekarno untuk hal-hal penyeleksian karya seni di kalangan Istana Negara. Pada rumusan masalahnya mencoba untuk menjelaskan aspek-aspek estetis ditinjau dari pemahaman seni lukis Cina Tradisional yang berangkat dari kaidah-kaidah seni lukis Cina Kuno. Metode penelitian yang dilakukan adalah kualitatif dengan teknik pengumpulan data purposive sampling. Lukisan yang dipilih merupakan beberapa karya Lee Man Fong yang dihasilkan pada masa produktifnya selama dua dekade, yaitu dari tahun 1950 sampai 1970-an sebanyak enam buah, di antaranya: “Dua Ikan Mas Hitam”, “Warung di Bali”, “Taman Pei Hai”, “Wanita Bali Menenun”, “Wanita Bali Membawa Bakul”, dan “Wanita Jepang dengan Kipas”. Adapun metode analisis yang diaplikasikan berupa pendekatan Kritik Seni Rupa Feldman dan Teori Seni Lukis Cina dengan menggunakan Enam Prinsip Lukisan Cina untuk meninjau aspek-aspek estetis dari sampel-sampel tersebut. Pada evaluasinya juga digunakan pendekatan transformasi budaya untuk melihat pemetaan historis dari tiap-tiap karyanya pada medan seni rupa Indonesia pada saat karya tersebut dihasilkan dan didistribusikan. Dalam bagian akhir laporan penelitian ini, terdapat kesimpulan bahwa enam lukisan terpilih yang menjadi sampel menunjukkan tema dan visualisasi khas Cina dengan tema simbolisme hewan, juga tema khas Indonesia dengan visualisasi keseharian masyarakat Bali pada beberapa lukisannya. Adapun teknik yang diaplikasikan menggunakan teknik seni lukis Cina tradisional.
NILAI ESTETIS BATIK GARUT PEGUNUNGAN DAN PESISIR Adriati, Ira
Jurnal Budaya Nusantara Vol 3 No 1 (2019): NUSANTARA & MEDIA
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol3.no1.a2117

Abstract

Batik is a result of a tradition of ownership owned by various regions in Indonesia. One ofthe areas in West Java is known as Batik Priangan, including the region of Garut. Each regionin Priangan has a batik that is batik with unique motifs and coloring in each region. In this paper,it describes the aesthetic value of batik Garut in the mountainous areas with the coastal areas.This research uses historical approach, the value of tradition-oriented, and in cultural acculturation.Based on the analysis, it can be known that the waters can be different from the visualizationof batik motifs in the mountainous regions, which tend to be classic motifs, typical of the latenight and the coast of the region. The other difference appears from the ability of the craftsmen,the craftsmen in the mountainous regions show more detailed and smooth skills, while on thecoast there is no detail.
ANALISIS STRATEGI AKTUALISASI DIRI SASYA TRANGGONO PEREMPUAN PERUPA INDONESIA DALAM MASA PANDEMIK COVID-19 Adriati, Ira
Jurnal Budaya Nusantara Vol 4 No 2 (2021): NUSANTARA & RUANG VIRTUAL
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol4.no2.a4023

Abstract

Sasya Tranggono is an Indonesian female artist who works with the subjects of puppets, flowers and butterflies. Her work is well known in the Indonesian art social scenes; she has actualized herself. In this research condition analyzes the self-actualization process during the Covid-19 pandemic. This research is a qualitative research. Using Abraham Maslow's theory of self-actualization which has been converted to fine arts, Hans Van Maneen's theory for the exhibition process, and Hennessy's theory relating to publication on social media. Based on the analysis, it can be seen that Sasya Tranggono tries to maintain her self-actualization even through social media such as Instagram and the web. She has collaborated with several galleries to exhibit her work online and offline. All of her publication strategies kept her at the pinnacle of self-actualization.
Economic Empowerment of PKK Women in Improving Community Welfare in Pasir Endah Village, Ujungberung City District Rohayati, Yeti; Sarihati, Tati; Adriati, Ira; Dzauharoh, Shinta
TGO Journal of Community Development Vol. 2 No. 1 (2024): January - June
Publisher : Trescode Green Organization

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56070/jcd.2024.004

Abstract

This Community Service activity aims to help PKK mothers in Pasir Endah Village, Ujungberung District, Bandung City in making Jumputan batik with the aim of providing understanding in improving family welfare. The activity was carried out in the form of direct practice in making jumputan batik which was attended by approximately 30 residents of Pasir Endah sub-district, Ujung Berung District, Bandung City. Through this activity, it is hoped that it will provide benefits in that the women of PKK Pasir Endah, Ujung Berung District, Bandung City will have the skills to make jumputan batik so that they can improve the welfare of their families. Apart from that, it is hoped that PKK women will get an idea of how to form an MSME business which can be done after identifying and inventorying the potential of the artistic works owned by PKK women so that they can be developed to be more economically productive and they can also understand alternatives in carrying out efforts to find sources of funding by the aim of improving family welfare.
Perspektif Female Gaze Dalam Karya Seniman Modern Indonesia, Emiria Soenassa Apriyulia, Apriyulia; Adriati, Ira; Damayanti, Nuning Yanti
DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Vol 4 No 2 (2024): DIVAGATRA #08
Publisher : Fakultas Desain Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/divagatra.v4i2.13783

Abstract

The search for national identity in the development of modern Indonesian art has given birth to many artists with their characteristics. Emiria Soenassa, one of the pioneering female artists, plays a vital role in creating a vision of diversity that unites modern Indonesia today. Soenassa's works reflect her complex life experiences through the perspective of the female gaze, making her an important example of contemporary Indonesian art. This research explores how Soenassa's works position their subjects with a female gaze approach and how this contributes to gender struggles in the fine arts. The methodology used is a qualitative approach with descriptive analysis through archival research. The work was analyzed by applying the female gaze theory by Laura Mulvey and the Ways of Seeing concept by John Berger to understand women's perspectives and feminist art in the Indonesian context. This research will provide new insight into the contribution of female artists to the development of modern art in Indonesia.
Dampak Perkembangan Teknologi Digital terhadat Karya Perempuan Ilustrator Indonesia Cempaka, Gilang; Damjanti, Irma; Adriati, Ira
Semnas Ristek (Seminar Nasional Riset dan Inovasi Teknologi) Vol 9, No 1 (2025): SEMNAS RISTEK 2025
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/semnasristek.v9i1.7868

Abstract

Seiring perkembangan teknologi digital dan internet, ilustrasi pun mengalami perkembangan yang tidak hanya bersifat konvesional melalui mandatori klien dan  pelengkap teks.  Saat ini bermunculan ilustrator yang memiliki otonomi sendiri dalam berkarya, sekaligus berjiwa entepreuneur Mereka berkarya atas dorongan pribadi, memproduksi dan menjual sendiri karyanya baik secara online melalui media sosial maupun secara langsung. Umumnya mereka memiliki akun Instagram untuk membagikan portfolio sekaligus mempromosikan karyanya. Penelitian ini mengambil subjek tiga orang perempuan yang berprofesi sebagai ilustrator lepas yang banyak bekerjasama dengan klien, namun juga memproduksi ilustrasi otonom, yaitu Kathrin Honesta, Anindya Anugrah dan Martcellia Liunic.  Ketiganya memiliki ciri khas visual masing-masing yang secara kreatif dituangkan melalui perangkat ilustrasi digital. Produk ilustrasi otonom yang dihasilkan antara lain art print, aksesoris, buku, fashion, mainan, pernak-pernik dan lain-lain. Pentingnya penelitian ini karena masih minimnya pembahasan mengenai perempuan ilustrator Indonesia dan dampak perkembangan teknologi digital terhadap perkembangan karya ilustrasi mereka. Metode yang digunakan dalam penelitian ini adalah kualitatif, data didapatkan dari kaji pustaka, dokumentasi dan observasi. Sample yang digunakan adalah purposive sampling dengan memilih tiga orang perempuan ilustrator dan luaran ilustrasinya.  Hasil dari penelitian yaitu bahwa teknologi digital membawa dampak positif bagi perempuan ilustrator, mereka dapat bekerja lebih efektif, efisien dan lebih kreatif karena adanya otonomi.
Analisis Visual Citra Kota dan Proses Kreasi Motif Batik Marunda Jakarta Dyah Woelandhary, Ayoeningsih; Damayanti, Nuning Yanti; Sunarya, Yan Yan; Adriati, Ira
PANGGUNG Vol 35 No 1 (2025): Wacana Seni dalam Identitas, Simbol, Pendidikan Karakter, Moral Spiritual dan Pr
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i1.3757

Abstract

Penelitian ini mengangkat Batik Marunda sebagai representasi produsen batik yang mengusung identitas Jakarta masa kini melalui motif bertema urban. Sebelumnya, kajian mengenai batik cenderung berfokus pada budaya Betawi, sementara objek kota Jakarta, dengan segala kompleksitas visual dan narasinya, jarang menjadi perhatian. Penelitian ini bertujuan untuk mengeksplorasi bagaimana elemen visual direpresentasikan dan diintegrasikan ke dalam motif batik, menggunakan teori Kevin Lynch sebagai kerangka analisis. Dengan pendekatan kualitatif, penelitian ini mengurai proses kreasi motif yang melibatkan lima elemen path, edge, district, node, dan landmark, untuk memastikan setiap elemen visual ditempatkan secara strategis dan bermakna. Hasil penelitian ini diharapkan memberikan pemahaman baru bagi perancang batik mengenai pentingnya mengangkat citra kota secara holistik dalam proses kreatif, sehingga mampu menghadirkan karya yang tidak hanya estetis, tetapi juga relevan dengan identitas budaya dan visual dengan tema kota.
SOFT POWER ANALYSIS THROUGH KPOP IDOL IN PRESEVATION AND CULTURAL PROMOTION Apriyulia, Apriyulia; Adriati, Ira; Damayanti, Nuning Yanti
Journal Albion : Journal of English Literature, Language, and Culture Vol 6, No 2 (2024): Issue 2
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v6i2.10529

Abstract

Pop culture is a phenomenon that emerged as a result of globalization. This phenomenon is very diverse and often changes over time. It is influenced by rapid advances in technology and mass media, which facilitate its spread in society. One prime example of the spread of popular culture through soft power is Korean Pop (K-pop), which has attracted global attention and spread to various countries worldwide, creating the Korean Wave phenomenon. This research uses qualitative methods with a descriptive approach to analyze literature data from multiple online and offline sources, including articles, journals, photos, and videos related to the Korean Wave through K-pop. The theory used in this analysis uses the soft power theory proposed by Joseph S. Nye Jr. and the visual image theory by Walter Lippmann. The analysis results show that in its efforts to preserve and promote its culture, South Korea implements an imaging strategy involving various levels of society. K-pop idols play an essential role by integrating traditional Korean elements into their music videos (MV). These conventional elements include backgrounds in the form of royal buildings, the use of Hanbok, and aspects of traditional South Korean music. This strategy succeeded in packaging conventional elements in an attractive and modern context without losing their essence, strengthening the image of Korean culture and increasing K-pop's global appeal.
DISCOURSE ON THE IMAGE OF VIRTUAL REALITY GRAFFITI ART: FROM PUBLIC SPACE TO VIRTUAL SPACE Zuhdi, Helmi; Damajanti, Irma; Adriati, Ira
Journal Albion : Journal of English Literature, Language, and Culture Vol 6, No 2 (2024): Issue 2
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v6i2.10525

Abstract

Abstract. Current technological developments are characterized by various innovations, ranging from network speeds to artificial intelligence. These advancements have propelled the existence of modern technology, initially emerging as tools to assist humans in their daily lives. The use of Virtual Reality (VR) helps to display elements that do not exist in the real world, presenting them through digital media as if they were real. VR Graffiti has become a solution for artists who wish to create works without getting their hands dirty or disturbing public spaces. VR offers various conveniences by transcending physical and virtual realities. However, how do practitioners and the public view these developments? This research aims to understand the perspectives of both practitioners and the public towards VR graffiti using an imagological approach. The scope of graffiti objects analyzed in this study is limited to those that are legally present. By understanding various viewpoints of practitioners towards VR graffiti, this research can provide an overview of the discourse on how VR graffiti is perceived by the general public and practitioners alike.
Co-Authors Apriyulia, Apriyulia Damjanti, Irma Dyah Woelandhary, Ayoeningsih Dzauharoh, Shinta Gilang Cempaka Irma Damajanti Nuning Yanti Damayanti Nusantara, Satria Poppy Rahayu, Poppy Rohayati, Yeti Tati Sarihati Yan Yan Sunarya Yustina Intan Intan Wulandari Zuhdi, Helmi