Article Per Year (5 Year)
p-Index From 2021 - 2026
0.817
P-Index
This Author published in this journals
All Journal Analisis: Jurnal Studi Keislaman CaLLs : Journal of Culture, Arts, Literature, and Linguistics LET: Linguistics, Literature and English Teaching Journal Suar Betang
Ahmad, Hedayat Muhamad
Unknown Affiliation
Education Languange, Linguistic, Communication & Media Social Sciences

Published : 4 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 4 Documents
Search

 1 
From Community to Alienation: Psychological and Social Isolation in Mary Shelley's Frankenstein Abdalla, Shabaz; Abdulqadir, Ayub Hasan; Ali, Zuber Osman; Ahmad, Hedayat Muhamad
LET: Linguistics, Literature and English Teaching Journal Vol. 14 No. 2 (2024)
Publisher : English Department of Faculty of Tarbiyah and Teacher Training

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18592/let.v14i2.14243

Abstract

The theme of alienation is explored in Mary Shelley’s 'Frankenstein' as this study investigates how the narrative mirror the various intricacies of human relations and demands on society in the Victorian times. In the study, the psychological and social dimensions of alienation in Victor Frankenstein, and his creation are analysed qualitatively, using a text analysis. What the findings show is that alienation is not a matter of personal struggle but rather reflects broader moral and social struggles, including the aftermath of the Industrial Revolution and attempts to construct identity in a changing world. By providing insights into the messy nature of alienation as multifaceted phenomenon, crossing time, this study contributes to the discussion of individuality and societal dissociation, which have become topics of discussion in contemporary literature. This study therefore also has the implications that literature can contribute to the enduring human concern, and should continue to become explored in terms of alienation in historical and modern contexts.
The Absurdity of Existence: Analyzing Human Relationships in Sartre's No Exit Abdalla, Shabaz; Mohammed, Rebwar Zainalddin; Ahmad, Hedayat Muhamad
SUAR BETANG Vol 19, No 2 (2024): December 2024
Publisher : Balai Bahasa Kalimantan Tengah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/surbet.v19i2.19379

Abstract

This article explores the philosophical concepts of existentialism and absurdism, focusing on the works of Jean-Paul Sartre and Albert Camus. It begins by examining Sartre's notion of "for-itself" and "in-itself," highlighting the inherent discomfort and isolation of human existence, which resonates with Martin Heidegger's idea of "Dasein." The study delves into the fundamental aims of absurdism, which seeks to reconcile the contradictions between human will and a hostile environment. By analyzing Sartre's play No Exit, the article illustrates how absurdist theatre employs non-linear narratives to evoke feelings of disorientation and absurdity, ultimately reflecting on the quest for meaning in a seemingly meaningless world. The study also critiques the absence of Grice's Cooperative Principle, particularly the Maxim of Quantity, in the dialogues of No Exit, emphasizing the complexities of communication in existential contexts. The findings underscore the interplay between existential themes and absurdist techniques, offering insights into the human condition and the perpetual struggle for purpose amidst existential despair. This article is relevant for readers interested in philosophy, theatre, and the exploration of human existence.
An International Perspective on The Protection of Freedom of Expression, with Special Emphasis on the Promotion of Racism, Xenophobia, and Religious Bigotry Abdullah, Arez A.; Mahmod, Hoshman Ata; Salih, Hussein Mohammed; Ahmad, Hedayat Muhamad; Salih, Mihraban H.
Analisis: Jurnal Studi Keislaman Vol 22 No 2 (2022): Analisis : Jurnal Studi Keislaman
Publisher : Universitas Islam Negeri Raden Intan Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24042/ajsk.v22i2.14262

Abstract

The right to freedom of expression is a pillar of any democratic and pluralistic society. However, according to current international human rights standards, this right should be limited for several reasons, including others' rights and advocacy of national, racial, or religious hatred. In this study, the analytical method is adopted by analyzing the documents and the arguments made in the literature. Also, this is concerning some personal speech. Therefore, this paper has been divided into two parts; the first part deals with giving a comprehensive explanation and definition of freedom of expression through international and regional conventions. The second part begins with laying out the research's theoretical dimensions and looks at how this right should be limited for two reasons: regarding others' rights and advocating national, racial, and religious hatred. The main variables in this paper address various rights perspectives while considering current debates. This research concludes that freedom of speech, including press freedom, is a fundamental human right. Also, it is the job of the judicial branch and the rest of the legal system to protect human rights and freedoms.
Morrison's Use of Symbolism: The Significance of Blue Eyes in The Bluest Eye Muahamad, Hajar Hassan; Salh, Pana Mahmud; Mahmud, Shene Jamal; Ahmad, Hedayat Muhamad; Abdlalla, Shabaz
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 11, No 2 (2025): CaLLs, December 2025
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i2.22266

Abstract

The symbolic and psychological meaning of blue eyes in Toni Morrison's The Bluest Eye is critically examined in this analysis with a specific emphasis on the destructive effect of Eurocentric definitions of beauty on Black identity and self-esteem. Through the tragic Pecola Breedlove, Morrison lays bare how cultural definitions of beauty specifically the idealization of Whiteness and blue eyes result in internalized racism, self-loathing, and mental breakdown among African Americans. The study examines how these ideals are sustained in literature, the media, domestic life, and text materials to create a cultural discourse whereby Blackness is belittled. Blue eyes are used by Morrison not just as physical appearance but as Whiteness, acceptance, and worth attributes denied Blacks in the segregated world. By analyzing Symbolism, form, and periodization in the novel, this volume argues that The Bluest Eye is both a caustic critique of racialized codes of beauty and an imperative to rewrite cultural values on terms friendly to Black dignity, worth, and personhood.
Co-Authors Abdalla, Shabaz Abdlalla, Shabaz Abdullah, Arez A. Abdulqadir, Ayub Hasan Ali, Zuber Osman Mahmod, Hoshman Ata Mahmud, Shene Jamal Mohammed, Rebwar Zainalddin Muahamad, Hajar Hassan Salh, Pana Mahmud Salih, Hussein Mohammed Salih, Mihraban H.